Full text of "CU Amiga Magazine Issue 063"

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Tutorials; Modeler 3D ■ Dir Opus ■ Photogenics ■ ProCalc ■ Video Ideas 





AMIOA 

M A li A X • n c 



■Buioamiimfmvftissufiif 

CI UKA - mtmii if $T AMU Ml 



u§m 106 



FUU. PROG 



10 PRINTERS 



ON TRIAL FOR DTI* 
WP AND GRAPHICS 



PLUS: 



FITTING A 
HARD DRIVE 

SAVE MONEY 
BY FOLLOWING OUR 
STEP BY STEP GUIDE 




Create prdessional structured 
artwfjrk with ynur Amiga. 

Rqw^ts 2Mb RAU Hiit inve recDnitllip-jLqJbk ' .„_ 

PLUS: clip art and utility disk AMIGA 




itmt nnm 



DISI,107 



Both dimii mtwft: 



OclaMED 6 



CREATING 
PICTURES 

WHICH ART PACKAGE 
IS REALLY THE BEST? 





The ultMiate Amiga rhisic packaige 



PLUS: ChQonofthenianai 



1 



Baliesn 



Build yum awi empire of cute 
siap-lieaiis lAiith this pljiynbli^ ifeiiii) 



WE REPORT FROM 

EUROPE'S BIGGEST 

GAMES SHOW 





JS$MbBCAS19!iBDH?eBPiil99b.. 



Next Day £5-00 

2-3 Days £2.50 Saturday i I 0,00 

Deliveries are subject to stock availability 

Altow up to 7 days for cheques to clear 

Q B S 




POWER COMPUTING LTD 

44a/b Stanley St, Bedford MK4 1 7KW 

Tel Ona-i 273000 Fax OI23J 352207 



TELEPHONE 01234 273000 




ROM 




£199 

x3 CD.ROM 
DOUBLE SPEED CD ROM 




SCSI ConnectDrt 



Audio In^Out 



POWER CD-ROM ■ 

The new Power CD-ROM for the Amiga 600/1200 plugs 
directlj;' into the PCMCIA port and provides a direct SCSI-1 
and SCSI-II interface, allowing up to six additional peripherals 
to be connecteds for example: Syquest Drives, Hard Drives, 
Flatbed Scanners and Dat Drives. What's more the Power 
CD'ROM feacures a 'Hot-Plug' and 'Un-Plug', which 
allows you to connect/disconnect at arty time the Power 
CD-ROM and any additional devices, even when your 
Amiga is switched on, 

The CD-ROM comes with a SCSI interface, PSU, manud, 
audio lead, mains lead* and software: Audio CD, CD32 
Emulation, MPEG Film Decoder and PhotoCD software. 



Amiga 600/ 1 200 
Double - Speed 



CD-ROM 



£199 



Amiga, 4000 \c. sc?i mtcrikcF 
Double - Speed 



CD-ROM 



Quad - Speed 
CD-ROM £299 



Quad - Speed 
CD-ROM . . , , 



£159 
£259 



^ y 




£299 

x4 CD-ftOM 
QUAD SPEED CD ROM 




llOv 240 V SCSI ID Cooling SCSI Audio 

Switch Fan CDnn»clDn InfOut 

COMPARISON CHART 



DOUBLE SPEED, MULTI SESSft 

MAX TRANSFER (INTERFACE) 

CD32 EMULATION 

NUMBER OF SUPPORTABLE DEVICES 

THRU PORT FOR ADDITIONAL DEVICES 

HIGH QUALITY METAL CASIN< 





FULLY SUPPORTS HOT UN -PLUG' 
AUTOMATIC BOOTING OF CD-ROMS 
CD + AMIGA SOUND MIXING FACILITIES 
COMPATIBLE WITH ACCELERATOR CARDS 
1 2 MONTHS WARRANTY 
COMPLETE WITH UTILITY SOFTWARE 

COST^ 

Accessories 

Amiga 4000 
SCSI-Interface £ I 29 

Multi- media Speakers 
80 Watt £54 



POWER 

m 

£1^9 


OTHEH 
) ORZ 


£199 




•uicoriy Trade and Educational orders welcome ■ Worldwide diftribution available 

U pikis radutfc VAT SpKlfcaimK jnd pricn n TibfA to ihiiip mirtoin ujiks aI ifJD«-i*ti Jre KUKiHvfcogtc. H\ a«*n n «n1r( v by Iriqjf^ne w( Ik *LLqat« cJif iiiti«tl Vi (W WT"t iiU (C^i**n* (f praoi:, oDfie. of *4«d-^ ire Mlitie tor rf dwp try w^^f. 



Next Day £5.00 

2-3 Days £2.50 Saturday £10.00 

Deliveries are subject to stock availabiiity 

Allow up to 7 days for cheques to dear 




POWER COMPUTING LTD 

44a/b Staniey St. Bedford hK4l TRW 

Tel 01214 173000 Fax 01 '23 4 352207 






■ELEPHONl. 01234 273000 



VIPER 



lyiPER 6 a030 SERIES 



• RAM Up to 8MB (Viper 1)/ 128MB (Viper 2 ) 

• Full Kickstart Remapping 

• Oprioaal SCSl-II adapcor 

• On-boand baiteiy backctl cloek/G8882 Co-processor 
■ Instruction dnd daia burst modes 



»r-i 2SMHZ ^^^^^^mm-^irtnx 

PGA^PLCC. H'U upto :jOMHz FGA/PLCC, FPL upLo 50MHz 

Bare Board . . .£ I I 5<.95 Bane Board . . ,£ 1 69.9S 

-IMB Viper , . . .£249,95 4MB Viper £299.95 

HMB Viper , , . .£399,95 8MB Viper . . . .£439.95 

rip«r -2 18 M H± Hb*^'' -^ ^^*^ "^ ^^ 

FLCC only, FPU upto 4flMHi PLCC only. FPU upro 40MHz 

Bar« Board . . .£ I 35.95 Bare Board . . .£ I 99.95 

4MB Viper . . . .£269.95 4MB Viper . . . £329.95 

SMB Viper . . . .£4 I 9.95 8MB Viper . . . £469.95 



>er Co-processorSi 



^ Viper Opdons 





B'^II'ER 68030 ■ 

68030 40MHi RC or 50MHz RC 
with MMU, RAM upto 12SMB, 
FPU- PGA only, 

Bare 40MHz £229.00 

40MHE-4MB £379.00 

40MHZ-8MB £499.00 

Bare SOMHs: £249.00 

50MHZ-4MB £399.00 

SOMHz-SMB £5 I 9.00 










28MHz FPU ..... . .£25 SCSMI Adaptor . , . .£79 

33MHI FPU .... .. .£50 4MB SIMM £ 1 39 

40MHz FPU £70 eMB SIMM ...... .£299 

SOMHz FPU (PC A) .£ 1 00 Other SIMMS . , . XPOA 

Compistt fit' 0-f?A, frizzji; B«rt wmp***: 

All praducti have a 13 m 

Trade and Educational orders 

Al fry,ft inctide SrtT ^fctifc^xMH ind phcK tn sis^ ro 'Ja/igt •tUBsn riUKt, HI -..■icfeiiHrfe irc iiirmiBljpl M 



m 



W^^^^^^^ 



BpOWER 1208 

• A1200 RAM board 
- PCMCIA friendly J(|] 

• Uses I X 32 SIMM 

• Amiga Format Cold award 

• Expand upio 8MB 

2MB. £139.00 

4MB £189.00 

8MB £329.00 

The XL Drive 1.76MB niea^sures half 
the height of a standard EKternaJ 

floppy drive and allows you to store a 
massive 1,76MB on a high density 
disk. The A4000 internal drive fits 
perfectly yndcrneath the orig-lnai 
drive aitd no case cutting is required. 

iXTERNAL £89.95 

INTERNAL ...... £85.00 

A4000 INT £85.00 

POWER DRIVE 

The Power Drive now includes Blit?; 
Amiga and FJoppy Expanders free. 
Floppy Expander allows you to 
compress files on floppy disks by tip 
to 50%- Other features include: Anti- 
Click, Anti-Virus, Isolation Switch, 2 
Year Warranty, Thru'port, Cyclone 
Com pari blc Chip, Backup Hardware 
and BJit?. Compatible feature. 

EXTERNAL - .£49.95 

CYCLONE SIW ONLY , .£ I 0-00 

TRTTftNAL DRIVES ■ 

Our internal drives use the same drive 
mechanisms as the Amiga to ensure 

complete compatibility 

PC88I A500 ..... .£30.95 

pc8e2 AzooD £30.95 

pc8e3 A«(H)/i2oo ..... .£35.95 



.Artth warranty unle*» otherwise specified 
welcome . Worldwide diitributii^lt available 

crderb r vynii^ ^ by l^tgfv^*^ v^J hf: ^'Ti^fxed artf aJDJect 7:1 otr barm- and CDnctUooa ^Vttdb Ciip4fr el^>iut^ W 



ripiriHk' i-Bt of duf^ cm ra[^ictti 



« S 01 



•\ 




CU AMIGA MAGAZINE • MAY 1995 



Cover Features 



Printer showdown 27 Fitting Hard Drives 34 



Which is the best printer for you? 
Whether you need a prinrter for DTf* 
graphics, professional documents or rough 
program listings, there's something on cvffer 
in our round-up of the best ink jet, dot 
matrix and laser printers. But ifs more than 
just a buyers guide. It's got detailed graphic 
descriptions of the technology behind the 
Various technologies and advice on which 
type of printer is best suited to your needs. 



Hard drives have never been cheaper and 
there's never iaeen a fc>etter time to fft one to 
your A€K>0 or A1 200. Let's face it, very few 
Amigas have been sold in the last year, so 
invalidating the warranty is no longer an 
issue! We show you how it's done on page 
S^. Ifs a lot easier than you might think. 




Get Serious 



• Micro Studio 2000 72 

Possibly the mast poiwArfu) vidflO ttin^ ^v^r 

Bvailiible to the Amiga usar, comtiining a 
g«niDclt. chrtimBkay, TBC und video and audiv 
ml King In one box. Tony Horgan glv«i It ■ 
thdraugh wdrkdiit. 

• IVIy4VIOfftev 74 

A n*w low-aoat paraonail ffnancM planner 
9«ta tK« privilege of plfivlnv with Andy 
Leaning's r«adi«s. 

• CD-ROM Round Up 78 

Six n«w CD-ROMs af« tak«n for a spin: 
Multimedia Toolhit, The Beauty of Chaoa, 
Imagina Enhancer, Art BackBrDundk CaJlactlaii 'A', 
W«ird Sci«nee Clipart and 3D Anna. 

• Which Paint Package? 82 

W« test th« four main p«int packages for thair 
ability to praduce complste picture b frorr scratch 
- no scunners, digitisen or clip art allowed! 
Phoiagtrtfcs 1.1, Dmiaxe Paint tV AGA, Persvnmt 
Faint S.I andi BrUNance 2 go heatf to hosd, 



Public Domain 



• PD Sf^ne 88 

An explasian of gam^s haa leant ttila month's FO Scfima a 
joystJcJk-waggiing air, but thara'* still planty for damA Jynklas too. 

• PD Utilities 91 

Graphic Advantiira Creator is hailad as "tha ba-at libantawara 
rBlBBftfl ever" in this month's compro'hansive guide to tha mora 
serious aids of tha public domain. 



AMIGA 



Cover disks 



CONTENTS 



^Wff?*SBii"ai£?sr 



V 



" 106 

FULLPROGRAhl 



ProDraw3 

Create professiual structured / 
artwork with vaer Anijoja. { 



AMIGA SPJSS-aBT^BWTn™ 107 




Games 




PREVIEWS 

• Brutal - Paws of Fury 

Cuddly fdraat (inim«l> rtplac* bload and 
gut* In thit naw tH«t '«ni up. 

• Player Manager 2 - 

The Qran'd'daddv of 

manag*m*nt fogty •ima gate an updata. 

• Fears 

Could thill fmaUy ha tha Ooom dona 
wa'va baan watttng forf 

• Virocop 

Mipe out th* vWumum mnd rgttora 
tha flBirifla arceda to ita farmar glory. 

• Rnal Ovor 

Franklv it's not cricket. 

Wall It i« Hctyallv and it looka pretty g<Mjd too. 

REVIEWS 

• Super Skidmarks 2 

Cnr raeing gont crazy, with cowe and caravantT 

• Super Loops 

TAkaPiptmsniM. ehatiff* It a bit, and what have you got? 

• Italia '95 

Tak« an a top Italian foDthall l^^gue 
taam in e bid for etBrdain. 

• Premier Multi Edit System 

Editing tv'tem for Pramiar Manager that allowe yau to 
cuitomiaa antir« tenguva. 

• Man Unrted - The Double 

Thn bicist update of tha Manchester 
United aerie* yet? 

• VFM 

Award VUinrtiara Ptatinum Edition and Spaca l^ulk 
gtt the budget traatment thit month. 



47 

47 
48 
48 



BO 
53 



65 



ProDraw 3 



Profaaiional etruetui-ad 
drawing camea tv your 
Arnigo. Check out tha 
dataila of thi» fully Na- 
tured pro^rain on (uga S. 

OctaMED 6 
12 

Gat a taatar of the leteat 
var«ioii of tha Amiga's top 
music sequencing packaga, 

Baldies 
15 

Cam mend an entire race of 
fo'lticuterly-chaHangadi 
eutie* in tha latait twiet on 
the God aimuiation thema. 



• ATR 

All Arrain Racing *pln» onto tha CD32. 


60 


• Theme Park 

All tha fujA of the fair, on a CD. 


60 


• KlngPin 

Want abDwIirtg game? 

Thit thould bm right up your alley. 


62 


• The Clue 

PIbt bank JQbe end maka your fartuna, 
without tha riak! 


62 



PLAYERS GUIDES 

• Lords of the Realm 69 

The final part of our guide to this 
Olda Englanda aimuiator 

• Dreamweb 66 

Ovarcome the forcaa af darkneee 
with the final |>art of our guide, 




We reveal all tha latest 
releases and gossip 
from the European 
Computer Trade Show; 
traditionally the launch 
pad for the computer 
industry's biggest and 
boldest new projects. 





Editorial 



The Amiga is dead long tlve the Amiga, ByApnl 20th 
the Amiga's new master should be announced, Will it be 
Commodore UK who win the bid. with David Pleasance at 
the helm? Or will it be an American distributor, a German 
PC manufacturer and retailer or some other outsider? The 
biggest hope for the Amiga itself has to lie with the 
Commodofe UK bid. They have tbe experience and corn- 
mitment and thev know the market. But no-one really 
knows what will happen if it goes to another party. Escom, 
reported in this month's news as a rival bidder, has ihe retail network 
both here in the UK, on continental Europe and in ttie USA to put the 
Amiga or some derivative of tt back into the shops alongside its PCs, 
but will it do so? And will it support the existing user base? With the 
Amiga out of production for over a ysar now it is going to take time 
and money to get the format back on track. Whoever wins the bid will 
have to act quickly and decisively, for all our sakes. 



^:?^ 



jM3 



News 2Q 

OrtH of EuH>p«'i isBiling PC rnsnufBctiirATa ham bm*n roport- 
fld at making a bid for tha aasats and trademark* of 
Cammador* intsrnatianBL Could thi* b* th* futura of tha 
Amiga? Also game gianta Oc«a[n join forces, with Ttta^m 17, 
while B German deualop«r haa »QftwB,ra it claim* will allow 
yaur Amiga to write to d rtDrmal CD-ROM disc. 



Fanc=y League Results - 
Moinh One 



126 



Raaults of the firet manth't gainaa im tha Sanaibte World Qf 
SQPCi^r F,^iicv Football Laague. 



Directorv Opus 98 

Andy Leaning exipilAlitt haw to give covar diak 
100, Df factory Opua, artificial intallieonca. 

Prc»Calc ICKl 

Calculating Intarait rates with PrvC^fc Is 
aoav when you know ho'w. 

Buyers Guide 101 

How to get the bei,t deal, avoid tha ahsrka 
and QBt your monev'a worth. 

Graphifss Masterclass 102 

Man) advanced tips and tricks for PhotoganicB 
are revealed in thia month'a maetarclnvc. 

Modeler 3D 105 

Th« fine) part of OUT Motl«t*r 30 tutoirinl 0CiH*r« 
tha romaining optiorta, plua a faw ganaral tipa. 

Video ideas 10B 

Space cadat Tony Horgnn nhows how to maka 
dynamic animatians and offecte using colour cyolliig. 



Questions and Answers 

Tachnical prg^l^m^ tacklod by Tony and Andy. 

Frequently Asked Questions 

Modems, the Intarnet and Co mm sera 
dB-myatifiad by Jotmi Kennedy. 

a+A Masterclass 

New comprsssion techniques tested, plua 
how td spruce ap your Workbench. 



116 

110 

120 
122 



Tony Morgan's Sound Lab 

Advanced lips mr miiHing uimfilaa, simulating 16 track aya- 
tanne iltlAQ 4, *ampla channatsl 



Baclcc^iat 

Reedef '» op in tons in print. 



124 



Points of View 1 28 

Mr Comma himaolf, John Kennedy, has a surpris* go at 
buhatln boardsl 



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Editorial 



EDITOR^ Alan 'fruit dtat' Oykftm 
DEPUTV EDITOR: \.a* 'tliHa dirt' Caiiins 
TECHNICAL EOITOR: Andy 'chseft^ landwich dial' LHOtng 
•REVIEWS EDIT'OR: Tiirtv **>0t noodle dlat' Horvan 
GROUP ART EDITOR: Jatf 'microchip diet' Zii 
ACTING ART EDITOR: H«l*it 'ii^-tabtfita' Danby 

ADDITIONAL EMEHGENCy DESIGhl: AJIaan 'ciflarvtte dl*t' O'D^nnell 
TECHNICAL CONSULTANT: Johii 'aiilnnati diat' Konnedy 

CONTRIBUTORS: Pstir LeWj Artd^ Mltchail. Vairtpyrs., Ardra Pigatd, BIk Skawa, 
Tony DiDon. Martin Diviai and ftt«wl« 'groove town' Laa Webb, 
PHOTOGRAPHY: Mark GatahouH 

Advertising 

Ad MANAGER: Juttins '1 wan! a funny capdon plaaie' Carliori 

SENIOR SALES EXEC: Chrii tha btflitly unlikely Kea-nu Heavas Icmhalkk*' Pahara 

AD PRODUCTION: Tina 'on tint*' Oynn and Vicky 'lining cDrnfqrtibly' Jacobs 

PRODUCT MANAGEH: Fion^ 'y^yu'r* gattl^ng latar and later' WJlloeh 

HEAD OF MARKETING (AND ^NAPpy DRESSING]: Nigel 'Yw**' Taylor 

PUBLISHING DIRECTOR: Gmhiiin Taylor 

EDITORIAL DIRECTOR: Datrid Kelly 

MANAGING DIRECTOR: Terrv Pr^tt 

{Via dara not lay anythTng ellly about tha thrB« directonl 



Contacts 



Whan contpcting CU AMIGA than ana two noldan rutai, 

1: 9«nd vnur lattor* «tc to the rbstit dipirtmint ind plt^i* do iMt ufld B i.tarnpfd *«lf- 

•ddrauad tnvelop*- 

2^ PIvM* r*nMinb*r Hiit wa hav0 to- write int> prQflM^a yo-ur f ivourila ntagazlits avsrv 

niDnih. io try to ktep vouf -correvisnE^dencH short and la tha point. Although wv'd lava ua. 

w« tltnplv cannot raply panDnaUy ta ihi Aundhadi «f oalli, lattan. and taiaa wa gat. 

Ajnawsn hsva te ba through tba pagaa of th> maBazina Mtly. 

ADVEHTIS1NO AND ADV£llTISIN6 PftODLEMS 

if YiM with to a(lv«iFti»B. ar havo a protilam Mrith a COflipinv aEhrartkiJno in CU AMIGA OUf 
advartuing taam Ean h«lp. Coriiaet Chpli Ptrora on 0? 1-7 13 BSSe. or writa to tham at CU 
AMIOA Advartlakig, Durrant Houaa, 9 Harbai HMI, LandtMi CClR SEJ, 

READERS' LETTERS AND TECHNICAL PROBLEMS 

ffi\ gonoraL n-pn^t^chnicAt, anquirias sand yuur lAltlan 10 Boch^hat. f [vr tfrchnacal ^^nablantf* 
aend iham Id GbA. Biith ara fit CU AMIGA, Priarv Cnurt. SO-SJ FarHngden Lana, London 
EtilA3AU, 

PD SUBMISSIONS 

Wa ^et hundrtdt of now PD prggrami awry waaki but we're eflll hungry for matt. II 
you'va writtan a PD progrant that vou'ra prcMid of aand it to tha PD ZONE. CU AMIGA, 
Priary Court, 3fl^3Z Farrlngdwi Lana, Lvndm EC1H 3AU. 

COMPETITIONS 

CU AMIGA funi maujve compatitinna almoal avory luu«. To enter ona qT thaaa ■imp4y 

put vour nam* and addrsii An tha back of ptntcard, aigng mvith ths iiiawtra and aand 
tham \a ua ai Iha u^ual 4ddrCf4 C?n^P$^^itian ai^triaa ara cnly accepted bv povt. Ona ^ntiy 

par p«r*on pleai>» and tha aditar'i itacixicn it tNial, VHinrwrt wiH h« notifi*d by poat. Othar 
rulei "iM'i ha printad Fram tirtia to lima. 

SUBSCRIPTIONS and BACK ISSUES 

if vou'ra fed up With h untlnfl mw^^l f<fw CU AMIGA avary month thara'a an aa^iar wafi of 
getting your lavourita mnnililf ^ ae* F^ga 124 for detajla, T1li* •ubacriptiun batline and 
hack laauaa number li OsSS 4aU38. 

SUBSCHIPTIDfU DETAILS; 

SublCtiptlont are juvailahba from Tumr Piddithtnjf, T<3Wer H<9U»*, S^jv^raign Park, LathkitI 
Stroat. Markat Harfaorough LEI 6 SEf Tah OSSS ^g^aSB. AnTiual auba^Hptiam talOI. (loc 
fjaata^a] 12 iaiuaiL UKSFPO £47.40. SURFAC E,'1IDW £55.00. AIRMAIL EUROPE £^0.00. 
AIRIMAIL ROW ZONE 1 CflCDD. AlHlrtAIL nOW fONE 3 f^e.OO. 

COVER DISK PRO&LEMS 

If you hava a fauhy cover dlak than wHie or rwlvm vnur dlih to our 3.9 Inch people: CU 
AMIQA COVER DISK RETURNS, DIsSKN PRESS. UNIT 7, MiLLjOW COURT, eOUHTON INDUS' 
TRIAL PARK, BOUHTON-DN.THE-WATER, GLOUCESTEH&HiRE. GLB4 2HQ. 

COM MS 

You c«n Eontact Andy Laartlng. via Ibe tntarnatlmaii CUAMIGA@eix.compHjlln4c.co.uh, 

Piaa>a keap amall bdef ar>d to tha point. 

«: EMAP ImAga* 19»4, No part of ttiii, mui^arinfl may ba r*pt4dLH;ed In any form. 
either electronic or mechanical, withaut tha anpreu written permiiainn of iha 
publishing diractor. PRINTED IN THE UNITE KINGDOM ABC; SI .409 Jan - Jum 1»»4. 



AMIGA 





Player Manager 2 k a football 

managemenf simtilatlon with 

ONE Bie DIFFERENCE- you cait 

actually test your managerial decisions 

tfbere it counts - on the ^itch. 



Club History 



i***^ 










Anco Times 



ARSENAL CRASH TO 
LIVERPOOL 



ST^yx^ — ^-] Report 




Features that add superb arcade 
action to playable management. 







£ 

VI 




Fir mart dfttj^led inFvmtHn pl«iH nrrite fe Aitu> 7 Hilltidt Ir4uihiil Ettjtt, 
LaWtsn Roidj dartft'rJ, l^ent DA I 5SN iScrttiislitti nry frsun ftrmtt to feringt. 



AVAILABLE FOR 
AMIGA & PC CD ROM 



COVERDISKS 




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SuucluiEil dJawiftg Hm vi« tM se« *siii*ll BiUM^diawing Theie isn't mutli diHeftric* 

citcif iai the* th« s.gnic ciFCle artc^r iis letit bciwetrn hiiinafi ini atuciuied Toi ilie two 

> Lsiied . See hi>Lv itic e dgE3 di»n 'l ttrcali u|i ai small cirrlei. bul I null vilial happen s when 

lJi£ circle is Enlajgcil. Uie Ml UPp M«r^i«ii i^ «a|ai9«d. 




TKis month we've got something 
a little special for you. Not only the 
stonking ProDraw program (worth 
£200) but also a bladder-busting 
demo of OctaMED 6. 



ProDraw 3 

ProDraw is a complete structured 
drawing paclcage, ad owing you to 
create stunningly detailed pic- 
tures, illustrations, logos and art- 
work. You can load these 
pictures into a DTP program for 
printing or convert them to IFF 
format for use in any normal 
graphics prog rami. Even better, 
unlike with normal Amiga pro- 
grams, when you resize these 
images they will remain just as 
good as the original, and won't 
go all blocky or jaggy. If you prir^t 
them out (using a DTP program 
for instance) they will take advan- 
tage of the print resolution, get- 
ting better and sharper as your 
printer resolution increases. 

Structured drawings work on a 
different principal to bitmap draw- 
ings. DPaini BriiSiance and other 
bitmap based programs work by 
having a screen full of different 
coloured pixels, Pictures are 
drawn by changing the colours of 



the pixels, When the pixels are 
small, you can't see the joins, bui 

if they're blown up, the stepped 
edges become apparent. When 
you save the picture, every pixel 
and its colour value is saved. 

Structured drawing (sometimes 
called vector graphics) programs 



Compatibility 

This is the full version of 
ProDraw 3 and works on all 
Workbench 1.3 and 2.04 
systems. However due to 
bugs in the program, 
bevorid our control, 
ProDraw does not work on 
Workbench 3 Amigas - the 
A 1200 and A4-000. 
OctaMED 6, the exclusive 
demo, {found on this 
month's game disk 107) 
does however work on 
Workbench 3 systems - 
have fun. 



Feature Overload 

ProDraifl/ is just ovgrflowirhg with prdfessiona! features artd 
dafjabilities. In fact it's overloaded with features that both 
new users and professional gra 
Amongst the more interesting ones are: 

# Text distortion tools 

# Wrap t^Kt around curves 

# Gradient colour fills - radial and linear 

# Import Encapsulated Postscript and bUmap graphics. 

# Save as Encapsulated Postscript for use with almost 
every DTP prograni 

# Pantone colours for professional colour work 

# Utility to convert bitmap pictures to structured 
drawings and vice*versa 

Thesa are all pos$iibie with our cover disk. You'll also find a 
range of utilities and sirrple clip art to help you get Started 
- all courtesy of your friends at CU Amiga Magazine 



COVERDISKS 



on the other fiand store only the 
data fof the shapes that make up 

The picture,, describing them as 
mstherriiatical fomnulas. When you 
expand a PfoDfaw picture your 
AiTiiga looks at the shapes and 
redraws them at the new resolu- 
tioo. taking advantage of Xhe 
mcreased number of pixels. In a 
bitmap program the pixels are 
stretched so pictures that looked 
good suddenly become blocky. 
Even if you stretch a ProDraw pic- 
ture hundreds of times it won't 
lose any quality - try doing this in 
D^int[ Creating pictures ir> 
PioDfSw will mean that they 
akways look good, and get better 
*tier» you show or display them on 
9 high resolution monitor or printer 

Easily adapted 

It's also easier to change a struc- 
tured drawing. In DP6int when you 
draw a circle it becomes part of 
tihe picture - you're just cha.nging 
tfie coiouirs of the pixels in the area 
of the circle. To change the circle 
size you'll need to change the 
colour of the pixels again. A struc- 
tured drawing progrann on the 
other hand hold.5 the picture data 
as shape-s that float on the page - 
they can be moved and changed at 
will. To resize a circle just grab the 
drcle and drag it around! If a diag- 
onal line i:s in the wrong place, 
dick on it, pick up one end and 
drag it to a new location -simple. 

There are other advantages as 
well. By only saving the mathe- 
matical shape data, structured 
drawing files are much smaller 
tfian bitmap IFF files. A black page 
with a red circle in would be 
saved as 'draw a page, paint it 
black. Draw a red circle, 10mm in 
diameter, in the middle of the 
page'. DPasnt would have to save 
every pixel in the page, regardless 
of the fact that only a small area 
in the middle was being used. 

Over the next few pages you'H 
find comprehensive details on 
how to decompress and use this 
powerful program, and on page 
12 you can find out about all the 
exciting new features in OctaMED 
6, Over the coming months we'll 
also be running a serfes of tutori- 
als showing you how to get the 
most out of ProDraw. 

Manic menus 

Take a look at the panel on the 
right and try out the various 
tools. After experinnenting them 
with for a while you should be 
familiar with the basic tools of 
ProDraw and will be well on your 
way to being able to create 
detailed illustrations and logos. 
And ProDraw can do even more. 



ProDraw Explained 

This is the drawing area. Objects (lines, circles, 
iquares and tejtt) are drawn fie re. To draw an object 
use the tools on the right hand sida. Objects are 
selected by clicking on the Null Pointer tool and tfien 
clicking on the visible edges of objects. To select 
more than one object hold the Shift key down whilst 
selecting them or use the Marquee tool and drag a 
box around the objects. 

To delete «n object select it and press the Shift 
and Delete keys at once. You can abort most drawing 
operations by pressing Escape. You can also force the 
program to redraw the display at any point by press- 
ing the space bar. 




NULL fmttn mU titk bn !• mmn «r fi^ix 

11 eii¥tin| glijKt. Clidi m Hie id|s iA m sAjecit, 
A set d( cflRlitl painii will notti app6ir, drag Uiese 

^Faunii 141 chtmjE Ike F:liapi! of ani/ uIi)ecI. 
Allernalivelf click m the «ii}F ai aa Dbjecl add 
draii ii In rBDve ike iiltitt itaft Y|>u car ak» 
clicli m an ultJEi^t Mi lliti d«il»l« tl»?k v^ tlM 
Null Fniller tiiDl hriigiig uf t tH»BSlt( tl 
T/mt tfft ii fltjtct ^Hi«i». 



MASM^FY: Tlii pmiln ■ cine pf "k'l »f r**' 
Wirt (tr p«Bur^B ibject editing. Click ga the mal. 

FIkc tiK crijshftirs m the cenisi tl ttie MM y»l« 
wane rna^Milied and drag Ilie niiias,E oaE to Hit 
ed|e il tiia *'ei. The set ecu will agiw ipiUu 
■tamil I Wiwn aip littr of tilit irci, 



TEICT TlJiIlL; Clidi kwfintaltitttHimi 



HI TDKll.: Cieh m tkii for llie& liif Nricr 
arm, Fm lines, mate ihii crt&s Itain into Ae 
dmritg irta a»i clii:li nnce. Now ntimi lit cir- 
SJir la andllit) l(ieati«li <iiid click agaia, t III! ml 
■|lf ear helnee« tile two |l«iJ1t$. ha "■ kaa^ 
driwiaj lirei iinlil liiift n ffttsvi- Hi Berier 
cum} imiyf the criis.s hilil^ to Ikt driwidj ar^, 
md uMi htMin^ dawn ih» satuss feitlin. mm 
di( sinM Hiiiiiid lidi lelcftse ii iwhMi iiithtd. A 
ant wiil »im irfUL 



BUniTIDt: F«r drawlii MfSK or dicks, 
(kkaa h Ike <dr,awinq area, tttDYE the cnH 
Mrt mnv Irtm il and an ellip^E vriM tpt^it. Click 

ippi ID draw iha ellijlte. To constraii tiie Ellipse 
11 tqisl vertical and lioriiantll iBdii (cre^tiaj « 
dich) litld ikm the ALT ker while nwtiiiqi Ite 

MMISt. 



&tB TOM.: Crtalfi a fnt « Uhle. Click m ttk 
tai tt^n dra| nil a ktM. A lecUngle diivldeil 
Hititelli and korlTDntallr wHl ntw nfipenr 
clcking en the tool ican: zlliws foi tn tjKcilt Uie 
iianker 'Dl nws »nd CDlumri; in Ek» irtl 



tMl: Wiik this tcel 7«i HI ctiiigc Ike 
ftn If iBsditg 4l»jtcts Click »n Ikis and tkem 
hM the citsskaiis tlut a|ip«ar cllicli la nut an- 

Hf «l am [>fa|aEl. Now rtiai^e the crosshair^ hi a 

I'lfferenl pnint \stai frnm the »lijeEt| *ti pnsi 
Ike Ainiite hwtlon - bai linn'i rakaie It. As figi 
aiB«e the mtitse the *l>j«^ sne will chaige. 
Ficss ikE mnusB hatltit Ma Ml (jhe ;■!«. To rasii* 
a* flkjecl mvf jiEcurst^lir stkeci an tkjeci Mi 
Uiei deiUe click (a the siiiai l«cl icum. 



Ulltltait TODl ImBfiinf drawing a s^api aid tkll 
hfildiiag a miirnr aenl I* il, ttli; is wliat Ihe Minif 

ImI f|«ei. SeIieI th4 ibijects f en W«b| lalrpf ed. 
tick Ue cnq^akair cursor Si the (llject - thi} 

act! «s B ceittre piini nf ike rotatJai. ha« niwe 
tka ciesshaii^ to * netf poiil amd Ira; tht f alfllir 

- a line will appear indicatinf tl)e surlacE i»f ike 
Mirar, It is. a visual guide onlv. Drag Ike 

RIHhHrs il the diieclidn gfOu wisll to roUle lk( 

nlrrair Hd rtlciie Ike left nwise kution. 




A PiiDr«w CBD ereite itunnin; grsdaaltii lilli gf iilhiitil 
kiads. Hen cai Ik sef n bntli Iire ^r aad ladial IKI: ii actiw. 



EENIE TML Hit llltiNs fva to ru«i a raiie «l 
Uiu MCfn, tic to 9faci linauiiait wall ki 
e«i«ija| (keH in a inire iHic 



Stmt SliECTMl: tntwi f c* to ijiicklf selMt 
aM H MMt <H* ctt . CJick en the l««l 4iit dm * 

ku mvMd tlKihjei^9ial>«£iltcled-dii|f'lfM 
ikH k« picked. 



RlCTANGIi TOai Tkis allows ytu ia dran 
ractMflK Hid sqiifes. Jast IIIsf iJie Ellipse tuel 
tfDU cart CBitSltain tkt hflnit nlal and reitir:.al 
dimcajjaas h)f -hcliUrtl dtMl Ike ALT key, in ikis 
EHC drafnif i f^aiif. 



CJlim TIOl Ulows Toa 11 dtaw feMkiitf 
enVH. Qkk ei the IttI, rngra IB the 
diawin; atta and now press and MA 
dowB the Itli mnuse htJilDtl. Drig it 
Brovadi - ynu'll SEE a line appear Dum 
I'M' re finished drawing rakasB ilie ittntise 
btittmi. The line will ilVW he CDnvened l» 
a series nl BMltr carYCS which f du caa 
edil to lim perkcilf titatlh ciivM, 



I0TAT10N TSOU Alt 
liratus what ikb »bs? 
Selecl an «bject. Click CR 
Ike fntatian Idcl aid Willi 
Ae crnsshairs clidl !■ 
etthf r a vertical ar knij- 
ionl«l mi- Ikis tells ika 
piaftaai Hfeieh itii ih« 
•hjictwfltaiiMsd 
tkna^k. Mm ^H 

cr<i$s1iairs la a diffilMl 

ptint h gid dawn itie lall 
mouse b«n«a and drag 
the Ridase. the thject 
will ikeo ka TOt.ated. Tea 

cen i\v> rcfte an object 

h|f ealerin^ ralaiica 
aogltt iti ame w«f n 
the siting laol MOfki, 



BirraiTlOn TODI Ckaitgts aa okJKf 9 
■bqit. Sdect an nbfeci . A riclaiile wth 
CH&ll paiflls Dll it will appe.ir arlMd 
#• ahjad, Taa caa e<*v dr»g ihese 

l^atK aat to dltlait Ihe shape o\ [ha 

lb|eirt. By hnldiaj dtwn the SltlH kef »d 
■WHinj B corner pirnt Ikc tWD iides 
atlacted wiH malie the jLidts a sln^ 
kaa. The ALT key nvkes ike disUitiH 

nitir^llf' STittnetrital, sad the Caatnll 
iff niakti il koriiontjllf tfianetrical 



HQOK TOQl: Adds eMn CMtrDi [wintg la fleiier CarrSS Hid Btlier a^ecl» - i«Glaa|lai> dr' 

cles eti:. Sa-lect am aiijecil. Click m the toni and rnava ihe cioss hairs to where f oi want Ike 
new cvnircl finini la sfpear. Press Ike left mease hanan. Diagpaj' Hie moHjc iistead «( 
releasing it will allow irau in alter Ih6 tiepe al thf Ulij«nl of the ftaiiar Clitn. 



CUITK TBHj Cub B«tii» tliieit hai I 

Sahct air atjed, Hct lk cuttiag teal aid cM m 4« 

contjnl pnint in the Bejier M4i«re iiou wrsk It CVt Ita 
thject. Now lielnre rela^'sirig the maitie kntu* dia| tki 
centrol point to it's new Iccttici. If«ldia| daan iht MT 
ker Htilst pressia; ilie ma^isF kntUi aMawn jm It 
delvli a eaitral poiil wilkaut cailiai tti cum 



AMIGA 



stTHi^ureii iftanin; pr«|rBni. 

c'ImJiIg t?f producing stun- 

'npillitstr^lidllS. litgas, 

piclures mi gi-aptiif^. 

AfltlMt'S nEEdEd Is 

fCMh ini3|m«|jiHi 





_ things up 

Stmqtured drawings are iiiad« up of mathematicaUy 
defined shapes. To diftplay these shapes it can often talce 
a few minutes to work out the compleic calculations 
required and as a result you will often find yourself wait- 
ing for the program. This is the case with all structured 
drawing programs, on Macs, PCs and Amigas. But 
ProDraw has the answer. Vou can turn off the full detail 
coloured display and work with just object outlines, using 
the full colour mode just to preview and check your work 
- making performance much faster. This is how moat 
users work in ProOraw and other drawing packages. In 
fact the leading drawing program on the Mac [fflustt^tor) 
has only recentJy allowed you to edit pictures in fulj 
colour mode, previously forcing you to work in its 
'Artwork' mode. 

ProDraw loads with its outline mode 'Wireframe' 
selected as standard. To view a picture in full detail click 
on the Wireframe option under the Preferences menu - so 
there's no tick next to it. To see it in colour click on the 
Black & White line under the same menu. By turning these 
modes on, with a tick, you can make the display update 
quicker and faster. Working io Wireframe mode has no 
effect on the picture content, it merely hides the time- 
consuming detail from view. 



Read on to firtd out more, Here's 

a further fook at some of 
ProDraw' s. other features. 

If s a wrap! 

Under the Special menu youll find 
an option calfed Align Text With 
Curve. This quite simply allows 
text to be wrapped around curves 
- perfect for creating logos and 
typograpfiical effects. Create 



some text using the Text tool and 
then create a curve, Select both 
objects (using the Null Pointer and 
Shift key}, Mow click on the Align 
Text to Curve menu and click on 
OK. You'll now see the text flow- 
ing around the curve. 

Fill It 

If you've created an object you'll 
undoubtedly want to fill it with 



US 



Bezier curves allow you to 
draw curves at any angle. 
Moving the control points 
will change the sh^pe of 
the line. Clicking on a con- 
trol point and then drag- 
ging the tangent line 
control points allows the 
angle of the curve to he 
changed. Understanding 
this prqcess ia vital to 
working with ProDrsw 




Communicating with the world 

No^ ProDntw doesn't h«va -^ 



built-in modem, although 
if vou'va got a modem 
th«re ts a lot of structured 
cfip art you couM get hold 
of from the intarnet. if 
you've crested some art- 
Work you'll probably want 
to use it in e DTP program 
or smother apptication. 

There are sovdral ways 
to do this. Firatfy you (^ao 
&ave it as a ProOraw Clip 




A WM dlf Mip. ak» «i the Cftveri^ ^i cii tg|. 
»efl TOir PnDnw piclirti mo Iff files. 



fiJe -- this will load into GoidDi^k's Professional Page. 
Alternatively you can save the drewing as an Encapsulated 
Postscript File (EPSJ which you'll be able to Joad into any 
other good DTP program. To save a drawing as a Clip use 
the Save option under the Clips menu. For EPS files select 
Output/Postscript under the Project menu. 

If you want load your pictures into something like DPaint 
you'll need to use another program, CfipMap, for example, 
which can be found on the second ProDraw disk. To convex 
your pictures using C/tpMap you'll need to save your 
^oDxaw illustrations a% clips. ^^^^^^^^^^^^ 

colour or mal<e the border thicker. 

This is done from the Attribute 
menu. Try this out by drawl tig a cir- 
cle. Now select the circle and cliclc 
on the Gradient/Fill under the 
Attributes menij. Youlf now &ee a 
requester allowing you to define a 
graduated fill {either radial or lin- 
ear), and alter the colours used 
and other options. Clicit on OK. and 
then turn off the Wireframe and 
black and white dispJay modes 
under the Preferences menu, You'll 
now see your circle filled with a 
graduated tint! Try out the other 
options under the Attributes menu 
- this is fundamental for creating 
professional artwork, 

I object 

Under the Object menu you'll find 
a number of very useful editing 
functions. The first of these are 
the Group and UnGroup func- 
tions. These allow you to take two 
or more separate objects and 
'Group' thenn together so they 
become one. Jiving in married 
bliss for ever more, or some- 
thir>g... To reverse the action use 
UnGroup, The Align feature allows 
you to align several objects so 
their top, bottom, left or right 
edges all liine up. 




A vritl Ike prtirim's (Kweiliil tXom (unciloi Wi 

and enter various parameters. You 
can duplicate the clone operation 
by pressing the Shift and Tab keys 
at the same time. ■ 



Cloned 

The Clone facility is one of the 
most powerful functions of 
ProDraw. With it you can not only 
copy existing objects, but change 
the way they are placed on the 
page. As it copies an object you 
can also shift it to a new position, 
scale it, changing size as it goes 
and finally rotate ft. To try it out 
highlight an object, select Clone 



Coming Soonf 

That's it for ProDraw this 
month. For now, you 
could do a lot worse than 
just playing around with 
the various tools and 
options. Learn how to 
manipulate Bezier curves, 
and object manipulation in 
particular. Over the next 
few months we'll be run> 
ning in-depth tutorrals 
showing how other parts 
of the program operate. 
along with many tips, 
tricks and hints to get 
more out of this amazing 
program. If you have any 
questions, ideas or work 
created with ProDraw 
send them to us {do Andy 
Leaning, ProDraw Corner 
CU Amiga Magazine, 
Priory Court, 30-32 
Fsrringdon Lane, London 
EC1R 3AU}. 



AMIGA 



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Do you want to know what's cooking? 

Do you knead to make some dough? 

Then get a piece-of-the-action with Pizza Tycoon. 

A business sirnulation to get your teeth into. 

Order up Pizza Tycoon from us. 

Because at MicroProse, we deliver. 



AVAILABLE FOR IBM PC COMPATIBLES AND AMIGA ASOO ^ A 1 100 




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Preview the annazing 
new version of the 
Amiga's best music 
pacicage, with our 
exclusive demo on 
coverclisi< 107. 



New features 1 

Here's a selection of the r>eiw features and innprovernents of OctaMED 6. 1 


• Multiple commands on 
each line 

• Custom screen modes 

• Custom font selection 

• ARexx port 

• Aura and Toccata sampfer 


support 


• 16-bit sample handling 

• Loads and saves MID! files 
(saving disabled) 

• Improved sample editor 

• Save as eKSCutable (disabled) 

• Enable/disable audio channels 



Instrument types 

Tiistfwwnt Type 



MS 



_) Hybrid ■ 
J EJctSiwiple ' 

JSvnthelic jStweo 
Jifi-bit 



Output Device 
Jl r taiga 
J Aura 



■ 'SS^ 



OctsMED 6 allows you to 
use a number of different 

instrument types: Amiga 
samples, synthesised 
Amiga sounds, hybrid 
Amiga samples and synth 
sounds, MIDI instruments, 
Aurs 12-bit samples and 
Toccata 16-bit samples. 
Obviously you'll need the 
Aura or Toccata sampler hardware to use those last two options. Any 
combination of these types can be used in the same song, Select the 
type by clicking on the Type button from the Main Control panel, 



MIDI loading and saving 

Standard MIDI files can be loaded, upon which they are 

automatically transferred into 



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dhimxl Frtuirc \i 
Pi tell B;nd 



Ifin'i Mtnin Tf|>« 1 Tracks 



OctaMED' s tracker format. The 
conversion from MIDI to tracker 
torn^at can be controlled from 
the SMF Load Options window, 
from the MIDI menu. Vbu can 
assign a command page to 
fiach of the MIDI controllers 
(f^ee Command pages panel for 
more info). The commercial 
release version of OctaMED 6 
will afso allow saving of songs 
in MIDI file format. You can't 
use it here however, as all of 
Ihe save functions are disabled. 




©etting started: Load the demo module from the disk by 
selecting Open from the FYoject menu, then double clicking 
the PianoWotesil Theme) file which can be found in the MOD 
drawer. Alternatively try out the MIDI piece. Vou will need a 
MIDI instrument connected in order to hear this one. 
We don't have room for full instructions here, but assuming you 
have some basic knowledge of previous versions of OctaMED (we gave 
away a complete version of OctaMED 4 with the July 1994 issue), there 
Rhould be no trouble getting into the program, For loading instructions, 
see page 18, 'What follows is a guide to some of the most prominent 
new features. 



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Sample 

The sample editor can now handle 16 
bit samples, and has extra editing fea- 
tures, such as: adjust Y offset, add 
workspace^ overwrite paste, better 
chord creation, lots of loop controls, a 
tuning tone, and pfenty more. Take a 

browse through the menus and ji— j» n»w im^i <i-. iimi 

expenment, it can also toad MAUD, AIFR WAV, IFF and RAW samples. 
The fuli version will be able to save these too, 

Command pages 

You can now use more than one commancf on 
each line of a tract, to define how each sample is 
played. This is a powerful new feature. For 
instance, you could play a sample and strobe it on 
and off with the volume command, whilst pitch 
bending it to a lower note, and altering the sample 
offset value simultaneously I No other software 
gives you this kind of control over your samples and MIDI instnumentsl 
There's no room between the tracks to include more than one conv 
mand, so each block can be made up of a number of 'command pages 
Select Block Properties from the Block menu, and you'll see this win- 
dow. Click in the box labelled Cmd f^ges, and enter a number, depend- 
ing on how many simultaneous commands you want to use. This makes 
a number of copies of the current block. These copies (command 
pages} are in fact sub-divisions of the original block, You can cycle 
through the command pages using the Shift and Tab keys, inserting 
additfonal commands on subsequent pages. You'll notice the note data 
is carried across from the original, but the commands are not. All corv 
mand pages are played whenever you play the original block. 




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Font seleotlon 

Now you can use bigger fonts for 
the various displays. Three differ- 
ent fonts can be assigned to the 
general screen, the windows and 
the tracker editor. This is ven^' 
handy, as it frees you from the 
eye-strain of reading tiny letters 
and numbers, particularly in the 
tracker editor. There are no extra 
fonts on this disk, but you can 
use any you may have on your 
hard drive or other disks. Select 
Font from the Settings menu to access this feature. 



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..ji .. .f 



edi out your playet' 
and watch them (teveloi 




Keep your bank manager happy. 
or face the consequences! 




Watch your stadium develop m 3D! 



I 



mmLtr TMM -Wll^ I 



Read about your team s enplaits 
in rich detail 



1nft«F3ct with agents, fans and 
press from your office 





the Future 



jSTiiTITn 



Management 



Impressions 



IBM PC VGA Saeenshots may vmy 
c 1 ctgs ImprEssloris 



Und: 9, Prificelon Court, Felstiam Ro^d, Putney, LofMan SW15 1AZ, 



UP£ 



***5, 



%. 



. ^ ^ , NICE ONE SQUIRREL! 

»i/M I Amiga Format 93% CU Amiga 94% 

Amiga ShoppBr 95% JAM *^The best piece oi 

hardware I've ever 
bought for my A 1 200 
. . . weti done, HiSoff! " 



\ 






As you can see. the Amiga press has gone nuts over our new Squirrel SCSI interface for ttie 
ASOO/A1200- In case youVe missed these reviews, the Squirrel SCSI is s plug-and-play add-on that 
allows yQu to connect up to 7 SCSI peripherals lo your Amiga. Just think of it. CD-ROM, Hard drive, 
Scanner, DAT, Optical, SyQuest, Tape Streamer - all on line at the same time! No wonder we named it 
after that famous storage-liLjngry animal! To go with Squirrel, here are some great value devices.,, 



SCSI CD-ROM Drives 




5up«rDDiiibl« ~ inl E1 29, eict £1 89 
SupErTrltsI* - Jnt EUa^, exl £249 

Nd all CD-ROM drives are the sarriB. Our SwperDoubie and 
SuperTriple drives are last, motJem devices supponirig alt the 
SCSI lealures itwt you'll rueed, based on quality unlits from >lie 
world's leading manufacturers o( CD-ROM, SorJjf & Toshiba. 

Bqth drives are cased in extremely slylish enclosures *ith all 
SCSI connectors and oWer fast access times, siereo 
headphone sockets with vrtume conirol, phcmo line output, 
PholoOD'" multi^ession support, COS? emulation, CD-DA 
compatitillity with ihe convenience of tray-loaded action. The 
SuperOouble" CD-ROM drive differs 360Kb/sec Iransfer v^hile 
the Swp«rTriple " attains 51 OKb/sec, bolh. far fasief than any 
competitive drive (o* Ihe Amiga, 90% AmigO FofWTOt 

These are ttis drives we use for developing and lasting ihe 
Squirrel hardware and software - need we say more'? 

Squirrel Storage Systems 



I SyQuest Drives I 

hBp ^^Bfl^H^^H I tf I 




|\iwsriri _ 
and switdi 



AJI dur Squirrel Storage Sysleiris oome either bare (rnf - 

ready for installation internally within a suitably-equipped 

Amiga or olher comptiter) or lully-cased {exi) with integral 

power supply, SCSI in.i'out, SCSI ID selector and audiio out 

(for CD-ROM). T?w cases yve supply are high 

quality, shielded, snap-logether enclosures, 

each y^iiith 40W power supply - the bacik 

panalof the 5,25" case is shown above. 

These SCSI enctosjres are available at 

£$9.95 each (ptsasespecify3.5' or5.25' 

wtien ordering). 

The neal Squirrel SCSI ir>terfaee is shown 
on iha right. The umt simply plugs int& the 
PCMCIA slot, comes complete wiih all the 
software you need logethef with a cable 
whic-li terminates in a 50-way AmphenPl 
plug lo attach to your first SCSI device. 




the Sqiiiirrel SCSI interiai^x 



8SMb - inf £269, «tt £319 
27l>Mib - inl E419, eirt £479 

Introducing removable SCSI drives for your 
Amiga. Based on reliable, proven SyQuest'" 
mechanisms, those aSMb and 270Mb units offer 
transportable, compact, high perforrmance and, 
above all, expandable storage for all your 
computing needs. SyQuest is lire world leader ir 
this technology across coiriputer platfonns which 
means that ypu can transfer *ork between 
Amiiga, MadntOSh™ and PC, with ease, We 
recommend the CrossDOS and CrossMac 
software packages to simplify portabilily - eaW fpf 
pfjcfflg. Our drive prices inCtude 1 fise camrHJge. 



Twist 2 

Twisi 2 Is the neiw, friendly relational database for 

all Axnigas, Twisl's rarge of power features such 
as its integrated lomis- designer, its varied & 
mufti-level querying, its Nrl 1:W S N'M refalkms 
coupled with lis un-oluttered, well-degigned user 
inleHace nnake it ideal tor both the first-time ard 
ttie seasoned database user. 

Twist 2 is the only database 
you will ever need - a 
product ttiat espands lo 
meet your requirements as 
thery grow. So, before you 
buy another database, why 
not lake a look at the Twist demo disk? 



The latest ot our highly acciaimad 
sound sampiers for the Aeoo.'AtEOO, 
Aura offers high performance 12.' 1 6 
bit quality with direct-lo-disk san^pling 
plus a host of software features. 
Ociamad 5.04 up compati&le. 

9t% Amjgo Shopper 90% AU\ 




■MMiHiUHMislafAa- s A a 



Ordering Infcrmatlon 

All HiSott products (see itva complete list balow) should be availatate through your favourite Amiga dealer. II 
you have difficulty in obtaining any title you can order directty from HiSoft - just call ua free on O5O0 223660. 
armed with your aedit of debit card; we will normally despatch wittiin 4 working days or, for an ejrtra E$, by 
guaranlBsd nest day delivery (for goods In stock). Afternalrvety, you can sand us a cheque or postal orders. 
All prices include VAT Export orders: call or tax to confirm pricing and postage costs. © 1995 HiSotl. E&OE. 
HiSofl protJudS for your Amiga: Squirral SCSI interface - E69.S5, Squirrel Storage Systems ■ as above. 
Aura i2/1fi bit sampler - E9&.95, MegalosOund B bit sampler - E3J.95, ProMidi interface - £24.95, HiSoft 
Devpae 3.14 - £79.95, HiSoft BASIC 2 - E79.95, HrgtiSpeed Rascal - £99,95, Gan^smith - E99.95, Termrte - 
£39.95, Twist 2 dalaSasa ■ E99.95, Maxon Magic - EE9,95, Upper Disk Tools - El 4.95, VislaUte inC 
MakePath,'TarraForm - E39,95 and much more. Coming soon: DiSkMagiC {disJ< tools) and Cinema4D. 



V 



""^CSI Hard Drives 





a 70Mb £169, 540Mb £339 
7aOMb £279, 1Gb £479 
Add £60 for SKlerncal vnits 

Hard drives are becoming more and 

more affordable and we can now offer 

some tienwndOuS prices on a fange of 

Superb quality. Quantum drives in a range of capacities. 

The<se drives offer fast seek times {14ms @ 270Mb, 
1 1ms i^ 640y73(JMb, 9ms @ 1Gb), large caches and 
high speed data transfer rates {1.SMb/sec wilti 
Squinel). All units can be supplied lor you to fit in your 
own case or pie-insialled in one of our professional 
Squirrel Storage Cases. The Squirrei does not 
auto-boot ejfterrtal hard disks but you can do this from 
floppy or from internal IDE hard dish. 

1*8 can supply all rt*J4, t^fmlmlQr^ 0t:. PSbbsb teel trme JO 
draC(*SS youf «HSCt r^9<HJiremen!s mtti Our fnSddiy. (ecftnr'esJ steif. 



iMMiESiA!i;rk^ 



P)^ofessio^a^ game development is made easy with tfw 
new GameSmith Development System. Over 3 years ift 
the making, GDS gives you the low level power to 
create the masterpiece of your dreams in a single, 
easy-to-use, comprehensive efwironmen!, using C or 
assambler. Comes complete with junior versions of D»ce 
C and Deh^pac 3. 90% jum 92% CU Amiga 

Termite 

Affaid of becoming a hedgehog on the 
Information Super Highway? Doni worry, 
Tenrilte is so easy to use that even a first time 
user will leei at home. Vet it has all the power arid 
flexibility to satisfy ine most seasoned modem warnor! 

Termite is packed with features and comes with « 
superb Button Bar already sat up for instant access 11 
CiX and many BBSs. QQ<y^ j^^j^^ Computifi( 

95% AUf S8% CU Amiga 

HiS#ft 

SYSTEMS 

The Old School Greenfield 

Bedford MK45 5DE UK 

Tel: -1-44 (0) 1525 718181 

Fax; +44 (0) 1525 713716 




EfiH 



COVERDISHS 




I 



Can you make the world a better 
place for a crowd of tiny slapheads? 
Test your theories in tills exclusive 
detno from Gametek. 



— ^ aldies is a fun nnouse- 
oontrolled arcade 
stralGgy game where 
vou must populate the 
land, construct build- 
■rrjs xvi invent new technologies. 

eventual aim is to Cultivate 
i%xa inbc into the strongest in the 
^■ortd and defeat your enemies. 

tJIow the loading instructions 
i^- page 18 to load the demo. 
C^'xe the demo has started yOv 

notice three areas on the 
>^e&}. The area on the left hand 
^^^ of the screen is the main 
t?i. the area along the bottom 



of the screen is the invention 
panel, the rest of the screen is the 
game area. 

The landscape can be scrolled 
by moving the pointer beyond the 
screen in the direction you wish to 
scroll. Whilst moving around the 
landscape you will notice two 
tribes of people, Baldies Iwhicti are 
yoursi and another hairy and slight- 
ly ape-like species called the 
Hairies, These are the current 
inhabitants of this land and must 
be killed by your Baldies using a 
variety of methods. 

Begin by assigning some of 



-fffHlf ItMilf 



Ite httust p«iel wh«rE It ill lUpptHS MUil Ealiy ii iusf tMtlmi 
1 ittn iant. ScifiEi-sl B'l^ i^ wmkm^ tn i Amk we^pnn. s«ldi^r 
Sslif h tn*^.mi MlPAS and IkF tMy JHmpipt^ ip »*i im* am iht 
tti 1^ ■nikiig nt^it Etllji^s 




IVmiEd tkald-r: Aii|fI wings \m UH$|IIKtill$ BHlllEL. 

Hup Icurt: F)lt llcft momit elitki *r d«lete i3s\i iri^kl dk^l 

Haii4 k«|i' lift; an^ drnfis BaldlieS; 4llrwl)Me 4l»iiF:«i. Irees. elE^ 

ftunei icons S^tlta fH^i '*i sniEnCt l««e|.s Heti kv riniiq fnliii 

lti« lip i^trtri MtHum si Bil^KS gvef^ll 




s:^WH 



I Sti«wi itrt (liM Jtlecte^ Mi At ;ui» «l its idetekirineit It i^ 'Htf to ite vilti qtc 
> Milf pten. TrashettI Get ri4 tt iim jilei -mreiiusirs ktn £c>c>^ist: hM si ii^CDTtrf Itveli 
■•ipiv isB-lcctiflH. ^Dm^Fll: lijps lirrboinki bamli sliunkhtieblM tpemng »d ds^ivi titc 
fa^ )a«^ «■(» Hairies aid biz be SI lell tBtsidc Er»at ^sttn. FirtltKibs kJI4 ill Haines m ibe 
H «j <Kt tbe i»r*al bomb Skmili tnmb^ art bKllbniM iM Imscs. k lb»r '"fkt aH the 
s nr^ Ml tf ibt inti io«L ntcic liber cm bt ui|M im* i b«>c it a trap . 




Demo for 

Kickstart 2.0 and 

above, with iMb of 

Chip RAM. 



your Baldies as builders. Building a 
house gives you vital civilisation- 
Ijuiilding options. 

Housey, Kousey 

Clickifiy on, one of your houses 
brings up the 'house panel'. The 
house panel allows inventions to 
be created and other houses to be 
built. The house panel is also 
where more baldies are repro- 
duced. If the house gets full the 
baldies will all troop out. So try to 
keep a good balance of Baldies.. 
All four types are vital to success, 
but you'll need some more than 
others in certain situations.' Baldy 
management is the key. 

Invention 

Once you have a scientist in the 
house and at least one wandering 
around outside it's time to start 
inventing? Open a house panel 
and dick on the yellow question 
mark above the scientist {this icon 
shows that no inventions are cur- 
rently being worked upon). A list 
of possible inventions appears. 
Choose an invention by clicking on 



it Click on the main door io exit 
the house. The invention that was 
selected will appear on the left- 
hand side of the invention panel. 
When the invention is being 
worked on. the bar to the right of 
it will fill up with red. turning green 
when it's finished. You can then 
concentrate on another weapon. 

Once you have enough 
weapons you can scroll down to 
hairy territory and test them out. 
The skunk bomb is a good one to 
send hairies flying out of their 
house and if you've set a trap 
outside the front door they will all 
run straight into it. There are 
numerous other ways to dispose 
of Hairies. For example, try using 
the map edit icon to get rid of any 
land that they may be standing on. 
This sends tfiem to a watery 
grave. Alternatively, soldier baldies 
can be placed in trees to lay in 
wait and then ambush any hairies 
wandering about. 

There is so m^uch to this demo 
it's impossible to cram it all in 
here. It's best to explore all the 
possibilities yourself * have fun. ■ 



The baldies explained 

• Workers (red) are the standard Baldies, Workers 
are the only Baldies that can procreate and initially 
make u|> the main body of your force. 

• Builders (blue>) will wander around the landscape 
until they find somewhere to build a house. Then 
they get to work (providing yoit haue enough power}. 

• Soldiers (green) will defend your houses (from 
inside} and wander the land looking for enemies to iP-V. 
eliniinate. SotdJers residing inside houses also make 
bullets for use in bsnie. 

• Scientists (white) are the brains of a baldies colony. They 
wander around raising the overall science level of your" learn. 
Scientists insitte a house are create weapons. 



AMIGA 




Softwood Softwari 



will go down in histo 

Jli^ best there's been,., for agei 




T 

I he way we ati itimmufiictiSe 
today has graiiaaUy evolved from 
eariy cave paintings by Frehisiorii: 
man, ihnmifh Egyptian Hkfrjgiyfifiia 
and eifniuaiiy on to o mflhod of 
SVmtioi! T^preseiiling hoth letters 
and Bumherx. Earh injn:riptii>fix in 
stme gave v/av to chy tablets, 
papyrus, parchment and ultimately 
paper, and ihe Creek atphabel 
became the basis (/[most of today's 
ianguagei. 

Books were creaSeti by hand untit (he 
mid 15tk ceitlHry w/irn crude prinlinf;^ 
ptv^esses were fint i>itn>dined, AlMt 
mth continml rfftnemenU, printing 
methodi have, until very recently, 
netnain^d the only way sty distribute 
the written word and hence a host of informalion 
thmughout the worid. 

Tfre biggest leap forward has been achieved in the last 
ter\ xecirs! 

Thuufik th^ddoptim of computer generated text as a 
!mr sttind^rd, ctmiplicated layouts and designs can new 
br geittrfited and printed al the touch f^afew keys 
right on \atcdesktop. And it doesn't stop there. 
A rehiving and rerafi/ keeping worh; hand in humi wiih 

data retrieval tiiai; ckv kwre. This latest leihtidDgy 
has not just revolutionised the world of print, ifut has 
tipened the floodgates to titt explosion in cottitmnicslion 
possi^ties thmughoa! tke world. 
1^ ^ Ar So^^oml, our cotalmt aim ts to bring jea theae 
* .^powerful, uj3 fP dafe technologies wish the best possible 
'!(^Wf for ytfur specification (^ Amiga. 
C^giA^ practssm^ packages have repeatedly won ih^ 
fitvmr^f maga'oae reviewers, who have awarded 




I 

I, 




SofiWaod products their highest accolades, all over the 
world. We are contint/alh updating and improving 
those products and adding new ones, such fis Final 
Data™, and soon, l-'inal Calc^^ to oxr range. Oitr 
efforts are bringing the nevoiulion into yvtir home or 
o^ce.,. and onto yotir Amiga- 




AMIGA 

■•iXSUAT 

94= a 



Word Proce^tng/Publishing... 

Whatever specification Amiga you own, SoftWood 
have ihe peffect iolulion for your lequirertKnts. 
Fiaai Copf IP* Rekasi 2 is at ihe peak of achievement 
when mntiini, a flopp)' based Amiga cpnFigui&tion, 
whilsl Final Hnfer"™ Release 3 is Uie only hanl drive 
computMiTf' Amiga wuni protfssoir ■ il leaiis a i4age 
ahead and doem'!. makic any cumprumiNes 10 be tlofpy 
disk compatible. Whichever you choose, you'll be 



assured of the latest in WYSIW VC! technology and reap 
the benefils of still unsuipassed, easy to u»e, Amiga 
software from SoftWood, 

Our new Database.,. 

Final Data ™, is de-sigtied in the tfue SoftWood tradition 
and bdngs ym a ptv^ram that is ttot oniy extremeiy 
poweffui, but also verj' easy to use. Indeed, yo« can 
leant to set up your Fiael Data™ database, entef your 
information and print the nesults in a malter of minuter... 
not hours. You'll soon be generating all kiJids of reports 
and label print njjis to suit your kind of wort. 



TM 



LATEST NEWS from 
SoftWood... Final Cak 

Final Cafc™ is (he answisT to every Amiga Spr-cadiiheel 
usi-re dreams. With its flexible modes of operation, 
Final Cafc™ is the only Sprejidshett that can start wiA 
a minimum range of features t ideal for the beginner), 
but pro^itiesi to offer power beyond the levels, found net 
just on any other Amiga Spread^eet. but almost any 
Spreadsheet on any computer sysiera. Mulii-layet 
stoet^, advanced PiostScripi 

(HiEpiitiiiiig fisci lilies with flejtible font handling, coimpkic 
document scaling options, a vast ehoiee of Graph stylet 
including 3D and animated {in show calculation 
reault/progre^sions) are just some of it? comprehensive 
and unitiLte I'catiircs. 

Fiftal Cfffc^^ is due for relca.sc in Spfiiig 1 W5, so kwl 
out for the magazine reviews, If yoy want to kno*' 
TTKHie now, simply cut the coupon (on the right) for 
your free advance infnrmaiion. 




SoftWood #s c V 

ringing the revolution into your home or office,., and onto yourAmimJ 

SoftWood Products Europe, New Street, Atlieton, Derbyshire. DE55 7BP. Telephone: 1 773 52 1 606 Facsimile' 1 111 83 \(m 



\ 



I 



Final Copy IF 

Release 2 



Oatfned to get the most qui af an 

'iirf Cflpi fr^ cffets iiiiwe (lian 
.pi MHd pmnssing (al which it 

I nhciif 'how ihc docuincnt 
i" is K imptHttmi as "wlim (he 
tsayf. 





. .V ■;t'.ii-jrL'> sjuch as 
r«iUra»'" onscreen 
; Kali (m liciKiatc 
. bofders, lines and 
tflc.JaiidPerfKt 

I that enables you to 



Fiiml Copf /P* i& idea] for tJiflt 
quicL idler ImjI MiAi haniis, 
features which .are po^'Eiful cnwsh 
Ui hcip >VU pn)duL"t trad rSHUlu 
rK'iniull;^ a.s»DciatKl with expensive 
IX'^ik Tup PutdiKhin^ [laclu^ii^... 
eLiiv 10 achieve, willtout d»c fussl 





PH Hk sgine Pbslscrip'™ outline foims It* any prinief in boUi 
ha^cape & ptmri'd ^m<k^] ensure (h^ Fiitst Copy IP** is tlic 
^ds in il.^ ctau.Yoiu can 'Casily pncraic uiuhipk nni'Kpaper 

qfc BHkiDg ixiiumns, imporl any ^plnii: objects or pictum 
I pbce them anywlme on your page), scale or cru^? ihtiue 
s aid ali^ win) ilim ii;ii iiimdd ihem. You ^cafi even 
prim text owr paphics 4ind ihc wifWE 
is al-Wiiyi; of the hl|;lie$4 quality. 
f i«M/ Civjf IP^ offcR Ihe perfect 
balance ixswwo won! pwcessing 
and moR advanced page laiyoiut 
cneaflion - in one ^ai prt^gfan. 

Ease and speed of tise wiih total coislirol of (he final 
|ifQiiicid pTie<«entation is availahle on yuur Hopipy based 
Amiga sjitem right now for only £49.95 inc. p&p- 



ftatl Ciipy ir** reijmres any Amge f^typfr^ or htitd 4ti\!e system 
«M e ■NnimiiHt ijf /Afft. /n?e JtAW (.\W0 tmrd drive (iimpusen 
ttd 1.5Mb). TWittfioppy dfivti are Kcomnendfd Jor tou^ 
I ft^Hiry tvith no imtalktmn or muSsipSf iliii Simps Ftquiied. 

V 



Final Writer^ 



Release 3 



f^fc 




rCtunpatiliilitii. Ilari 



Kati drive Ltunnpulsary, this nt'Hi 
progfMi \i fa powder users wanting ^ 
Ihe ultinuJe performaiKe. As witli 
FiitaiCiipf IF**, excellent output i;. 
£iu<»Al£ed litiiisin^ J'erfect Print'" 
jtud ^Mi'll aJsA benefie ifHim a host of 
eifhtf adv^e«d feanjies ineiuding... 

* T*St BlOdW,™ *hifh position lexl at | an,'t Syittms tMlf 

any siec, ungk a™j piwiiiori c* the pijie. 
■ T«udi Tod^"' & ]ViwcrU$erBirs™ giving 'one biuch' 
CHilnil - jus! i:lii;li un u huttK'm... define, change aiut save «ich 
altribvilesi » Iciii ptMition, fnoE f^iie, Fdcii st^'les (^Id, ilatic, 
underline elr.i, juHtilicjiiiiiii, hulleit, line sftsdng, indents tic. 

* I^Dnw Plus™ iilliwiit^ murr veririilc on Mineen diawiii^ 
tools which iucliiiie cfiitw.i like nmaiicjn. 

Fimii V^fr™ \;m aiw \mpciti, acalt, crop, view on H:feeD 
mi (.sq^Lpui hLTuctjEied PostScript EPS dip-art images {fie even 
inclwk' 9Q0 fit^:) to any prinief. Witli PostScript printers your 
qplioni! incllwle..- Itiumbitails, cnop matks, scaling and balAonJQg. 
Add ARexK/MacflK, floating 
paJette,<i, undii^Kda (both text 
foflnatuti^. aafi |;apbics). table 
of c«ntenLS, auto indexing, table 
or illustrations, bibliofrapby 
jjpienajofi, nc*- Umg &. dft-jp 








iciti, sjKiliiiji while you typt. 

dlKliuntuy liyplieniulim, foT^[e,n 
liHi|:uagc dictionariB, autu Mve. [xjlyjiiin grapliits irte|iilar 
shape feneration, plus lets mwe and RtSeait 1 Lakes youf 
Amiga further than tver before? 



Amiga wond publishing power, only £74,95 inc. p&p. 
Rf lease i itidudes !00 qaalisy dip an files md 
no outline funis i3nd, whin .ViJa regisSir with 
SitfiWood, we iend. you a fitntier 
" ) 50 Bonus Fonts Free too! 






Fim! Writtr"* Rd J w^tiwi aay Amif^a rmmmg V/otihet\sh 2 
or i wilh a hard diii drive and a mininiiun of 2Mb. five RAM. 



Final Data 



TM 



Final P^ 





New Release 

FieaiD^d^'* ha& been deigned by 

SoftWoix) to be by fSff the EASIEST 

TO USE Damtiaie fof your Amiga. 

Many users dishkc tlie in'^vit'ciJ 

"ivw sftane" pitrcesj! donventljonal 

databases Ibnx you lo fbliow, 

Te> SCI jp a Final Data™ efaiabase, | 

you fton't be confranled by an array of 

unfamiliar command'*, simply defirtt s eolumn for each sort of 

infofniation you want to keep eg, christian itame, surname. 

bouse name or numbef strwi. iown, cntntly, postaJ c«de and 

phiHie number etc. I[icid«itally, you can add or rfirtove 

columns al any slj^e during 

yiHir worlclnj ses&ion. Your 

new daitsbgsc will appear as a 

table with raws and columns 

aJlovi'lng you to view whole 

nnges of data, at llie ^sme 

time.. Column widths can 

ilvk'iLy& be adjusted, to «utt your requirements, by simply 

dragging their bwdei? with the mmise, Dim is then entered. 

into "cells" iflild FindDala^*' evtn detects entries of Invalid 

dates etc. and displays an aletl messajc For your jiiieniion. 

Semn totub are iivail^ttle a.^ ['iftii:i(i<k hm all ajiiounts and 

calculaliiaiui (numbers can also be ibrmatted with £tirretxy 

signs and i-(.Jnin»fl.i - again you carr decidie). 

Final Data™ is ideal for label ptintin^ and even hi» bvill-in 

reutinB that reiiMJ*<; all the Liimplejnilies from this often 

involved task. You cm aJways utilise ihe "Phiit Merge" leaHue 

fvMnd in FjniiJ C'lpy H™ and Final Wrirtr™ ■ simply select 

the pnagnkm you are msing and Fimii Dois™ diKs ibc rtst 

automatically fur ycm. The pmf;cam Is also capable of leading 

any dataisase created in Pen FaF^, MiAmip File urtd Fik 

ihs^'^ as well as siandaid A!vCII fileii foucrd io many other 

r:ommor programs. Abovic all you'll be able tL* ^n vmg 

Final Doto™ immcdiiiaely- 

Ati easy to use yet exinemely powerful method for 

bxping all yotif itcoiiis in. order from SoftWood Direct 

at otily±j"*>'5 iiti: pAp. 

Find Dain™ ft^jw.* anyAmigo sysiem with a tmmmam e^ 
SilKJrte RAM operating under Wprihench 1.3 nf hi^het 






MMiiMfiilMs 



W^s); Siuname!: 



> 1 1 



Cm^ [C*ntry if oiwses-s): Pcstiwde; 

O^viliiic tclepkine; . E«ieniiis BkpNwe: 

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ADVANCE 

'mFMAJlON 

OH NEW... 

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Credit/Debit Cari Fjpiry Date: 



~] Issue No. (Swhjcfa CiKis Only): 

-ope/Gaiik EMt/ftistal ftder for£ ;_ payable to SoftWood PrwJueS Europe..- F"] iPkeu Tfc* #«fc(«a *pio*i^mJ.i 

fUASEHtlVKN Wi OtiDSJi FORM TO; St^Wsoil. Ptnirts Eumpe. Nim ilmH. Al^Jm. DttiivsliiH DOi 7BF er fM us m (It 773 S3im C U St 




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Italdiesft 



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I 




I Before you do anythirig 

I Write protect your coverdisks! 
I Your coverdisks will be write 
1 enaliled when you take tliem off 
the cover of this magazine. iVIake 
sure you vwrite protect them, by 
sliding the tab in the corner so 
that there's a small hole. This 
will stop you accidentally writing 
over the original during the 
decompression process. 



[if YOUft DISK WONT LOAD 



We go io great uoubte i.Q ensure 



that ihe CU Amiga Magazine coverdisks will work 




I 



Amiga models, However if y™ do eKperierce probleftis follo^^ this 



on conmon j 

I f TJZetl unnecessary Mpgrad.. end peripherals, such .s pnrt«s and modems. 
Sorria trapdoor expansions can also cause problems. 

* 5- Follow the instructions on this and previous pages exactly- 

I I ; ySu suT^x^rience problems loading the disk cell ihe DisWKpreSS he»pl,no o. 0451 
I aiO 798 betwaan the hours of 10am ar»d 5pm Mondsv to Friday. 

^ S Itevadvisa that irve disk is faulty, fill in yo^r details m the form below and ^nd this 
I omTi w ih hV fai>ltV cove* disk and b 2Sp Stamped sell addressed envelope lo. 
I Sj aS NS'^ine Dist Ret.ms. DiskXpr^SS. Unit 7, Willow Court Bou^n Induslnal 
I P^rk, Bourton-on-the-Water, Gloucesie<sJiireGI-54 2HQ. 

I 

I NAME: ■" ■■■ ■ 

I ADDRESS: — "' ' ' "' 

' TYPE OF AMIGA OWNED: -- 

r 
I 
I 
i 



DISK NUMBER; 



DESCRIBE EXACTLY WHAT HAPPENS WHEN VOU TRY TD LOAD THE DISK: 



ProDraw 

Vqu'II need two spare disks to hand, onto which the 
ProDi-sw program and data files will be expanded Follow 
these steps to make up your working ProDraw d'^k^- 

1. insert eoverdisk 106 into the internal floppy drive and reset 
your AmigH. 

2. Double click on the CU Amiga disk icon. 

3 Double click on ths Icon marked ProDrawl. 

4 Insert the first blank disk and press Return when requested. 

5. Swop the first blank disk for cover disk 106 when asked to 

6. Sw^'the cower disk for the first blank disk once more and 
press Return when prompted. 

7 Insert the covercJisk once again when asked to do so. 
5. Mark vour first hiank disk 'ProOraw Program disk . 
9 Double click the icon marked ProDraw 2. 
10. Insert vour second blank disk and press Return 

wtien requested, , . « j j„ 

11 Replace the cover disk one last time when asked to do do. 

12 Label vour s«cortd blank disk ProDrfiifl/ Clip Art , 

13. Insert the disk marked ProOr.iw Program disk and reset 

14. oCbt'^lick on the Icon marked POraw 3M Disk 1', and 
then on the icon marked 'PDr^vu'. 

15. ProDrav^f will load. Now refer to the instructions on page S. 

OctaMED 6 

OctoMED 6 is on coverdisk 107 in compressed form. Before 
VOU can use it, v«" "«**« *» decompress it onto a blank disk. 
Follow these steps to make up v«"r OctalVl£D disk. 

1. Insert cover disk 107 into the internal floppy drive and reset 

the Amiga. 

2. Double click the icon marked 'CU', 

3 Double click the icon marked OcfflMED ©- 
' insert a blank disk and press Return when asked to do so. 
■ ftepiace the blank disk with the cov«rdisk when asked to do sa 

G Label your blank disk OctaMED 6, 

7 Insert the Oot^MED 6 disk, and reset your Amiga. 

8 Double dick the icon marked -OcraiWfD e Demo . 
9' Double click tbe icon marked -Octi^MED 6: Click on Cancel 

when asked to 'Insert volume Fonts'. Now refer to the 

instructions on page 12, 
Note We've squeezed a few bonus samples and mstrumeot 
sounds onto cover disk 107 in uncompressed form. These can 
he loaded into OctsMED 6 for use in yotir own compositions. 

Baldies 

Before yo" can play Batdius. you need to decompress it 
onto a blank disk. Follow these steps. 

1. Insert coverdisk 107 into the internal floppy drive and reset 
the Amiga. 

2, Double click the icon marked 'CU'. 

3 Double click the icon marked BaMies. 

4 Insert a blank disk and press Return when asked to do so. 
5' Replace the blank disk with the coverdisk when asked to do se 

6. Swaii the disks back and press Return at the prompt. 

7. Replace the cover dish when asked. 

8. Label your blank disk 'Baldies' 

9 Insert the BaldiBs disk into the internal drive, and resei 
the Amiga. BaldtBS will now load. Refer to page 15 for 
playing instructions. 



AMIGA 





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Empire Fnteradive, the Spirts, 677 Ht^ ftsad, 
Drill Finchley, London K12 oDA Tel: oiBi \\,\ 914J 



I 



i 




Geimans launch sneak 
attack on Commodore! 



©ne of Europe's largest PC 
mnariLjfactuifers and retailers 
has been reported as 
putting in a surprise S5 mil- 
lion i€3.2M} bid to buy the 
assets and trademarks of Commodore 
International. E scorn is a £1.6 billion 
turnover company which operates in 
nearly all European countries and many 
of the old Soviet Block countries, 

Escom ha& major plans for computer 
retailing in the UK high streeit market. It 
already has a chain of 24 shops in the 
UK as well as a presence in 35 Office 
World out-of-lown stores. It has also 
just purchased Rumbelows, the UK 
based chain which was recently closed 
down after significant tradiing losses. It 
now intends to re-open all of the stores 
whilst expanding iits Office World 
presence too. In total it will have over 
3O0 Escom outlets in primary high 
street locations, or major out-of-town 
sites by the end of the year. To run 
these it plans to increase its UK, staffing 
levels by 1,500 people, 

Bernard Van Tianam - Managing 
Director of Escom Holland - told CU 
Amiga Magazine that the UK stores will 
primarily sell Escom branded PCs, 
including multimedia systems. Escom 
claim they already produce some 
400,000 units (PCs} from their German 
manufacturing plants, lr> an exclusive 
interview Mr Van. Tianam went on to 
say that Escom are also considering 





4 Im Issm ttsiimi ?C. UmjiiiRl huh? 



moving into tetecom- 
munications, and set-top- 
box technology, 

CU Amiga Magazine first heard news of the 
bid in mid March and it was then reported in the 
ECTS issue of the games trade maga?ine CTW, 
However, when asked to comment on their 
reported bid Mr Van Tianam would neither con- 
firm nor deny the presence of money on the 
table and was also unwilling to comment on the 
the status of the Amiga if they won a bid for it. 
However, the Am.iga's potential as a set-top deliv- 
ery-box would obviously fit in neatly with 



Escom's future plan • 
The Amiga would also 
provide Escom with a low cost home computer 
to complement the higher priced PC systems 
currently sold through its shops, 

David, Pleasance, who is jointly heading up i 
prospective rival management buyout of 
Commodore's world wide rights, wasn't worrif 
by the move though, claiming that their bid W'S 
still the most likely to succeed. Either way it is 
obvious that the Amiga is still in demand, not 
just by users and dealers, but also by prospec- 
tive manufacturers. 



AftflfGA 



Mac-beating 

graphics 



c 



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f 



t 



©ne of the best structured drawing 
programs For the Amiga is to be 
upgraded, ProVector Version 3 
from Stylus Iric will be released 
shortly. Version 2 of the program 
suffers from several important limitarions that 
have prevented it from overtakirtg its rival 
ProDraw as the best structured drawing pro- 
gram. The new version will give Amiga users 
power previousiv only seen on Mac drawing 
programs Such as Adobe If/ustrator. 

Version 3 looks like becoming the champion 
oJ Amiga vector graphics, Amongst the many 
r^ew features are powerful clipping paths 
■ ^'lowing objects to be masked out), gradient 

i-. file support im Adobe ffiustrator, and 
ri»imerous new object tools such as blending, 
skewing, mirroring aind warping, The program 
will also provide full AHexx support, on-line 
help, and other Workbench 2 and 3 enhance- 
"■■ents for improved ease of use. 

Jeff Blume, Vice iPresident of Stylus, said of 
'3 new release. "We are committed to provid- 
-.^ Amiga users with a superior drawing pro- 
Oram and we will continue to improve the 
^Vector family of products". 

The Stylus Pro-Rack has a suggested price 



of $299.95 but for a limited period Stylus will 
selling it at an introductory price of $199.95. 
Stylus are also offering an upgrade for users of 
earlier versions of ProVector. An Expressions, 
Professional Draw, Design Works or Aegis 
Draw, although exact upgrade pricing was still 
being finalised at press time. 

CU Anniga Magazine is currently liaising 
with several L!K distributors to a [range UK 
availability and will bring you full details of 
UK support, pricing and shipping dates 
shortly. In the mean tim>e Styi'JS are on OTOi 
303 484 7321, 



s 



T 



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V flu tlii^ Ifelfi HtltJl's. Pi«[k*iT 3 (»Y«i]dislc Mil |lll 
will Htll fii lel ^tock iito tie fvitliEipii| ^Vetlir 3- 



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[Raging on 



fimgf Rage is now scheduled for 
a September release on all for- 
mats. First announced by CU 
Amiga Magazine back in 
nber the coin-op conversion of this 
"em up extravaganza is now well under 
for the Amiga. 
This is being handled by Mortst Kambat 1 
12 veteran Probe Entertainment and is 
ted to be finished bythe end of the 
Jf, The coin-op has a multitude of dif- 
moves for you to master, but Probe 
is to be able to incorporate all of them 
I even some extra ones if all goes 
ling to plan) using either one or two 
I joysticks or joy pad. Sounds like fun! 
' have a Work In Progress on Prima! 
next month. 




Ocean 
teams up 



Team 17 have signed ai deal with Ocean 
Software to exclusivelv distribute their 
games on all formats. The deal, in which 
both Ocean and Team 17 retain their own 
separate identities, will increase the 
Team's software distribution from their 
current 18 countries to 64 countries and 
will provide the necessary cash and back- 
ing to launch titles across all home enter- 
tainment machines. At the moment Team 
17 concentrate on the Amiga and PC but 
as part of the deal games like their forth- 
coming blockbuster Worn^s will be 
released on up to 16 formats. 

In the future, games which fall under 
the deal will be branded with both the 
Ocean and Team 17 logos. Will Team 17 
be swallowed up though? Alan Bunker, 
their PR manager, was keen to stress that 
"Team I7's branding will be maintained 
and we are still 100% independent". 




t 







Action 



Mindscape have been very evasive about 
their latest slice of aerial action. We 
should have had a preview of this 'dog- 
fight simulation' in the games section 
this month but due to mysterious circum- 
, stances (probably something to do with 
the ECTSI we never got hold of it. It 
sounds good though, with four different 
fight scenarios promised: World War 1, 
World War 2, modern jet combat and 
futuristic space combat. Mindscape's PR 
department has gone to great pains to 
point out that Evbsiv^ Action is not a 
flight Sim in the conventional sense of 
the term; it is an air combat simulator 
designed to emulate one on one air com- 
bat, using 3D graphics and arcade style 
gameplay Hopefully well have that full 
preview next month. 



CU Amiga Magazine's January 1395 issue 
Com/cSettsr coverdisk is being used to illus- 
trate Micro Maniacs, a car magazine for 
Micro car enthusiasts, Although not quite up to 
Judge Dredd standards, MicroManiacs is now 
using the program to produce on-page 
cartoons. For more information on the maga- 
zine, contact Steve P&pper, 42 Charles Avenue, 
Harrogate, North Yorks, HGl 4PE. 
Tel: 01423 524840, 




■>^^i'.'. 



Tel 0116 234 0682 or Fax. 0116 236 4932 



i 

1 






I 



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& Amigi to R* iJy hi run frem i 
iimpte KffiNl! iy>Jieiiv IQfKl Ciy= 
CCBniiailtli:, *-i«^ imrluJcjr A^HH^iiu 
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l-nie Nciworii CD scL'^ up a lirk beiWecn a CDTV nr CD31 and any oiher AmiiJii. The 
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pool of datii avsilahic on a? Rom. The CD3Z caWe also available uses lJi= AUX 
' socltci «f tlw C'|JV2 aiid cffliK'H compile with a kcj,-b«ard pa.^H ihnomgh, thui st>n 
imsmHaiMig 1lic sWliLy to c.^iinect FMV or SXI «W«rti. Nctwijfk CD s=is. up ;i 
jworlrljeflch cn^immnent ami disable* the resel fuTKlioin, allowing ttic CD to b<- 
[ cliOTf ed and aeccss m any oUilt IStWWiO CD. 



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Pamet & Scmet 

NContm & Tenn 

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A VAIIAIifi IJtOM ALL (iOfm STOCfaSTS 

\coMn 



I'elc'phoTU' Orilerfi 



0116 234 0682 



ArciSs ^'^ \ isji Wt'IU'Utt' 



I T=L(m42MWi«2 

Fax Cl|l*ilM«K 



1 RowlandsctfL Close 

LeiccKier 

Leks. LE4 2SE 



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QUALITY PERIPHERALS 



FOR 

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Fillordable pices, Amifek 
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built lo ensufe easy Wling 

*'*=^'»* and ij-Quble free operaltan ■ 
iham a pleasure to use. Amitek 
are also itKirtHighly tested ancti 
■ ■ ■, &D reliable tfiat we are pieasetJ 
r a lull fwo year warranty on mosi of 
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The Aniileh chvg hsi in^ny {Jeiuxe 
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ttttek ou4 Ihe compeliiloni 

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This fe^lure stops ytMJF drive malivig 
wtirs and c^tclts wf<«ri itie driv<ft 
i& snripty a«3 seariJiin© fw a dish, 

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The swilEtiBbIa mode slaps !rai:d>t 
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EXTERNAL DRIVE 



High Quality Graphics And Video Mixing Desk 

FREE Scala HTtOO Program Disli 

Add Tlties And Special Effects To Videos 

ideal For Home and Semi-Professionai Users 

Supports Ad Standard Amiga & AG A Graphics 

input And Output Composite Video Signals 

Switcties Between Video Only, Computer Only 

And Mixed Graphics 

Hardware Fade Between Graphic And Video 

RGB Thru - Saving Tije Genloclt From Being 

Unplugged Wtien Not In Use 

Optional Ctiroma Key Unit A vailabfe Sept '95 

Comprefiensive iG-Page Manual Plus 

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INC VAT ■- DRMISa 

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Ttiese interriaJ Arnitek Loader 
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Tire packs feature a liigh 
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ST:pri4.$ NATi^hrmQE 



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sn tt VtafU ii Hi Aniis 111 ni OdEr 



MAIL ORD£R 0181-309 1111 

PLUS TECHIMIQAU AHO HEAD OFFICE 



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INFORMATION ON AMITEK PRODUCTS 



' Mr,'Mrs.'IWiss»'Ms: 
I 

I Sumams: 



InttiilK, 



company ir i«iai4«: 
Mdness: „.„ 



PostcDde: 

"ftl iHame): „,„„„,„„„. , 

la (worW: - ,- 

WMl* computsr(j), H jniy, da y«i tninf 



J13NJ 



iK)E-'iilmfc»ilg«WBidlH> (IW tn m ^wm.HtmrHin<aai<mtif»»i*^« 



Book 'em! 



Oeteran Amiga book publisher Bruce 
Smith eool^s has released a new 
AmigaDOS programming guide, 
'Mastering AmigaDOS Scripts', 
Written bv Mark Smiddy, it coders all aspects 
of wnting AmigaOOS scripts covering small 
utilities and bigger programs too. 

There etre over lOO ready-to-run script pro- 
grams listed in the book, suitable for 
ATTiigaDoa 1 .x,2,»< and 3.x systems, Each script 
is explained on a line by line basis to aid the 
learning process. 

To complement Miastering Amiga DOS 
Scripts Bruce Smith Books are producing a 
disk that contains many of the scripts listed in 
the book, it also has se\/eral PD./Shareware 
utilities oni it to help yow programming. This 
is available for fS.OO. via a coupon in the 
back cover. 

This book costs £19,95 and is available 
- from major book stores or vi^a the Computer 
Bookshop on 0121 706 1250. We should have 
a review of it next month. 



"Buy your RAM 
boanls now! 

If you're thinking about buying a RAM 
upgrade in the next few months now might 
be a good time to invest. The rapidly rising 
strength of the Japanese Yen means that far 
eastern manufacturers are having to swal- 
low large losses when exporting products 
to foreign countries, and Japan is one of the 
primary producers of memory chips. In the 
last weeks of February and early weeks of 
March alone the Yen rose by an astonishing 
eight percent. This compounds on the loss- 
es manufacturers suffered after Kobe earth- 
quake. The two factors combined are ■ 
forcing some manufacturers to consider ^ 
rising prices to customers, 





Write to 

your CD! 

A German software developer claims to have 
created a program that allows normal Amigas 
and CD drives to write to compact discs. 
Previously CDs have been read only, which 
means that while they can store vast amounts 
of data you couldn't write your own informa- 
tion to them . 

Now Ralph Babel and Stefan Ossowski (the 
creators of the Am inet, Imagine Enhancer and 
other CDs) claim to have have developed a 
software application that, enables your Amiga 
to write to CDs using normal CD drives. 

According to details from their German 
based company - Schatztruhe - the CD Write 
software will allow you to store programs and 
configuration data on CDs, rearrange data, 
remove obsolete or undesired data and 
change icons. 

Too good to be true? Well it is, as we dis- 
covered. In reality all the program does is 
transparently redirect instructions for the CD 
drive to either a floppy disk or hard drive, giv- 
ing the impression of having a writeable CD- 
Quite why you'd want this program is anyone' 
guess, but if you're interested Power 
Computing are Schatztruhe's UK agents. Call 
them on 01 234 273000. 



Invisible ink 

Hewlett Packard have just announced a 
... what's this .- er we can't read it. The m^ 
seems to be fading. If anyone at Hewlett 
Packard is reading this could they please s^ 
the press release dated 1 April again. 

CD32 drops 
in price 

Silica are now selling their CD32 Critic;'^ 
games console pack for £19^ - £40 of1 .^^ 
vious price. Silica's pack includes the CC"* 
console and seven game titles - Canon 
fodder. Diggers, Liberation, Microcos'^ 
Oscar, Project X, and Ultimaw Body B 
Silica'are on 0181-309 1111^ 

ICPUG 
discounts 

The Independent Commodore Products ^ 
Group (ICPUG} is offering members whof 
for eight months (1st May to 31st Dece 
1995) a discount subscription. The redt 
rate being £16,50' for UK and BFPO mt 
£20.50 for Europe and surface mail to 
seas. ICPUG membership gets you four 
issues of the ICPUG journal, free PD soU 
technical hotlines and offers support and 
advice. Contact Tim Arnot V Colne On ' 
Oakfields, Didcot, Oxon, OX11 7RZ. Tel 
01235 815725 after 8.30pm. 

Twist 
correction 

Two mistakes crept into our review -* ' 
Twist database in the April '95 issue 
actually published in the UK by HiSott m 
and has a price of £99.95, This does no« 
affect our rating of this program, whirfu^ 
one of the most powerful databases , 
on the Amiga, 

HiSoft have also announced that a i 
version of the program will shortly be 
able. Contact HiSoft for full details, "^ 
01525 713191. 

Animation CD 

Weird Science have released a ne^ ■.-. 
Pacl^ed with animatrons the twin CD 
contains work from animators arc. 
3 world. Available now. Animations C^' 
£19,95 and you can contact Weird : 
0116 234 0682. 

I 



AMIGA 



^ 





I 



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WITHOUT 

COSTING 



Star's three fittest mono and colour/mono printer?, are just what ynu want: traditional Star quality, low cost and 
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feeder, There's a choice of options (oi more demanding applications - including a tractor iced far only £15.00. 

S.0 take the hint and plu|; 'n' print with Star's brilliant dcw printers. Please return the cout)oa 
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Awailable from Star Registered Dealers and Computer/Office Superstores Nationwide. 





MULTIMEDIA CD-ROM 



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FOR ANY AMIGA 

To celebrate our 2nd successful year in business we're giving 
Thousands of free Multimedia CD-ROM disks. 

EPIC Software 

MULTIMEDIA MANIA CD-ROM 

includes 

500 top quality fonts, 

1500 of the best clipart images, 

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ORDER CODE: CDMMM60 

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There is a non-refundable £6.00 shipping and admin, charge to residents in te UK and £9,00 P&P tcr foreign orders. Please have your credit card 
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3DN. Limited period oniiy, and only one CD per customer appiies, If you wish to collect, you can exchange this advert for your tree CD from Epic in 
Swindon. This offer is run separate from any other offer we are currently running, An upto date CD-ROM list will be sent with yodjr tree CD. Please 
allo'iv 14 days for delivery E&OE 





FEATURE 




I 



Everyone wrho has an Amiga should have a printer ... and 
most people who have a printer would like a better one! 
We round up ten of the most popular to help you out. 



ATVIIGA 



I*. 



IMMMH 




Ofter upgrading the internal hard- 
ware of your Amiga, one of the 
most useful expansions money can 
buy is a printer. And there's certain- 
ly no shortage af printers available 
- just look through the pages of any computer 
rma gamine and you'll see all sorts of rrodels- 
But which is best for you? Here's where we 
come to the rescue. Over the next few pages 
you'll find everything you need to know about 
buying and using a printer with your Amiga, 
It's all here, from identifying the type of printer 
best suiled to your needs, to explanations of 
the Gompte*; jargon. From ecological consider- 
ations to getting the best out of it once it's 
connected to your Amiga. And then of course 
. there's the compfehensive buyers guide to ten 
popular models ranging from low budget dot 
matrix to mid range, fast laser printers. 

General use 

But first, there are several important considera- 
tions to be made before choosing which 
printer to buy. The first of these is what kind of 
document you intend to print. 'With the obvi- 
ous exception of price, this is the most irripor- 
tant thing to bear in mind, as certain printers 
are better suited to outputting text, colour 
graphics or DTP pages than others. 

From our most recent reader survey we 
found that most of you will use a printer for 
one of four main reasons: general use, word 
processing, producing phnts of your graphics 
and DTR 

If you want a good all-rounder that can han- 
dle the odd letter, maybe some program list- 
ings and ReadMe files, with the ability to print 
graphics too, then a dot matrix printef is often 
the best option. 

Dot matrix printers are the oldest of the 




printer technologies seen in this feature. They 
consist of three main parts: a print head, a 
motor and a paper feed mechanism. The print 
head consists of a square of tiny pins. 
Individual pins are moved forward creating the 
shape of each character or pixel in the case of 
graphics printing. This shape is then pressed 
against an inked ribbon which in turn presses 
onto the paper, forming the shapes on the 
page. After each character is printed the motor 
moves the print head horizontally to the next 
character. When it reaches the far right edge 
of the page, the print head is moved back to 
the start of the line and the paper feed mecha- 
nism moves the paper sheet up one line. 

Finer detail and higher quality results are 
achieved by increasing the number of pins in 
the print head. The cheapest dot matrix print- 
ers have nine pins, although the much higher 
quality 24-pin nnodels now cost as little as the 
nine pin models. 

Colour dot matrix printers work by having a 
ribbon composed of four bands of colour (typi- 
cally red, blue, yellow and black). The printer 
can move the ribbon up and down so the print 
head presses against the different colours. By 
printing over the same character with the dif- 
ferent colour bands, a wide range of colours 
can be produced. 

In recent months the prices of dot matrix 
models, particularly 24-pins, have fallen dra- 
matically. 9-pin models can be bought for 
around £100, although the quality is only really 
suited for personal use. Higher quality 24-pins 
can now bought for as cheap as £150, which 
is a dramatic decrease as only a short time 
ago they cost arourid C300-£4001 

Word processing 

Good text printing is obviously a primary fea- 
ture if you regularly use a word processor, but 
with the increasing slant towards DTP that's 
creeping into most Amiga word processors, 
it's also likely you'll want to print the odd pic- , 
ture or graphic, maybe with a spjash of colour 
along with your text. So what is the best 
method of getting a good quality printout of 
your text which will also do justice to any 
graphics or colour? 

Ink jet technology is the solution. Ink jet 
printers produce near laser-quality results yet 
cost only slightly more than dot matrix equiva- 
lents. But they also have the capability to print 
in colour when needed. 

Ink jet printers work on a simple principaS, A 
tiny heating element heats up a bubble of ink, 
as it gets hotter the bubble expands and finally 
bursts, sending a splurge of ink through a tube 
and finally onto the paper which forms a dot 
The remaining ink bubble contracts, sucking 
more ink in to the vacuum left behind. The 
new ink is then heated, starting the process 
again. This process is duplicated with multiple 
heating elements, ink bubble containers and 
tubes making up a print head. Typically there 
are around 64 tubes or nozzles in a print head, 
The more nozzles (and hence dots) the higher 
the resolution possible. Current ink jets 
achieve around 360 dpi (dots per inch). 
Different colour inks are used to produce mul- 
tiple colour prints. 

So far it sounds simple enough. However 
there are several problems that manufacturers 



Save moneY 

You can save yourself money by 
refilling your old Irtk cartridges 
instead of buying new on^s. 
AlthougH most manufacturers don't 
recommend it, several companies 
claim to offer refills thai cxomply 
with manufacturer specifications. 

Refilling irtkjet cartridges can cut 
your costs considerably- A n«w ink 
jet cartridge costs around £20. 
depending upon the model. Refills or 
the other hand are available for 
under £10! Try Grey-Tronics on 0500 
737 SOO or Care ilectronics on 
01923 894 064. 



have to deal with One problem is that the 
process requires specific ink fluidity. If it's tc 
thick it doesn't 'spurt' properly too thin and w 
runs as it hits the paper. The ink container 
must be free of bubbles as this would wreck 
the ink flow. However, manufacturers have 
overcome these problems and ink.'bubble je; 
technology is now very affordable. j 

Prices start from £200 for monochrome ve- 
sions and t250 for colour models. 

GrapKics 

The Amigas capabilities for producing colOf 
pictures are second to none, so it's not sur- 
prising that demand for good colour printers b 



"r 



d 











aHse T 






l- 






iu 




-^W^-.^^ 





so high in the Amiga market. 

You have two choices for printing yc 
colour images, and if price is your primary ^ 
cern you're actually in luck. There are load! 
low cost colour printers available, start> 



B 




t ^^' 


£r - ^i^iii^^M^^ 


1 


.•,J*.^.-.%i- If' 

, ^ ^ ^ .:r?.. " 



FEATURE 



How printers work 

Laser printers Dot matrix printers Bubble jet printers 




A. I IcsiT it»m \iii\it the ptiRler itsvn the image tD Iib prinieil 
M» tk« s,urEacE d( a i?lcniLm drum. This drum li<$ i sirfacf el I1«|- 
rcbfrgcl p^rtmlEi. Vi\itn tli« liter hilt il tliE p^niclES^ 

t n ■ pssiiire t\\sf-it. Th« ihet ontir sucks it the pvsiiMf 
i ttttt. I^i^er is fasseit ly the riruni and iiniT if atisFeif in 

, ikiK CTedling llie irtia|G eti tlie |)Bf t. f h« paper it lilllllf 
test lt[iig,Ji 1 )i«it suiFEE which dries Uie ill)., A wire then 
«dkir|tt th« druin suriace witti i ncjaitivit clitigt. 



A ElHk, cllili, claitter, clalUi. Dat ntBftrix printiig h Ihe nyesi arnl 

MbiHl )triii(ei itclHigEogf. A print head mtii ip ol tiiy pin; naves 
1^ tn rig-Jil lerost tlie p»gc and st tli« trtd mf e»ch line itwn te llis 
licit. T« print ladl chtMtltr S«leH:t«ll pia; are ntoTfld hliwinl, 
Eieillng ihetharactBn' «lia)ie. Thtpiufn pushBd against an 

iilt«d rifehoit. wllicliie in lirn puthid IflMIt the f 4|)e r crt^^lm^ an 
inpiEision. Doi mitrii: (iiiiit&r; ir«tlte Mllytinia eEprintfri tli«l cb(I 
prinl an muhti-pari |ia;er (i«i\i«ic«s etc). 



around £100. At the bottom end of the scale 
ttwfe are dot matrix models, at the other 
•nd (with prices of £250 and above) are ink 
•€t devices. 

Dot matrix technology will produce colour 
•aages but it tends to suffer badly from band- 
"■g - having lines running eitfier vertically or 
-oriiontally througfi the picture. This occurs 
■v-tiere the print head moves from one charac- 
ef to the next and there's am overlap or gap 
•■©tween the characters, You'll also find that 
:ot matrix teichnologies often produce prints 
•nai are too dark or too faint - although yO'U . 
-in compensate for this by altering the origi- 
^,al picture and increasing the brightness. 

Desktop publishing 

jTP has always been one of the more popular 
ipplications for the Amiga, coming in just 
c«hind word processing and graphics In our 
>jrvey yet the needs of DTP printer users differ 



from these two previous types. For DTP work 
it's quality above all else and there's only one 
type of printer that delivers the best quaJity: a 
laser printer. With average resolutions of 
300dpi, which can be improved upon with 
enhancement technology and print speeds of 
at least four pages per mintjte laser printers 
have become the favoyrite printer for profes- 
sional DTP users. Falling costs also ensure that 
they are growing in popularity amongst users 
on a tight budget. 

I_aser& printers work in a similar fashion to 
photocopiefs. A laser beam is fired at a mr^irror 
This mirror reflection targets the beam onto a 
drum, and by rotating the mirror the beam can 
be moved horiizontalily across the drum sur- 
face. The drum in turn rotates allowing the 
beam to traverse its entire surface, creating 
the image of the page on the drum surface. 
The drum unit itself is coated with a material, 
onto which the image is scored by the laser. 



Ecological considerations 

Ther^ was ji tiine when printers could rigtitlv h-e accused of beirtft one of ihe 
most e iw i ro rime rt tally unfriendly computer peripherals. Ind««d with the amount 
of tqner and paper they get thriiugh they still do more harm than most other 
peripherals. But recently manufacturers have tried hard to reduce their harmful 
side effects You may or may not take the "green cause' into account when you 
are buying a printer but it's worth taking into consideration the efforts of various 
manufacturers as they can save you money and |>rotect ol' mother earth as well. 

For enample, some Hewlett-Packard and Epson Stylus printers have power 
uving devices that shut down the engine, entering a standby mode, when not in 
u»e. The HP Laser's power consumption drops by 180 watts to jiust 5 watts 
when in this mode. Given that a laser printer is often on-line, but unused for 
long periods of time, this will save a lot in electricity bills! 

Ink usat^e is also environmentally and financially costly, so saving the 
cartridges must be a good idea. Once again HP score points by recycling your 
usad toner cartridges - they even pay the postage when you return used 
units to them. The printer also has a special E con o Mode which uses up 50% 
less toner when printing. This is done by spacing out the dots, producing less 
dense coverage. 



Mazzle 



Printer hsad 
Obritajnjfig Ink 
rftBavvirs 




Elam«nt' 
heated 



Bubble 

cantracta 



Mara ink 
ftiicksd in from 
rss^rvoir 



A Bihhl« «i miftt pritlters Vtrh V5.ii| a ramark^liif Simple 
pFVces;. A limf drdp i( ilk \i placed ever *u elemadt »i\i lie^ted la 
MHmU 4M i«||i«es. As ihe iith gets htltef buhhles brm, eYSiltiJll- 
If BH^ Ht lirgt bubble wliich flrtalljf eKplndet (jili iF thii h«p- 
piiK il » rritlion nl ■ ueiiO. ta li npMit tht iih ihtils uf 

tlirvugji a Cuba or neidf Ifli M tt Iftt pip« Ht Clll*psJI| ilk 

liilhl« cr«4tcs a: »ciia wMct neti tmii mh ia l« Itira i fis«r- 

TSir ni stift tlie priuBsi nfl all Hfif *a*iit' 



As the drum rotates It also goes past a trough 
of powdered ink, which sticks to the area 
marked Out by the laser. The rotating drum unit 
then passes over the paper, transferring the 
ink to It as it goes. As a final step the paper 
sheet is then heated to fix the ink. 

Lasef printers with resolutions above the 
standard 300dpi are starting to become com- 
monplace. In 1993 Ricoh introduced the 
LP1200 laser printer providing 400dpi, and 
other manufacturers {Lexmark, Hewlett- 
iPackard etc) produce 600dpi models. 



Your choice of paper can make a lot of differ- 
ence to the quality of your printouts. All print- 
ers work by applying ink to the paper surface 
and drying it in some form. Depending on the 
type of paper the ink will be absorbed into the 
paper to various degrees and dry at different 
speeds. If too much ink is absorbed the print 
will look faint, if it doesn't dry quickly enough it 
will run. In the case of ink jet printers better 
results can be obtained by using special paper, 
glossy surfaces being the obvious choice, An 
in-between solution is to use 'normal' paper, 
but higher quality than standard photocopier 
stock. CU Amiga Magazine experienced high 
quality prints when using Conquerer paper 
0th e:r named quality paper produced simi^lady 
good results. 

Fortunately ior unfortunately) you do get 
what you pay for when choosing paper Thick, 
good paper is expensive, but for jobs where 
quality is everything, the investment is worth it. 

And there's more — 

So there you have it. Your choice of printer 
depends upon your wallet and what you actu- 
ally do with your Amiga. Over the next three 
pages you should find our guide to several of 
tlie more popular printers available and their 
relative merits heipful. 




FEATURE 







■i^ 


^m ^^H 


B' *«|feL^ 


-«■ 







A Santing SP-Jtl T: Pkur iKtiiit pidr ptrfertrMCi', but relstivtlf (.iuf. 




L 5tiliDsli» fJ.-' jj, best Bll raiiml ludjel iviiitei; 



^^^^^^^^^^^ 


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A Msntiesntati T»llif TZ91 i: chei^, relisMe miHiochrante printer. 




DOT MATRIX 
PRINTERS 

Dot matrix printers ar« a i^heap and 
r«liabl« mathod of outputting colour 
and black and whita pagas from your 
Amiga. The various 24-pin modaU hera 
start from around £100. 

Samsung S^2417 

One of the cheaper 2 4- pin models, the 
Samsung SP-2417 looks more sturdy than 
attractive, However, Samsurig describe it as 
havirig a 'Life Style Design', even though we 
think it looks likeeny other dot matrix printer! 

We were disappointed with its print quality. 
Output of pictures was faint and suffered fronn 
an intrusive amount of banding and paper 
Crimping, On the other hand the relative colour 
balance remained intact. Text fared better 
although it was a bit rough around the edges. 

In the speed trials it also performed poorly, 
although better than its 160cps draft and 
53cps letter quality mode specification& would 
have you believe, It came in w^H behind both 
the Citizen and Seikosha models, and tied 
roughly equal to the Mannesmann Tally T2016, 
However, it should be remembered that this 
printer is cheap, and for your money you still get 
a 24-pin printer that is faster and gives notably 
better results than any old 9-pin models. 

If you're looking for a low cost printer, and 
aren't too worried about quality the SP-2417 is 
worth a look. 

Samsung SP-2417 BTeUOIZSa 547788 
■ Price: £129 



Like Citizen, Seikosha have taken the trouble 
to support the Amiga and a printer driver is 
provided with the SL'96, Unfortunately 
Seikosha's driver isn't as good as Citizen's but 
it's still a lot better than having no driver at all 
as is the case with Mannesmann Tally. 

The driver allows the Amiga to produce 
prints at the full resolution of the 24-pin SL-96, 
and get better colour output than would be 
possible witti the Epson emulations supplied 
with Workbench. 

In speed terms it produces a respectable 
but average 192 characters per second in 
draft mode, and a maximum of 140 cps in let- 
ter quality mode. It also has a 'super speed 
draft' mode capable of 240cps, but we found 
the print quality when in this mode to be 
pretty poor. 

But speed accounts for nothing if the quali- 
ty isn't there. Here however, Seikosha need 
have no worries. The SL-96 produced the best 
prints of all the dot matrix models seen here. 



Neither too faint or dark and with minimal 
banding it won our vote as the best all round 
budget printer. 
Saikoshfl SL-96 iTal: 0181 309 1111 

■ Price: £149 

The T2016 Is a good, low cost, monochrome, 
9-pln printer. It's not capable of colour output 
but if you want a printer only for personal and 
general use, program listings and directory 
prints, it may be worth a look. 

With just 9-pins you can't expect great 
quality outputs, but for the money it's OK. 
Prints suffer from banding and paper crimp- 
ing but this is to be expected with the tech- 
nology, and it's no worse than any other 
similarly priced model, 

Comparing its output to thai of other 9-pin 
models we've looked at in the past revealed 
slightly better than average character defini- 
tion. Noise levels were the most off putting 
element of the T2016 though. The constant 
clanking and whirring of the print head gets a 
bit tedious after a while, 

It's cheap and reliable and will be ideal for 
the those who just want a cheap way to print 
out text documents for personal use. If you 
want colour, or higher resolution look else- 
where, maybe the Samsung SP-2417 or the 
Seikosha SL-96, neither of which cost a lot 
more but offer slightly better quality output 
and colour. 
Mannesmarin Tally BTah 01734 709 71 1 

■ Price: £109 

Citizen ABC 

Citizen are one of the few printer manufactL' 
ers who actually recognise and try to help 
Amiga owners use their printers by suppiyin 
Amiga drivers with the ABC. Citizen's drivers 
are a credit to the company. They provide ei 
control of the printer hardware and result in 
higher quality prints than can be obtained 
using the standard EpsonQ drivers. 

As a low cost, general purpose printer t^• 
ABC is hard to beat. It's a 24'pin dot matrix 
model, with resolutions of up to 360x360. Ir 
speed trials it beat both its Samsung and 
Seicosha competitors, and held up to the 
claimed 192 characters per second. 

Being dot matrix it's not going to produc* 
brilliant print quality, but it's stili pretty 
respectable for home use. Text was OK 
although a little fuzzy, whilst colours were 
generally clearer than the Samsung also 
seen here. 

In general operation the ABC came out 
well. Its paper loading mechanism proved 



kCilisai ABt: Amiga ilrims siippJi*^, tictliit fir Jtomt lau. 



Specif (cation chart 










Model.''Specificfll:ion. 


Price 


Type 


Colour or e&W 


Resolulion 


Speed Buffer Sam , 
I92cp5 8K ' 


Citizen ABC 


£1S9 


D 


Cobuf 


360 


Soilsosria SL96 


£149 


D 


Colour 


360 


192cp3 15K 


MT2016 


£109 


D 


B&W 


leo 


leOcps. 2K 


Samsung SP-2417 


£129 


D 


Colour 


aeo 


B3 cps 14fc 


StarSJ-144 


£249 


IJ 


Colour 


360 


1.4cps 21 IK 


Carvor BJZ00e>; 


-££59 


IJ 


B&W 


360 


3,5ppm 62K 


MT7O40 


.£259 


IJ 


Colour 


300 


appm 128K 


Efjsori Stylus 


-£&59 


IJ 


Colour 


720 


240c ps 64K- 


HP LJ4L 


^574 


L 


B6W 


300 


4opm 1 Md 


MT T9005 


-£5^ 


L 


B&W 


300 


4pprTi 512k 


* Type: L=ljaser. D= 


Dot malri:(, IJ= 


= lfikiel. 








Resolution: Waximunn resoluliori witliout enhancemsnt. 






SpeedrCdaracSers per secorid fc* dot 


rnairix models at 1 2cpi, pages per 


minute foi some inkiets and all lasers. 



AMIGA 



FEATURE 






I 



Spurting Canons 

^^. Ink jet technologv was 

J^^O^^ originally created by 
^^^P^^ Canon, with the origi- 
^^^■^^B nal patent for the con- 
^M^^f copt recorded in 1977. 
^*^^^ Canon introduced the 
first printer (the 6J-80> in 19S5, 
Although they demonBtrated the 
technology in 1981. 

The technology was discovered 
when a researcher accidentally 
touched a hypodermic syringe full of 
ink with a soldering iron, and the ink 
1 ported from the syringe. 



'aultless during the test period artd as a 
■esult we experienced very few papef tian- 
aiirtg problems. 

The ABC printer is a good, reliable printer 
which shouldn't disappoint for home use- 
Best of all it can now be picked up for under 
Cl&O, which is definitely excedent value 
for money. 
CitiEsn ABC ■ Tel 01 81 309 1 11 1 

■ Price: £189 - but check advertisers in 
CU Amiga Magazine for lower prices. 

INK JET 
PRINTERS 

For affordable colour printing ink jet 
technology takes some beating. 

Star SJ-144 

This model fron^ Star was one of the most 
compact and styliish of all the printers we 
reviewed. It was also one of our favourites. 
Everythina about the Star seems well thought 
3ut and irmplemented. 

in every respect the SJ-144 stood out from 
•he rest. From its design, the way it stands 
^rtically occupying very little desk space, to 
■i paper loading mechanismi I not a single 
im in the entire test period), to its print quai- 
< which was wonderfully crisp, we could 
■ardly fault it. 

Print quality was absolutely superb too, 
i^iding its only average 360x360 resolution. 
Colours were vivid and consistent and didn't 
fade at all across large areas, while text came 
jt gloriously sharp, 
As a printer for handling both text and 
graphics the Star SJ-144 is hard to beat and 
aijust £249 it's exceptional value too. 
Stiir5J-144BTet: 01494 471111 

■ Price: £249 

Canon BJ-200ex 

This printer isn't a colour model and is really 
Onty included here for reference and for users 
kwking for a low cost alternative to laser print- 
ers for black and white DTP type work. 

Although the pnnter has a standard ink jet 
'esglution of 3&0 X 360 dpi, it features 

smoothing technology' that enhances the 
pnnt resolution, n^aking its prints look like 
720 X 360 dpi. In this mode its output was 
better than its normal 360x360, but not as 

";30d as that from ifie Epson Stylus. 
For users who want good quality mono 



prints for DTP use, but are on a tight budget, 
the BJ-200e)i: is a safe route to follow. 
Although slower than a laser printer its quality 
will be more than good enough for most 
users looking for above average output. 

There are Amiga drivers available to sup- 
port the printer, although these aren't provid- 
ed witfr it. You'll need to contact Canon. 
Canon BJ-200ex ■ Tel: 0121 680 8062 

■ Price: £259 

Mannesnnann Tally 

Compared to the Star and C^non printers, the 
T7040 looks more like a relic from the sixties 
than a home printer of the 90s. TheT7040 is 
ugly, with flimsy bits of plastic sticking out at 
odd angles. If the Star and Canon printers 
were supermodels, this must be Nora Batty. 

This is all rather unfortunate because in 
other respects it's a good, solid workhorse 
that produces perfectly acceptable results. 
Alttiough it only supports a resolution of 
300x300dpi, printed matter is clear and clean. 
The colours could be more vibfant, but in 
general there are no nfiajor gripes. The final 
verdict? A good printer Spoiled by poor 
design and finish 
Canon BJ-200ex ■ Tel: 0121 680 B062 

■ l^rice: £2S9 

Epson Stylus 

At approximately £559 the Stylus is a very 
expensive ink jet, so what does it offer to jus- 
tify the rather large hole it puts in your pock- 
et? The answer can be found fronn the first 
prim you produce; quality! 

Whilst other ink jet printers spurt out 360 
dots per inch, the Stylus pumps out an aston- 
ishing 720dpi. This is a true 720dpi and is not 
achieved by enhancing a 360dpi mechanism, 
and as such gives higher quality prints. 

However, it's worth pointing out that you'll 
need to get the correct printer driver for your 
Amiga to print at this resolution, and you'll 
also need a higher quality paper than normal. 
See the 'Print it with JAM' panel on the next 
page for driver details. Custom paper is need- 
ed because normal paper stock can't hold the 
ink, vyith individual dots 'bleeding' into other 
dots. Once you Ve got the right driver and 
paper it produces wonderfully detailed prints. 
Another feature of the Stylus is that it uses 
a custom print head. On other ink jets when 
the cartridge runs out you'll need to replace 
the entire print head. 

With Stylus technology, however, you 
merely replace the ink well - new ones clip 
onto the top of the printing head. This system 
also allows you to have two ink cartridges, 
one for black and one for colour- 
One thing we didn't like about this printer 
however was the start up time and paper 
loading system. It seemed to take an inordi- 
r^ate amount of time to get going, with lots of 
odious noises and clicks coming from it for 
several minutes before it was ready for 
action. The paper feed system aiso seemed 
to take some time before it would print. 

Definitely one of the best printers tn this 
round-up, the Stylus is highly recon*i mended. 
Epson Stylus ■ Tel: 01442 61144 

■ Price: £559 




A Sim 5.J-t44: tamrict ill tlf1i«ll, supert print (|«)lilf . hard Ui kHl! 




A ZatwK BJ-2llei: gisd ^ua^ili, low c-flsl msiHclirtiiic priiler. 




A. MamesnH Tallf ITI4-D: lit Nun BittY mf fimten'- 




A Ifwe Stfli»:li^ %ml\tf. higltFricel 




fWTVRE 







PRINTERS 

The creme da la creme of printers. 
Laser based printers of far superb 
quality prints but at a price. 



A Hmtvtt hckird UsirJtl iL |tii l«r PTp last and smootk- 




MwHsintH Taltf T90lt niikial nieimrif, piw mtiwt ini ki jhkr pitctd. 



Print with JAM 

^^- If you've got a Canort 

j^^K^ BJ. Citizen 24ac, Epson 
J^^K^^ Stvlus, HP, Star LC-24 or 
B^H^Hj Panasonic KX-P1 124 

^■^^f printer^ do yourself a 
^^^^ faifour and get Studio 11 
Professional. This is a snappy printer 
driver utility written by Wolf Faust 
that will significantly improve the 
quality of your printouts. We covered 
the latest version of this program last 
month in the April 1995 issue. 

In essence it replaces the standard 
Amiga drivers for certain printers 
with new custom written versions 
that take advantage of the specific 
advantages of aach printer. In addi- 
tion the software allows you to 
change colour values prior to printing 
to compensate for different inh quali- 
ties and the lihe. 

At £49.95 it'» eKpensive but worth 
it if you want to get the most out of 
your printer. It's available from JAM 
on 089B 274449> 



Cewlett Pac 
iserJet 4L 



ckard 



The 4L IS a great imie printer for desktop pub- 
lishing and other monochrome prir^t jobs. Its 
coimpact size, styling and design make in 
almost perfect to sit alongside the Amiga. 

In jse it's impressive. Pumping out a rea- 
sonable four pages per minute it's no slow 
coach and with a resolution of 300dpi it'll give 
you the kind of print quality you couid only pre- 
viously have dreamed about! 

Fonts and structured graphics come out 
■AonderiuHy dear and detailed. HP's 
■Resolution Enhancement Technology' ensur- 
ing that text, curves and diagonal lines are 
smooth and jaggy free. 

The biggest downer witti this printer is that 
there are no controls on the-device itself - 
apart from a single reset/activate button. To 
print from it you can use a standard Laserjet 
driver or PCL5 driver (if your DTP package 
has one). But there's no way to change its 
internal settingS- 

Even without the PD driver if^s a good print- 
er and ideal as a DTP workhorse. As an 
accompaniment to your word processor it's 
wonderful, although you might find the lack of 
colour 3 problem. 

HP LaserJet 4L aTel: 01344 350000 
■ Price: £574 



srtiann Tally 



Priirtin 



^/{fincbencri 



^^^^^ Although there's no soft- 
^^^H^^ ware supplied with the 
^^^^^B HP 4L to let you print 
^^W^W from your Amiga there n 
^*^^^ solution and it's cheap? 
A PD utility called 'HP' allows you to 
print from Workbench. This is avail* 
able on Aminet sites, on the various 
Aminet CDs or from other PD 
suppliers. This allows the resolution 
enhancement and GconoVodes to be 
turned off amongst other things. 





Here's a printer that looks, acts and works like 
a traditional laser printer. We ran page after 



page through it and experienced very few 
problems with the printing process. 

Sadly the actual print quality and specifica- 
tions let down this good start, Whilst a bare 
300dpi laser will produce notably better outp. 
than any other type of printer seen over thest 
pages, it's now pretty poor compared to othe- 
laser printers available, With no resolution 
enhancement its output was significantly poc 
er than that from the HP model, and at limes 
was below that of the Epson Stylus and Cane 
BJ200ex ink jet printers. 

What really let the printer down however, 
was the minimal 512k of memon,f it comes 
with. This isn't enough to print a full page of 
graphics, or a page of large bitmaps and fonts 
- as such it's really a bit useless for DTP work 
unless you upgrade. 

These two facts, combined with a relatively j 
high price, prevent me fromi recommending 
the T9005, If the price was lower and it had 
1 Mb of RAM it would be okay but as it stand 
it's expensive and under specified. 
Mannestnann Tally T900S BTel: 01734 
7&S711 ■Price: £5B6 



Print Qualtty - Check It out 

To test the printers we hooked them up to a standard Amiga 1200 and printed 
the sample files using Wolf Faust's Studio II drivers. This demonstrates the 
various printer capabilities, rather than the limitations of the Workbench drivers. 




riiM]lrDiniilcSP-Z417 

ttwiiei ahitlai*!. 



Nil frUts!*l>llinig hut i 
lisdi value Bll-rpundBL 



AMTT2I11B 

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lniprCSSiue htit nlhir 
jruif ft) •ur teste. 



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Einllftil lutlltT prinrt) n 




A Clion BJ-IIICM 

F«t kksch: i*i wkiitl flAi 
this, is wtnh 9 Imdli. 



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It awi'l cdcip, but freat 
iMil|lil is wgrth it. 



A HP U4L 

Jkiil pri[lucc& ireat 
high letdlirliliii prints. 



A MT TIIDB 
KMStiHtle kit decan'l 

matcil itp It the 4L 



AMIGA 



COLOUR PRINTERS 




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INKJET 180 cps 80 COLUMN U24PIN FAST DOT MATRIX 270 ops 80 column 



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m Graphics Hesatutian: 
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Fitting 

Save some money and speed up your Amiga 
by a factor of ten: John Kennedy takes a 
comprehensive look at adding a 3.5" hard drive 
to the A1 200 and A600. 




Osk an Amiga owner wtio has just 
got a new a hard drive to go back to 
floppies, and they'll laugh at you. 
It's hard to describe just what a dif- 
ference a hard disk n^akes to your 
systemi. Not only is it staggeringly faster than a 
floppy only systenn, but it allows a huge degree 
of customisation and convenience. Imagine 
never having to swop disks wfien printing from 
word processing or loading a paint prog ram . 
The only disadvantage to adding a hard 
drive is that they are not cheap. You will need 
to be prepared to spend more than ElOO: 
probably £200 or more for a good drive- 
However, the good news is that prices of 3.5" 
drives (as used m PCs and the Amiga 4000} 
have never been lower It's a perfect time lo 
add a hard drive to your system, so long as 
you know how. 



The options 



Selecting a hard drive for an Amiga A 1200 or 
Aeoo can be a tricky business. Both these 
machines include IDE interfaces and have the 



necessary firmware built-in to work witti the 
hard drive, They even have LEDs which are all 
ready to light up when a hard dfive is accessed. 

Unfortunately, the Amiga is^ rather a small 
computer and space considerations meant that 
the designers concentrated on making it possi- 
ble to fit 2.5" hard drives. Inside the case is a 
special drive cradle which will hold the tiny 2,5" 
mechanisms securely in place. This would be 
fine, and indeed many Amiga owners are very 
happy with their 2.5" drives. The problem with 
2.5" drives is that they are expensive, only avail- 
able in smalt capacities and not very fast. 

By comparison, the larger 3.5" drives are 
now extremely cheap, available in siies of over 
1Gb and are very speedy The price of 3.5" hard 
drives has fallen dramatically and you can now 
buy a bare 428Mb drive for about £120 exclud- 
ing VAT and delivery. Of course, this still leaves 
the problem of how to connect the larger drive 
to the Amiga. There are several problems; 
1 Physical space. The A1 200 and A600 are 
not large machines, and there is a limit to the 
amount of free space available. 



Han 



2 IDE Cables. The IDE interface inside the 
Amiga «s designed for 2.5" drives which have 
cables of different dimensions to 3.5" drives, 
All the same signals are present, but in incom- 
patible connectors. 

3 Power. The 2.5" drives take a single 5 volt 
level from the IDE interface. They are designed 
to work in portable PCs where power is al a 
minimum. By comparison, the 3.5" drives 
needs two connections, one of 5 vote and one 
of 12 volts, and draws more power. The inter- 
nal IDE interface cannot supply 12 volts, 

Hoiisiny shortage 

The problem of space means that a tempting 
Option is to house the drive outside the Amiga 
in an e>iternal box. There is nothing wrong with 
doing this, and I know of many Amiga users to 
use their hard drives in this way If a simple 
plastic bo> is all that is required, Maplin 
Electronic Supplies (Tel: 01702 5&4161) have a 
suitable one available for £6.49 (the Ftoject Box 
D-014). Aiternatively, the many SCSI drive hous- 
ings available will also provide a good home, 
many of which include a Power Supply Unit as 
standard, and so will also provide a method of 
powering the drive. 

The interface cables can then be led into the 

Amiga case, either by cutting a hole in the side 

or filing away some of the plastic lip. Great care 

' must be taken not to over-tighten the case and 

severe the cable. 



Step-by-step procedure 



Here is how an A 1200 can b« fitted 
with a 3.5'" drive in full technical 
colour. This operation was carri^ct 
out using a cable kit supplied bv 
Eyetech Group Limited, and a 
Seagate ST3491A 428Mb FAST IDE 
drive. If these instructions do not 
seem comprehensive enough for you. 



contact a companv such as Eystech 
tel: 0642 713185 who provide 
extremely detailed notes with their 
wiring kit. 

During this installation it was 
decided to remove the metal shteld> 
ing totally. The Eyetech instructions 
include details on how to mount the 



drive vi/ithoat having to do this. 
Before you start the job of installing 
the drive you'N need a good, well lit 
desk and some screw-drivers and pli- 
ers. An earthing strip is a very good 
idea. You'll also need tin-snips and a 
drill depending on how you decide to 
mount the drive internally. 




OPEN UP 

and reini»f» tits Iht icnm: wliich kee^ Ike \ii »n. Snne 
«eraws ma)! be lanjar tbao tlktrs m make s.uie fwu make a M*ts 
ai which goes wlsre. 




I tkt Ami|a: Over »iid hitije tlie \\i tlf imltf. It lups. 
intn pIflEE .al ihc sidos. an Irrer it -ofl wM lltaltiil it il 
'aeems Slicli. Hatice ihe dnve zai\e luf lilt 2W Alfe Mn -Wft 

VHHl'1 be PSefling iNst anymnrfl... 



BYE, BYE LEADS. 

OUctiiiBct the nnppir iitk imt \t»t. II ym IH mniwiii 
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UUe and 1£D tiiBf \t»is n well. A|i)fi, nikt i igie 3s is 

Iktk llriMlltitl. 



AMIGA 



FEATURE 



nve 



Warnings 

Neither CU Amiga nor the author can take 
anv responsibiMtv i'f you damage yourself, 
your Arrttya or ^ovr hard drive by attempting 
these procedures- You must carry them^ out 
at your own risk. 

Warranty 

If your Amiga has any warranty on it, as soon 
as you open the ease, the warranty expires. 



However, it is pcisslble fit the large drives 
nstde tiie A1200 ca&e. I've heard of drives 
being fitted into an A6O0, but I have never 
•tteinptect it. If you want to fit a drive internal- 
ly, il must be a 'IjOw Profile' type drive, and 
you rrust be prepared to make some alter- 
ations inside the case. 

There are two options. The first is to 
fCftiove the metal sl^ielding covering the Amiga 
circuit board, and stow the drive away in the 
space under the keyboard. The problems asso- 
ciated with this procedure are as follows: 
% h's very easy to cut yourself badly when 
removing the metal shielding. 
31 The Amiga keyboard is connected to the 
rnotherboard via a small ribbon cable. The 
Cable is very shoft and care needs to be taken 
<rt fitting the drive around it. 
3 The drive needs to be insulated to make 
sure it doesn't touch the motherboard, If it did, 
it CQiild short circuit both the drive and the 
motherboard causing damage. 
# The shielding cannot be replaced. This 
means the Amiga is now in breach of FCC reg- 
ulations, which means very little except you 
might notice some radio interference. 




^tmtii (he ihielitiR!. TMs nqjire^ yii tii felil up 111 
mcldl t»hs Imld it in piict, Be cmlii. as Am »ig»t in 
tiliipieif sli.arp: I can ihtni ftil Hit SE«rs if ^Oi lilcE. tlBatt 




GOES THE DRIVE. 

_ __i9 )he«t ■! intiilalJitg jilistic iMi4(r«eitl». tite 'rtvi' cm 
it f\Kti ever Ike dnlled hales. Thi Arm fits tn t<ip vf lh« 
akkt. Tti ncil lEMne «■« f et i^f rBDuniing liils 1« allim it ts fit 
pnfHt), IfM it I pid due to mite swe At drirt'i jiMpm in 

Ht bf tH BHtH Mm. 



Sometimes, if the drive is extra small, it is 

possible to remove only the central portion of 
the internal shielding, and stiU fiave room to 
slide the hard drive under the key board . 

The second procedure is slightly more 
tricky (believe it or not) but provides a much 
more secure way of fitting the drive. One fix- 
ing rail of the hard drive is removed, and a 
small portion of the internal shielding is cut 
away with tin snips. Two holes are drilled at 
the very back of the Amiga's plastic casing, 
and two screws inserted to hold the drive in 
place. With a piece of plastic sh'ielding, this 
method provides a very stable and reliable way 
of housing the hard drive. 

Cables and power 

The cables themselves are the next problem, 
and there is no easy solution. The keen DIY 
fan will buy two cables, one for 2.5" drives and 
one for 3.5" drives, cut off the spare connec- 
tors and solder the wires together. 
Alternatively it's possible to re-press the IDC 
Style 3-5" connector onto the 2.5" cable. Both 
are very tedious and error prone procedures 
and 1 cannot recommend thenn. There are 40 



wires to connect, and life is too short to waste 
on fiddly things Pike this. 

A much better approach is to buy a set of 
cables already made up. Several Amiga adver- 
tisers sell cables, and the price is not miuch 
more than if you had bought the individual 
components and made them up yourself. 

These cable sets also provide the neces- 
sary power connectors. As mentioned, the 

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DRILLING HOLES 

TIe- f rttsth kit indidtes Initridiiv*;, «ii li«w id nmiiiii ibt 
irive usiiil ttitwt. It ii dltrtlniE Ntcesuiry to in\l tin 

blllt il dll bick at the casr. Th« iiftnetltms incluilt i |llilc 

ikHt tor lltlMI (hem in t]ie ri^lil plies . 




CONNECTING THE CABLE 

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FROM BELOW 

Nan we start la paitit tUi|s ip. Til icvews wliitli Mi 
till Grille intv plate an irvsertcJ. 1k« nmiilii power 
E*U«* ui liw ItE- ctinected lusin$ < ntf$l\itt tdapttr wMch 
jPiFi'Dws fnwtt From the 1lii|i|]<|r divli). imI tie k«|te4nl tti LID 
■rpir IeiiIs r^cniitettd. 




SNAP 

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wmtt bt 5iiapp«d 9II tn allaw 3 lighi FiL J\tt ms« IhM Ihen 

hf f\Biti ip. and thie screws replfcetl. Qptraitlig cunplttc] Yai're 
R[>w Ihe prnud umi^r (if in AmiB Cimplelt wiA a hard drive lid 
fill dljj it ,8)1 r»ur«etF. 




FEATURE 



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A Gittiii tJi« jtra^am la adk lliv inm wM $t»rt J| i$ will HV« a. Jg.t gl 
trpjig lit tmint. 

internal IDE interface only contains 5 vote, and 
3,5" drives require 5 and 12 volts. The easiest 
location from which to 'borrow' the extra volt- 
age supply is the floppy drive, which uses 
both currents, Using a specially adapted con- 
nector it is possible to connect both the floppy 
and hard drive power cables to the Anniga 
motherboard. Both the floppy and hard drives 
will work perfectly after this procedure. 

With the drive housed, cabfed-up and pow^ 
ered, it's only then a matter of prepping the 
drive and installing the AmigaDOS Workbench 
onto it. 



Static electricity kills chips. When poking 
around inside an Amiga with the lid off, you 
nnust make sure you aren't going to destroy 
the circuits inside. If possible, wear a proper 
earthing strip (available from Maplins) or a OIY 
one made from a length of wire wrapped 
around your wrist and connected to a radiator 
or water tap. 

Power 

The standard Anniga power supply brick is not 
an infinite source of energy: there are limits. If 
you have a memory expansion and some bits 
and pieces such as sound samplers you should- 
n't have any problems when you add the hard 
drive to the load. 

However, if you have a lot of extra l!;it hang- 
ing off the various ports (such as an acceleratoj;. 
a CD-ROM drive taking power from the Amiga 
and external floppy drives) ali going at once. 
you might experience problems. 

One way to check is to discover the power 
requirements for all the e.>ctra kit you have and 
compare them with the rating of the power 
supply unit {it's on the underneath of the boxj. 
More powerful power supply units are avail- 
able from several distributors. 

Cable lengths 

The IDE irrterface is not intended for operating 
over vast distances: the cat>le to an internal 2.5" 
drive would be about lOcnn ma>:,imu'm:. Unlike a 
typical IBM-PC IDE interface, or that in the 
Amiga A40O0. the A 1200 and A600 connectors 
are not buffered, which makes them even more 
prone to errors with long caWes, Try to keep all 
lengths to 30cm or less to avoid problems. 

Spurious errors 

IDE is 3 standard, but some drives seem to be 
more standard than others. A good drive, such 



as all modern Seagate and Connor drives, 
should present no problems. The drive should 
auto-mount fallowing booting from Workbench 
stored on it) from power-up, not just from a 
warm reset. If you switch the Amiga on and 
Jioid down both mouse buttons, the drive 
should be on the list of available devices. 

Some drives don't seem to like doing this, 
although there are a few trfcks. First of all. if you 
are using a Connor drive tnc altering any jumper 
settings which specify the drive 'CAM' setting. 
Secondly, try disconnecting Pin 1 from the IDE 
interface. This can be done by cutting the wire 
on the cable or bending the pin. 

Some drives cause the Amiga to crash 
when copying large blocks of data, or simply 
have read/write errors. Sometimes some hard 
drive- installed games don't run. Jf this is the 
case, use the software for 'propping' {prepar- 
ing to operate) the drive to alter the 
MaxTransfer Speed, save the settings, reboot 
and try again. 

These warnings are meant to protect you. 
not scare you off, I have to point out that over 
a year ago I built an interface myself from 
scratch using two ribbon cables, a piece of 
Vero board and a lot of soldering. This cable 
has been driving a Seagate 80Mb 3.5" drive 
since then very happify: or it did until I 
dropped the drive onto a concrete floor and 
broke it. It has been replaced with a 120Mb 
drive which is still working fine. 



UnJess you bought your drive from an Amiga 
dealer, before it can be used it needs to be 
'prepped'. In the old days of SCSI drives, it 
was necessary to Low Level Format a disk 
drive. Because of the way in which iOE drives 
work, you should NEVER low level format an 
IDE drive. If you do, you could damage it per- 
manently. A normaf AmigaDOS format, as 
though formatting a floppy disk is fine, but 
ignore any Low Level Formatting options in 
special hard drive software, 

Although the Amiga is under the impres- 
sion that the drives you added are actually 
SCSI {because the operating system uses the 
scsi, device to control them}, the drives are 
and remain IDE devices. To repeat: do NOT 
low level format them. 

Prepping the drives requires special soft- 
ware, such as Commodore's HDToolBox or 
RDPrep. Your locaS Public Domain library or 
BBS should be able to help you out. 

When run, the prepping software should 
detect a hard drive is present, although it will 
probably refer to it as of 'unknown' type. 
There will be a 'Define type' option, and 
wfien you click on this you should be able to 
select an option to read the type of drive 
directly from the drive itself. 

You will then need to partition the drive. This 
allows the drive to be split into two or more 
separate disk drives: or at least it appears that 
way to the Amiga. Typically, you make the first 
partition about 10 to 20Mh and call it 
■Workbench. Make sure that 'Bootable' is set. 
The second partition is usually called Work and 
it takes up the rest of the space on the drive. 

Save the changes to continue, but you also 
need to format the drives. The prepping pro- 
gram wili have decided on the name for the 



Tha cables used in the above proce* 
dure came from tfie Eyetech Group 
Liin>lted> Tbey can provide tfie cables 
by themselves (for about £15} or as 
part of a complete kit including 
earthing straps^ full instructions and 
a suitably prepped and adjusted hard 
drive. For eKample, a 545Mb drive 
and all the kit required to kit it is 
available for £224 — remarkably 
good value for money. 

The instructions which comes 
with the drive are extremely 
detailed, and are fully illustrated. 
The black and white images here are 
tahen from the manual and illustrate 
various aspects of the procedure. 

Eyefach are also extremalv help* 
ful, and if you are considering 
installing a drive into your machine 
give them a call. If yuu chicken out, 
thay can fit a> drive for yuu for an 
additicin £30 fee. 

Evate<:h Group Limited, te 1: 0642713185 
a mai I : e yetech @c i x . c o mpuli nk.c o . u k 
Many thanks to Alan at Eyetech for 
making this feature possibler and 
Chris Johnston for the use of his 
Amiga and arms. 



disks (which you can change if you like! so 
make a note of it. Lets pretend for sake of 
example that the partitions are called 'CH DO 
and 'CHDI '. From the Shell window, enter the 
following lines: 



format drivo cbdDi 
QUICK 

format drive chdlt 
Qtncat HDicoiTs 



IWBH WbxhbsQch ITS 



QAH Workb FFS 



This will prepare the drives. Reboot the 
machine with the standard Workbench disk 
on floppy disk, and when Workbench loads 
you shouid see the new disk icons. Select 3 
the files on your floppy (including the hidde^ 
one sussing 'Show All Files' and 'Select Air 
and drag them over to the Workbench pant*' 
tion. Now reboot with no disk in the floppy 
drive, and you should see the Amiga boottf>: 
faster than you thought possible. ■ 



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GAMES 



Ij. 




J. 



mm^imi^aM 




There is a new phenom- 
eria afflicting games 
publishers. It's called 
maYheism and it's a 
state of mind that 
results from uncertainty 
about the Amiga's 
future. "Will you bring this game out 
for the Amiga?" We ask. "Maybe". 
Some games are totally out of reach of 
the Amiga, 64-bit wonders like Sony's 
Ridge Racer for instance, but there's 
no reason why publishers can't port a 
PC game - even a CD-ROM title, or 
develop it on Amiga 
and port it to PC. The 
amount of CD32s and 
CD-ROM drives for 
A1 200s should justify 
this, and it's certainly 
worked in the past - Simon The 
Sorcerer was originally an Amiga devel- 
oped title which is now mega popular 
on PC. If you own a CD-ROM drive and 
you want to see games for it then 
write to me at the usual address and 
I'll voice your opinions. Otherwise write 
to your favourite software house. 
'Maybe' we can get things rolling. 




PREVIEWS 

-# Brutal 

• Fears 47 

• Player Manager 2 47 

• Virocop ....48 

• Final Over 48 

REVIEWS 

• Super Skidmarks 2 .50 

Super Loops --53 

• Foot Italia '95 56 

• Premier Manager 
3 Update 56 

• Man United -.-59 

CD32 REVIEWS 

• ATR 60 

-•Theme Park 60 



T-% Kingpin 



COMPILATIONS 

• Award Winners Platinum 
Collection 65 

• Space Hulk - -65 

TIPS 

• Dreamweb 66 

• Lords of the Realm 69 



• The Clue 




FEATURE 



• ECTS show report 40 

We report from Europe's biggest games 
trade show. Giants were formed, new 
formats were shown off and the Amiga 
didn't do too bad either. 




SHOWREPOfti 



i|: 




SPRING 
1995 




Spring is traditionailv the tinrie of year 
wimen new software titles multiplv. wiien 
embrvonic games first see the light of day* 
Did ECTS '95 follow suit? Let's see ... 



Oven though March's 
European Computer 
Trade Show was domi- 
nated by the new 64- 
bit CD machines, the 
Amiga and speculation about its 
■future refused to go away. The 
rival Commodore bid, from 
Gerirtain PC manufacturer and dis- 
tributor Escom. was front page 
news for the trade paper 
Cornpute-r Trade Weekly, and 
Amigas were present on rather a 
\o\ of stands. 

Altfiougtt David Plea sa nee was 
quick to dismiss the Escom bid, 
the show was buzzing with talk of 
new investment, PC cards for big 
box Amigas and Amiga cards for 
PCs. The latter idea seemed to 
have gripped quite a lot of people, 
the reasoning being that a lot of 
people currently using PCs would 
prefer to use an Amiga some of 
the time and may already have 
software for it. Also there is still a 
large amount of quality Amiga 
games available at a iower cost 
than current PC titJes. includirvg 
platformers and football titles 
which have never translated well 
on to the PC, 

Big fish 

The show was full of big fish who 
had Swallowed little fish; 
Psygnosis (who, in their time were 
big fish) could be found lurking 
under the massive columns of the 
Sony stand, while Renegade 



were, for the fir3.t time, on the 
Warner Interactive Entertainment 
stand after being bought lock, 
stock and barrel by the multina- 
tional giant last year. Both 
Sensible Software and The 
Bitmaps have signed up for long 
term deals with Renegade,A/Varner 
Interactive Entertainment, but 
unfortunately Sensi Golf (still to 
being distributed through Virgin, 
not Warner)' and The Chaos 
Engine 2 are the last products 
which these two developers are 
planning for the Amiga. Across 
the aisle from Warner Interactive 
Entertainment was Time Warner 
Interactive, If only Warner 
Brothers Interactive 
Entertainment had been there it 
would have completed the trio of 
competing companies all eventu- 
aify owned by the massive enter- 
tainment multinational Time 
Warner Sounds confusing? Let 
me explain. 

Time Warner has many strings 
to its bow: it's into publishing 
films, music and cable TV net- 
working and each of these is 3 
separately managed giant entity. 
The three different 'Interactives' 
are offshoots of three of these 
divisions. Time Warner interactive, 
the oldest, came to the fore last 
year by distributing and marketing 
ff/se Of The Robots. This year's 
biggie from them (in fact the only 
Amiga game they are producing 
in 1995) should be Pnmaiffage. 



Warner Interactive Entertainment, 
now proprietors of Renegade, is 
part of the Warner Music group 
and will be releasing Chaos 
Engine 2. ViroCop and Flight Of 
The Amazon Queen before the 
Summer. They also haven't ruled 
out releases later on in the year if 
the right software comes their 
way. Warner Brothers Interactive 
Entertainment is part of the movie 
wing of the company, but is highly 
unlikely to produce anything for 
the Amiga. 

Team work 

As reported in this month's news. 
Team 17 have tied up a deal with 
Ocean Software to exdusiveiy 
market and distribute their games 



on a worldwide basis and on all 
platforms. This deal ensures that' 
the Team's biggest release of th-; 
year, the Amiga developed 
Worms, gets maximum publicity 
And judging from the response of | 
jealous rivals at the show it look? 
like being a massive hit - it reall\ 
could be a iemmings-^5<\uB sue 
cess story. In fact, so pleased 
were Team 17 with all this news 
that they were irnpossible to get 
hold of - unless you wanted a 
game of Warms that is. That wa;:- 
the magic word. If you said it 
loudly enough members of the 
Wakefield based development 
house would suddenly appear 

taipniiiHi Hrtf InsiiiE'Es; im Pflwertiifsi set! ft* 




AMIGA 



t— fouf bars in Earls Court 
Kon hall, eager to show oif 
twith the baiooka, blow 
d guided rrilsslle. 
.Id just like to publicly 
•"^re and now that Martyn 
" Creative Director of Team 
unscrupulous cheat. I had 
"IS worms nailed - dead 
"•e, but I can riow exclu- 
iveal that he told me to ",., 
-'^cbungie, go on", I did, I 
<>cd off the top of a cliff and 
i«d oo 3 mine which blew my 
.p, leaving hi<s unharmed. 
ip^- vhanges in the game sir^ce 
[previewed it were the pres- 
• of mines, ammo drops and 
speech samples. The new 
set for multi format release is 
iber and it's hoped to 
slly reach Amiga, PC, 
rrttation. Mega Drive, Saturn, 
»€S. Jaguar and others. 
Ocean had a massive pres- 
with their own bar and 
. of meeting rooms, In fact all 
'were missing was Amiga 

are, but with a healthy bud- 
[reiease schedule lined up 
)h their Hit Squad label and 
!m 17 deal in the bag 
f'm not exactly turning their 
. on the market. 



■iions had a, well, impres- 
,(? up of games for the 
i, all due for release 
sen now and September. 
' were being touted, three of 
'»*»ch we've already reported on, 
, feut the versions we saw on PC 
all but finished, while the 
[Amiga ports of two of them are 
'"'-.■ a month or so away. These 
■'itiftiate Soccer Manager, 
■>ess Trsder and Front/ines. 
■iSions were also demon- 
y PowerHouse, a new busi- 
.imulation where you run 



power companies and get paid a 
lot of money. Hmmm, fantasy 
mimics reality. The first of these 
games to be released. Ultimate 
Soccer Manager, on AT 200 only 
was actually 95% ready on Amiga 
when we saw it and we'll review 
it next month. 

Ascon, the German developer 
responsible for the On The Balf 
series was also at ECTS with a 
new management Sim, this time 
based around the world of 
Formula 1 racing. Titled Pofe 
Pos/t/on, it will feature the current 
circuit of racetracks, afl the rele- 
vant financial and management 
issues, technology, rules, the 
press and temperamental drivers, 
some of whom may have 
Groucho Marx moustaches and 
large eyebrows. 

Black Legend were showing an 
impressive line up of product at 
their stand, from various develop- 
ment houses. These included rac- 
ing game Leading Lap, Doom 
clone Evil's Doom, an indoor ver- 
sion of FootbaH GlOfY, an isomet- 
ric RPG/shoot 'em up titled Jowef 
Of Souls and the AGA version of 
Tufbo Trax. 

There was good news for the 
CD32 too with Mirage indicating 
that they intend to produce ver- 
sions of Rise 2: fiesurrection . the 
follow up to HOW with a new 
story line, more speed, more 
moves jthanklully) and more other 
things, too numerous to mention 
or even hope for until we actually 
see them in operation. They are 
also hoping to release T^e 
Adrenalinfe} Factor, which is 
described in their press blurb as 
being an isometric 'Cyberpunk 
strategy/blast 'em up'. 

A CD32 version of PinbafI 
Illusions is on its waylrom 21st 
Century and Pinbalt Mania, an all 
new all Amiga pinball game was 
touted as being possible. 

Legends is the next big title 





Un»: G«L Mtitr lor ii'i kq |i«« - Tim* Vlmwi 

Frimal Rip. 

njjh't: Fdmit) 1 racii^ Hitwgtnieiit (i ?ok PpsMarL 

from Krisali'S. who this year wisely 
and popularly decided to get a 
sound proof, air conditioned 
meeting room (ECTS is is noisier 
than a row with Spanish fisher- 
men in a police siren testing fac- 
tory), for both CD32 and A 1200, 
and this Zelda-Wke game has posi- 
tively exploded. The demo we 
previewed last year inhabited four 
disks, but the release version will 
have at least eight; the result of 
protracted development and 
improved graphics, Krisalis didn't 
rule out further releases this year, 
but like many other software 
houses they are looking for out- 
side development and talent 
rather than developing Amiga 
software in-house. They are cur- 
rently evaluating products both 
from the UK and abroad. 

Development 

This attitude seemed to be the 
theme of the show. Even Team 17 
were making noises about halting 
in-house development of Amiga 
games now that they've entered 
the big bad money-spinmng 
world of true multiple platform 



d eve 1 pme r ■ i i ■ ;..• .,-, o v -.^ r . 1 h ey 
haven't forgotten that what could 
possibly become their biggest 
selling game yet. Worms, was 
originally developed by an irrde- 
pendent (and soon to be very rich) 
Amiga programmer if you reckon 
you have a top game in you, then 
contact sof^are houses like 
Krisalis, Team 17 or Black Legend, 
Despite all the hype of the latest 
consoles the ECTS showed that 
there is still interest and money in 
the Amiga and a strong demand 
for Amiga game designers, artists 
and programmers, ■ 



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:ame preview 




Due for release: June ■ Publisher: Gametek (D 0753 553 445 





A El«nti<f wjs king hi Tlllkl' ts tiK SDHIf 9««S. 

©ith any new or reborn 
genre, a trend of fol- 
low ups always seems 
to follow. Once you 
- -.0 your 'serious' contender, 
?jcn as the arcade licence thai 
Starts everything off, you in vari- 
ably get the dozen or so cOpycat 
titles, that tfy to enrrulate the look, 
*©el and theme of the O'rigirtal, 
jenerally quite poorly And' then 
come the versions with the slight- 
V altered plotlines, Finally, and 
usually the one worth waiting for, 
comes the cute variant. See for 
vouTself if you don't believe me - 
Nemesis becomes R-Type which 
becomes Disposabfe Hero before 
ending up as Apidya. Way Of The 
txpioding Fist went through a 
i^iiety of different gui^ses before 



turning into the rabbity Yosagi 
Yojimbo Samurai Warrior. 

Ravour of 
the month 

Take a look at the games that 
have been causing a stir in the 
last twelvemonths, and you'll 
see that current flavour of the 
month is the beat-em-up. Monat 
Kombat J and 2, Super 
Streetiighmr 2 . with added turbo, 
combo and a whole line of other 
extensions with the letter 'o' on 
the end, not forgetting 
Dangerous Streets, Body Blows ~ 
the list goes on and on. A whole 
bunch of bloodthirsty combat 
titles where the kicks hurt, 
punches land with a solid smack 
and the last one standing is the 





Forget your Mortal Kombat, and 
Streetfighting is for wimps. There's 
only one way to kick some serious 
bottom, and that's the furry way. 



abilities of the character you are 
controlling. The way it works is 
quite simple. When yOu Start on 
the first level, your on-screen per- 
sona is quite limited in Ihe nurri- 
ber of moves he or she can 
actually perform; basic punches 
and kicks essentially, As you work 
them through the levels of the 
game, they pick up moves and 
new techniques, improving their 
chances of success considerably 
while giving the play&r the chance 
to master the controfs of their 
chosen hero, without all that has- 
sle of learning how to spin the 
joystick like a windmill ast precisely 
the rigtit speed just to perf orrri a 
simple fireball. Naturally the com- 
puter opponents will progress at 
the same speed, so the combat 
doesn't actually get any easier, 
just more intricate and involved. 

Harmless fun 

Gametek, are adamant that this 
game will be suitable for all ages 
- something that parents and 
other moral bodies have been 



one with the busted knuckles. 

Brutal is something quite dif- 
ferent, although the onus is still 
on combat. Like any other beat 
em up, you can select your char- 
acter and then battje your way 
through a selection of oppo- 
nents, with an aim of outwitting 
them one by one in a ring of 
combat, until you eventually. 
meet the grand master in the 
closing chapters of the game. 

Unlike most beat 'em ups. 
however, there is more of a rea- 
son to beat each opponent than 
merely reaching the next level ol 
the game. Gametek are including 
what they call the Belt System, 
which allows you to progress the 




M. 0«ili wliit t iriEieltil 9iMcl[ n Hit |ih? 



A Mf Uer're ■ Ins^T looliiii ItL 




ymmam 1 




stars of the show 

There are no Jess than ten different characters to s*,lect, all of which carry different philosophies and very different styles 

IL^ J"^: . ^ "*'**^' ^^^ °^ *^^ characters haa been designed to suit different types of playerl Here's a Nttle rundown 
of the kind of parson you have to be to fight with these guys: 



KUNG FU BUrVNV 



chooses Kung: Fu Bunny is 
kind and considerate. 
Nothing will t|ive them 
greater pleasura than seeing 
how they have helped anoth- 
er succeed. Howeverr they 
will have problams when it 
comes to making decisions 
and sticking tg them. 



-1 ±'Jt^A.'rjl ■•■1 -I -I li.t-'B II.H + L- ■<! IC- 



name of th* game if you 
want the hand of the 
Cheetah. Clinical is another. 
Rock solid with your friends, 
yet cold and impassive 
towards the enemy, you are 
modest, happy to hold your 
ground rather than rush 
towards goals atifS 'siiccess'. 



^<^^ 




you need to be an out and 
out winner - the sort of 
person who won't let 
anything stand in their 
way. All setbacks get 
brushed aside as you race 
ever forward, over confi- 
dent at times and reckless 
amongst other things. 



RHEI RAT 



i Boxing 
..ats are generally 
affectionate creatures, but 
Rhei Rat is something 
totally different. You have 
no tolerance for the people 
you class as fools. Vou 
have trouble making 
friends, as they always 
Seem to embarrass you 
with their ignorance. 




worried about since the dawn of 
computers. By using professional 
cartoon animators to actually cre- 
ate the graplnics for all of the char- 
acters, the game has taken on a 
decidedly unrealistic look, leaving 
behind the bfood and gore of 
Mortal Kombat2 ar>d repladrig it 
with Tom and Jern^ cartoon action, 
where the player's body seems to 
stretch and bend agafnst all laws 
of physics, and biology, giving a 



look and feel that is every bit as 
effective as Streetfighter 2, but 
far more humourous and there- 
fore pretty harmless. 

One of the neal touches is the 
instant replay feature. If you are 
ever Jircfcy enough to see 
Nintendo Magazine's Gary Hsrrod 
plsy Streetfighter 2, you'll discover 
that a beat' enn up, when played 
properly, is a lot more than just 
hamnnering the ffre button and 




A A kit tF li|huii) ilwifi ituiii|B9 II ikidL 

hoping to clyb the einenny, When 
well choreographed, and played 
between evenly matchejd players, 
it can be an exciting thing to 
watch, and the instant replay 
facility 'captures' the entire 
nnatch, This allows you to watch 
the whole thing from the start, 
frame by frame if you wish, as a 
means to gloat at your opponent 
after you've given them a right 
royal hammering. 

Party! 

This sort of game is best played 
with a group of friends, and so 
the game includes a full eight 
player tournament facility, where 




you and up to seven of your 
friends can pfay at once, as psn 
oi a league- 
But what liappens when yo.. 
can't get that many people 
together in one room., you ma-, 
ask. After all, it's all ven^ well 
having this option in there, but 
what if you have just moved to 
the Outer Hebrides, or some- 
where equally as remote like 
Shepherd's Bush, and you can- 
get anywhere near your friends ' 
This is where support for the P^ 
Magic AT&T modem device 
comes in handy. This little phong 
connection for your machine 
allows players from anywhere to j 
link into your game and join in. 
rather like a modem link. 

The game rs nearmg comple- 
tion as you read this, and will 
available in the shops from Juf 
on Amiga and Amiiga A 1200, 
priced at £29,99. 

We should have a full review] 
next issue, so until then, watch 
this space. ■ 
Tony Dillon 



A Mitt Alt - riglit is itt |it 



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I 



GAME PREVIEW 




Due for release: Summer/autumn Publisher: TBA 



Of S Doom - almost! 
Yes. you've heard that 
before, but this time 
we really have found s 
top notch Doom 
: :rie, and it looks -brilliant! Fears 
i croof that the Amiga still has 
} : Tie of the most talented 
■ : Jers and developers in the 
••• ji-ld. Bomb Software have been 
;-^avering away on this for some 
■ ""e, determiined to prove the 



doubters wrong, and it looks like 

they've succeeded- 

The French team's 3D shoot 
'em up is the most technicallv 
advanced of any we've yet seen. 
On a standard 2Mb A1200, the 
screen generally updates some- 
where between five and 10 frames 
per second, which may not sound 
very fast, but is sufficient to be 
playable, and verf impressive for 
a full screen display. Add an 





accelerator and some extra RAM, 
and rates of 50 frames per second 
are commiOn when things aren't 
too busy. The developers are confi- 
dent of doubling the speed in time 
for the game's -release. 

Ali of this tecJinical wizardry 
would be useless if the game was 
no good, but there seem to be no 
problems on that score either 
Fully animated scary monsters 
lurk around every corner, waiting 
to be splattered across the walls 



with your wide ranging artinery, 
Details such as authentic walking 
effects and ominous background 
noises are being included to keep 
the tension running high. 

Feafs is very close to comple- 
tion at the time of writing, but so 
far no definite publishing and dis- 
tribution deal has been finalised. 
We'll keep you posted, with a fult 
review to follow shortly Until 
then, just watch your back ... H 
TH 



Player Manager 2 



Oue For Release: April 1995 Publisher: Anco d) 01322 292513 




©he news that Anco 
software are produc- 
ing a new version of 
Player Manager, six 
whole years after the 
jinal was first released doesn't 
^.v«ne as a surprise. The original 
''y»Bs a major success because it 
s the rnost advanced and pro- 
lessional management game of 
•S time, but the opposition has 
caugtit up and got ahead of it 



recently. The new version is 
designed for up to four human 
managers (in normal management 
mode, there's also a Fantasy 
Football-style dream teann mode 
in which eight can play) and fear 
tures the usual management 
tasks of dealing in players, satisfy- 
ing the board, transfers, ground 
staff management and coaching, 
To bring everything up to date 
however the graphics have been 
completely overhauled 
and new features 
include an in-depth 
play designer and Alan 
Hansen giving you the 
benefit of his vast 
knowledge before and 
after matches. There is 
live on-pitch action and 
a play designer that 
allows you to create 
your own set piece 
strategy for taking cor- 
ners and throw ins. In 
conimon with 
Audiogenics Super 




League Manager, reviewed last 
month and Impressions Uhimate 
Soccer Manager, PM2 will feature 
'realistic' newspaper coverage and 
commentary on your skills as a 
manager and abuse and ridicule 
from your computer opponents. 

There are four modes of play in 
PM2: the Personal Challenge, 
which involves playing to a set 
target; a Knock Out competition 
where you are up against the 
other managers in a 
promotion/relegation battle; the 
dream team 'Kick Off' mode men- 
tioned above, using real foot- 
ballers to see if you can select the 



best team against up to eight 
other players and the ubiquitous, 
never ending management sirri 
where you keep on going until 
you are a complete expert and 
buy another game. You can also 
take to the field as a real 'player 
manager' and control your man 
on the field - however he's not 
exactly at his peak of skills and fit- 
ness, so things may not go 
according to plan. 

There are loads of modern 
management sims around at the 
moment, but PM2 is looking 
good, '^e'll have a review soon. ■ 
AD 




GAME PREVIEW 





■ ■ 



Due For Release: May 1995 Publisher: Team 17 € 01924 267776 




Ohave nev/er, ever 
understood cricket. 
Yes, it's a good, estab- 
lishment approved 
sport for gentlemen, played on vil- 
lage greens, in The Oval, m parks 
and stadiums all over the 
Commonwealth, And ves, I have 
sal watching it for whole after- 
noons - but I still haven't got to 
the bottom of how it is scored 
why it is played and why the hel! 
evervone isn't asleep after the first 
two hours. But it's popular all 
right, despite the efforts of 



dimwits who think the game will 
be made more exciting (and more 
profitable^ by dressir^g the players 
up in various COlOui'ed Shell suits- 
Team 17's Alan Bunker reckons 
that Final Over might be very use^ 
ful to me though, The players are 
all dressed conventionally all the 
national and international league 
teams are in there, a variety of 
match lengths are available from 
1 to 5 day afid limited ovecs and. 
above all, he reckons, it's a dream 
to play and easy to understand. 
TheyVe gone for 'Ssns/ti/e' style 




D' 




presentation with small sprites 
and a multi directional scrolling 
playing field, one or two player 
mode and arcade style play, as 
opposed to the mofe traditional 
managennent and stats adopted 
by most other cricket SimS. 

The game certainly looks inter- 
esting because, unlike most other 
cricket games IVe con^e across, it 
doesn't seem to take itself too 
seriously. The Sprite si^e and char- 
acter make the game more acces- 
sible and interesting and the 
umpires are reputed to make 
dodgy decisions, which is likely to 
drive you up the wall, but is pretty 
close to real life. 

The best news though is that 
Team 17 are releasing it at £1 2,99 
on disk and £1499 on CD, as part 
of their Arcade Sports series of 
simulations, of which the best so 
far has been Arcsde Foot and the 
latest ^n^fln. If this quality to 




ChO 



prtce ratio is Kept up, then F.j 
Over should be worth a look. 
One final word though on 
subject of Team 17 press 
(of which we collected mo.., 
the ECTS). Their new marketing 
slogan is: Team 17. 100% 
Gamepiay 0% Bullshit. Now 
this, about Final Over: "it's a 
er fine addition to the Arcade 
Sports series that has already 
thrilled Amiga games-players 
unthinkable realms of gam 
ing heaven." Time to geHhe 
out. Something smells 
MD 



3 

ady 1 
ers tol 

hem^ 




Due For Release: May 1995 
Publisher: Warner Interactive 
Entertainment (&0171 391 43Q9 




be a famous novelist 
or poet you have to 
have a vivid imagina- 
tion and a strong eye 
for continuity, rhythm, detail and 
atmosphere. To be a successful 
scrolling shoot 'em up storyline 
writer you have to have a mad 
streak too. Bonicers. Stark raving, 
sit in the park talking to the squir- 
rels loony. Mow I haven't met Ian 
Wallington, John Kershaw or 
Steve Turner, the chaps over in 
GfaftGoid who originated and 
designed Virocop, and I have no 
doubt that they are rich, well edu- 
cated and successful, but the idea 
behind this game demonstrates 
that there must be lunacy hidden 
somewhere within them. 

Virocop is set in a ''vi^rtual holi- 
day theme park' called GameDisk, 
where fun is the order of the day 
until a nasty strain of octopus-lfke 
viruses invaded the^park and 
caused mayhem. Enter DA'v'E, or 
the Digital Armoured Virus 
Exterminator, a little robot on 



wheels who, armed with over 
twenty different weapons, is 
capable of destroying all the virus- 
es and returning the GameDisk to 
relative peace, or something. 

For one or two players, Virocop 
is good fun but difficult. On the 
first level, known as the Sport 
zone, the viruses have whipped 
various sporting objects into a 
frenzy and DAVE has to contend 
with fast bowling footballs and 
snooker balls as well as virus 
spawn. Because he is mounted 
on wheels DAVE is lin^ited to 
climbing up ramps and some- 
times can only go in one direction 
because of this. Various weapons 
and power ups appear out of the 
floor and whenever you knock off 
a baddie. 

There are four zones, each one 
with its own individual baddies: the 
Sports lone' the Platform zone 
(guess what is likely to happen 
here); Military ?one and a shoot 
'em up zone, There is a fifth, bonus 
zone, planned for the AT 200. 




So far Virocop looks ma.niacally 
playable and gOod fun, The denno 
we tested was fast and furious 
and the detail and quality of the 
graphics was well up to scratch, 
A vertically a:nd horizontally 
scrolling shoot 'em up, the game- 
play is a little like a Pieman for 
the nineties, though you're not 
limited to specific corridors and 



DAVE doesn't eat things. "- 
have to chase objects tho 
regularly gets chased himse.' 
the levels are very busy with 
sorts of enemies and pick-up 
Hopefully Virocop should be 
reviewable in the next month ( 
SO, and we're looking forward 1 
around here. ■ 
MD 



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sec 



GAME REVIE 




Price: £29.99 ■ Publisher: Acid Software © 01302 890 000 



Thankfully Acid Software's sequel 
to their best known title plays an 
awful lot better than it sounds! 



Over wanted to know 
how to build your own 
four placer joystick 
adaptor? If so, the 
instruction manual to Add 
Software's latest. Super 
Skidmarks 2, should point you in 
the right direction. Rather amaz- 
ingly, the manual includes 
detailed instructions on how to 
build such a device, complete 
with circuit diagram. StiJI. this is 
the sort of thing we've come to 
expect from New Zealand-based 
Acid Software. 

They first hit the scene at the 
tail end of 1993 with Skidmarks, 
amazingly written in Bfitz Basic. It 
breathed new life into the over- 
head raicing game genre, with its 
pseudo 3D viewpoint, responsive 



controls and ultra fast gameplay. 

Wipe out 

Skidmarks is now regarded as 
something of a classic, and Super 
Skidmarks 2 was originally 
designed as an upgrade to the 
original package with extra tracks 
as well as an editor for creating 
new layouts. However, a full 
sequel made more sense as the 
product had expanded so ntuch in 
development, plus of course it 
would have to compete against 
the likes of Team 1 7's AJ/ Terrain 
Racing as well as Acid Software's 
own floaty^///.- Unfortunately 
there's no track editor on offer in 
Super Skidmarks 2, but it is possi- 
ble to render your own sprites 
with Imagine, and import them 




Hunting high and low 

If you have a standard A500 this probably wori't be of 
much interest to vciu »o don't read ths rest of this until 
you've upgraded. Ah, you're back, that's better isn't it? As 
w«ll as the standard low-res mode, AG A owners can also 
ftnjoy the delights of hi-res while playing Super Skidmark^ 
2, What's the difference? Well... 



i 



Lo-res: Offers a cTose up 
vj«w which is bast suited 
to th» one player moda, 
that's lo-fes in a nutshell, 
my friand«. 



Hi-ras: More detail and more 
action on screen is coming 
to a monitor near you if you 
select hi-res. Things can ^ 
become cluttered though. 




^^^^''^ 




^^H^^^^^^^V^cm 






^ ffl 






■it^H^^^^^^^^^^^^V 


^^V9^^^^^ 


1 


T^^^^^H 


I^H^S 


1 


A Super Skidnitrb 2 lus sauna neii loncta^ 




IKlidiiii tJiB usu of li|kl s»ur4;H| «■ i*^ ut 


HHf^^^^H'Sb^HP^ *^ 1 




iinto the game. Although the 






sprites are very small and 


I^^VjB^^^^^^M^^Mp -.-^ 




use only a few colours, you 


^B|^^^^^^^P^' 




could still do some interest- 


^^^^^^^V^^ ' . 




ing things with this feature, 


rwS^^^HI^^^^^^^^H 




such as racing with diqitised 


^^^H^^^^I^^^^^^^^^B 





faces of your mates instead 
of cars for instance. You can 
also use your own custom 
sound samples. 

Of more use to me is the fact 
that you can incorporate and use 
the tracks from the first 
Skidmarks, which at least Stops 
the original game from becoming 
redundant as It so often the case 
when you buy a sequef. There's 
not really any need to use the old 
tracks though, as 12 new ones 
have been included, all of which 
are superb. Some courses are 
fairly basic, straightforwarci 
affairs, but most are packed full of 
hazards like sharp dips and steep 
ramps. The cers from the original 
game have returned to race on 
these tracks and there's a whole 
host of new modeJs including the 
Mini, VW, Formula 1 and a cow. 
That's right bovine fans, one of 



A TitMi I Binif to* sliirf hr i«sirfii ■■ ttlHtr tf sW- 
(*• Wi- 



the championship courses is 
called California Cows, and 
requires the player to race a 
complete with its own set of 

wheels, against other simila'^ 
equipped cattlel It might so 
bizarre, but it's tremendous ' 



AJIll 

■tlHHf 



pHflHIH Ite Diet ItHtl It H^ 



AMIGA 



■1 ' J proved a surefire crowd puller 

■ jund the office. Tine weirdness 
- "itinues with the option to tow 
laravan behind your car (or your 
: <v)! Hooli up a trahler, and 

• : j've get tine added problem of 

»-«iia to deal with. 

Car power 

■-■1 car nas its own handling 
' aracteristics, so the Formula 
"■e is extrennelv fast, while the 
'•' 'li has exceptional handling. In 
jse you were wondering, the 
; ;:ws are in fact the fastest 'vehi- 
; e' featured in the game. Just 
7 :es to show the power of 
-■hane eh? 

"'he different characteristics of 
cars aren't too important 
-vever, as the difficulty level 
': be altered to sjit everyone 
■ri beginners to experts. The 
er major new feature is the 
t screen multiplayer option 
:t allows up to three people to 
e against each other using 
■■ Amiga. 

"iuper Skidmarks ,? has plenty 
:ienefits for AGA, Amiga own- 
tr-i. These include music on the 
options screens, up to eight cars 



i 













: '. ; . ,-.x.- 




* U» ^ U-Bl 




kv.,. 


•*4 



■ t If tl nf Pi^nj. 



OW, 
f 

id 
in 




ji Itilihe the triginal Shiitmaiiis, iIie sequel aHaws 
1i> 1 two tr [firsB pilfer splil s,crEf ■ ^emf gn ^st 





4 IWic's H tptill t« ■*» whilE toning a i:inMan. 

^ htit tt liliitf of ineitiB-liciiiT twins **i twrss. 



A Fulhiw iht iiTows tff let BrDURd the Inch n ftn 



competing at once as opposed to 
four on other Amigas, and a hi-res 
mode which shows more of the 
screen at once but might prove 
too cluttered for some. But even 
on an A4O0O there's still some 
noticeable slowdown in the two 
or three player mode. Don't get 
me wrong, it doesn't hamper the 
gameplay in any way and even 
makes some of the faster cars I ike 
the F1 easier to handle. That isn't 
the point though, and considering 
the obvious technical prowess of 
the Acid Software programmers I 
don't expect to see slowdown in 
one of their games- 

That's just a minor niggle how- 
ever, and overall Super Skidmsfks 2 
is a much more polished and com- 
plete game than the original. The 
realistic racing element is stilt the 
key to the game's attraction but 
that wacky humour certainly helps 
too. Gcaphically everything is cort- 
siderably more detailed than it was 
in Skidmarks 1 and I particularly 
like the light sourcing on the cars, 
The sound has been smartened up 
too (not that I know what a cow 
with an internal Formula One 
engine sounds like!) and the ability 
to beep your opponents with a 
horn is a laugh (as in Micro 
Machines 2], if slightly pointless. 

Too tough 

Otner than the sJowdown, my 
main worry about the game is its 
steep difficulty curve. If you re 
expecting to bceeie through the 
courses like you did in the original 
SkfCf marks, forget it. Super 
Skf'cf marks 2 is tougher than a rub- 
bery old pork chop. The computer 
cars have obviously been lo dri- 
ving school, as their intelligence 
when it comes to keeping o-n the 
track is considerable, so expect to 
finish in last place on a regular 
basis for the first few games or 
so. This is probably a good thing. 
The original game's lack of diffi- 
culty gave it a kicking in the lasta- 
bility stakes and only the multi 
player option saved things, But 
then how many of you were able 
to take advantage of the prefer- 
able modem link up option? 




The crar's the star 

A choice of eight cars await your driving skills in SupBF 
Skidmarks 2, each of which features different handling 
characteristics. 



The Cow: This isn't a car, it Is a fully 
fledged (ieif«r. Moves faate^r than Tony 
Horgan at a rave but is easier to control. 



The F1: Super fast and super lacking in 
control, the formula car is definitely best 
left to the expert drivers out there. 



The Mini: The Mini is Mr or Mrs average 
that doesn't eitcel at anything really- 
Average handling and average speed. 



The Midget: The midget is hard to catO' 
gorise but it's bouncy and a handful on 
some of the more obstacle-laden courses. 



The Muscle. The muscle ia ona of those 
trucks with huge wheels and consequently 
has great control but is fairly slow. 









The Porsche: Classy stuff indeed. Like the 
Mini, the Porsche is hard to categorise, 
but one thing's for sure ^ the girls love it! 



The Truck: The truck is kinds like the 
Muscle but wiithout those big wheels. 
features awesome handling though. 



i 




Stili 




VfW: Hurrah, it's everyone's favourite car, 
the trusty old Beetle. Alothmg specie! but 
who c«res. It's a Beetle- Hurrah ag«m. 



ia 



Exactly, With a comprehensive 
and dhallenging selection of one 
player games and a simply 
superb multf player option, this is 
a title that will find itself being 
booted up far more than the orig- 
inal ever was. 

Super Skidmarks 2 is one of 
the best games I've ever played, 
certainly the best so far this year 
and definitely the best game yet 
from Acid Software. And for once 
us Amiga owners have got it all to 
ourselves. Hurrah I ■ 
flik Skews 



SUPER SKIDMARKS £29.99 



I HDridiEnEh veniin......... 1 .2 + 

t number if disks 8 

I RAM ..„....„. lMb+ 

I lunl isk iisuillablt..,...if» 



graphics 

mm isoun^. ...... .,>.,.« 

;: Instability 

aisBd playahilit^. ...... 

*2"M OVERail 

Another Acid 
*^'»" Software 
^j„ racing clafiSJc. 



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f'lew* anew 7 wsrKing dayi tc theoue tieafaiKt 



GAME REVIEW 





■ Price: £29.99 ■ Publisher: Audiogenic t) 0181 424 2244 

Trouble with the 
ol' waterworks? 
Well help your- 
self sort it out 
with this crazy 
pipe -fitting 
puzzle game. 



m 



ho needs a plumber's 
apprenticestiip when 
you've got a game 
like Super Loops? 
roliowing similar lines to the 
classic Pipemania, in its simplest 
fofm Super Loops is a puzzle 
game which involves linking up 
bits of pipe to create as many 
complBte loops -as possible. You 
get all sorts of bizarre shaped 
piping thrown at you at random 
and you've got to quickly flip, 
move, and rotate it until you find 
somewhere where it can si on In. 
This is OK when you only have 
about two or three bits of piping 




A Tkl nwcK |Kl iHif it U tlH nije at a r«lhir 

on screen but later on in the 
game it's no joke when the grid 
starts to fill up and you're trying 
to squeeee big zig-zag pipe into 
a tiny gap, However, 1 found the 
best way around this was to lay 
piping down for huge loops and 
then try and fit smaller ones 
inside it, that way there is less 
chance of overlapping and mess- 
ing up your plans to create that 
perfect loop. 




^ itt ntn t in«iPI Aaut fcrlarrt tJltpfT 



Jk Thm M liy umt fa«ai^ iliri!r ^pit. 




A Oidy at* litp ui iMa nl tiki ttiitti «iei. lL«»hi lii tm m ■) muf iiL 



Too little time 



It nnightn't sound particularly 
exciting having to juggle bits of 
piping into interlinking shapes, 
and to be honest It wouldn't be 
if you didn't have to beat the 
clock to do it. Eaph level has a 
set time limit and as you 
progress through the levels, it 
gets shorter and shorter to the 
point of being totally impossible. 
To liven things up a bit there are 
various other options, such as 
two player challenge mode, 
bonus games and variations 
where you are shown the final 
shape first and then have to try 
to recreate it from memory. 

You can use either a mouse 
or joystick to move and position 
the blocks, I tried playing Super 
Loops with a joystick at first and 
found it virtually impossible. 
Mouse control is much easier 
to use, 

SouncI and 
graphics 

Ttie graphics in Super Loops are 
OK. The fifSt few levels are set 
in a tree and every time you 
form a loop, the monkeys living 
in said tree let out a big cheer, 
,^s, you progress through the lev- 
els, the background graphics 
change and the monkeys are 
replaced with various creatures 
who scuttle across the screen 
every time you create those valu- 
able loops. The music is a sort 
of tech no-guitar type ditty, and 



M hMMf llf Bfeen l«lt nutm tint's in,ariv up. 




A Aaiid pmttill lirltil| M fkt IHf Mitkl, 

although it's not earth shattering, 
it wouldn't deter you from play- 
ing the game- 
Conclusion 

Sifper Loops is not a ground- 
breaking idea for a game, but 
it's on par with many other puz- 
zle games. If you like a good 
test of mental and manual dex- 
terity. Super Loops will keep you 
busy fora whiie. ■ 
Lisa Collins 



Super Loops £29,99 





I N p I 




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GAME REVIEW 






i 



Championship 
IVIanager Italia '95 



Price: £24.99 ■ Pifbllsher: Domark D 0181 780 2222 



O he Italian first d vi- 
sion, Serie A, is 
widely regarded as 
the most concen- 
trated collection of footballing 
talent the world has to offer, 
The stakes are high, ,and the 
rewards fof winners are enor- 
nnous. However, if you're the 
man in charge when your 
team's on the losing end of 
things, it can all go pear-shaped 




A IM it's » DiglilT vlclitry f*r iaiti Uik: 



before you even get a chance to 
sob into your spaghetti. 
Championship Msmger Italia '95 
puts you in charge of a team from 
Serie A of 6, with the aim of get- 
ting them to the top of the league. 

Once you've endured the 
lengtfiy initialisation sequence, you 
can decide which team you want 
to manage. Wfth 37 Serie A and B 
Teams to choose from, you're 
spoiled for choice. Next comes 
squad selection which takes time 
as Jt is near impossible to remen> 
ber all the different requirements 
of each player, and you have to 
flick back and forth between sever- 
al different pages of team info. 

After picking your team and 
starting the season, you have a 
couple of weeks to make trans- 
fers. This is far more awkward 



that it needs to be. 
Instead of giving you a 
list of all available play- 
ers and letting you 
take your pick, it 
demands you specify 
the exact abilities of 
the kind of player you're 
after More often than not, there's 
no one who exactly fits the bill, so 
you get the reply "No players avail- 
able". You then have to go through 
the whole procedure again, with 
different statistics. 

The fun starts once you get to 
play some football. You don t get to 
see the action, but a screen keeps 
you informed of the score in text 
form. It's immensely satisfying and 
strangely addictJve, The results 
update and transfer news goes on 
a bit, breaking up the flow. 



■ 






■DPHW4I H 


1 




^ 




[r»-c — 
Bw-r — 

i' ■- 

3' V 

*-r— 






i 


|L,^j ii 





A 111 tutg viftt* ctinplcle wilt Giua. 

In between the delaiys and 
long-winded selection screens. 
Championship Manager Italia 
'95 is a very engrossing man- 
agement Sim, Anyone who 
doesn't mind nipping off to 
make a euppa every ten min- 
utes would 
do well to 
take a look. 



IVIm51:5 





Price: £14.99 ■ Publisher: Gremlin Interactive ^ 0114 275 3423 



^^■^^^ remier Multi Edit 
^H v^H System is an editing 
H^^^^^P package for use with 
W^^^^ PrBmief Manager 3. It 

allows the user to customise the 
[eight major aspects of Premier 

Manager 3. 

Each section is selected by 

clicking on one of the icons. The 

first icon aflows the manager's 



statistics to be altered, from trivial 
things like his name and photo, to 
more important features like length 
of contract and which team he 
manages. Next up is the abiiity to 
edit player data. This is an area 
where self control needs to be 
exercised because it's possible to 
change every player's rating to 
99%, which quickly makes for dull 






Ti 




( ^' 



A Ckup t titfrn't ntimi ktm 'tail' Ht MT. 



L Tff Mf fiHJi (;aih witli Vna edit club riati iptiH. 



gameplay. I recommend trying it 
with at least one player though I 
The third icon is more of an exten- 
sion of the second and allows play- 
ers to be moved from team to 
team without the need for transfer 
negotiations. You want StoiiChkov 
at Wycombe? You got iti 

Option four allows dub data to 
be altered, everything from keep- 
ing up with ever changing football 
strips, to lowering the safety rating 
of teams you don't like or increas- 
■ig the cash reserves of struggling 
clubs like Gillingham, so they can 
afford the likes of Klinsmann and 
hit the big time. Or perhaps not- 
The next two options allow you to 
completely rebuild league tables 
and change the countnes and sta- 
diums at which cup final matches 



take place, So you could con- 
struct a league entirely from 
superteams or have the 
European Cup Final take place at 
a non league stadium! 

Perhaps the best and the 
most amusing option is the one 
that allows you to change the 
terms used for player ratings, so 
instead of being 'good' they 
could be termed 'groovy'. You 
can change the names of injuries 
and how long they will keep a 
player out of action. In my ver- 
sion an upset stomach now 
affects a player for 23 weeks! 

It's hard to rate the Ftemier 
Multi Edit System as it isn't a 
game in its own right. Assuming 
you can stop yourself from 
mucking about too much then 
you'll find It a very useful prod- 
uct, especially if you want to 
keep your favourite team as up 
to date as 
is possible. 
■ 
Rik Skews 




AMIGA 



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RJL].^i.)MH7iiH)H)'.vuk MMU 
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GAME REVIEW 




^■^^H HH ^B^^^^^^^B ^ m Wm^m VKm^^^Sf^M 



Price: Unconfifmed ■ Publisher: Krisalis (D Q7QS 372 290 




The quadruple more like. Krisalis 
bless the Amiga with its fourth 
Manchester United ganne. 



Premier League Champions. The 
Double features exactly the same 
control! and g-ameplay as Premier 
League Champions, but the over- 
head perspective has been ditched 
in favour of an isometric viewpoint. 

What's new? 

The iTiain addit.on to the game 
engine is a coHnprehensive editor, 
which works in a sinnilar style to 
Gremlfn's Frem/'er Maki League 
Edit System for Premier Manager 
3 (as reviewed on page 56 V Unlike 
Gremlin's editor, The Doubie con- 
centrates purely on the editing o-f 
players. Everything from their 
names and skin colour to thefr 
various skill ratings can be 
altered, or if you want, players 
can be created from scratch. 
Leagues can be built up in the 
sanne way, while a nifty kit design 
option completes the editing 
package. Players can now be 
bought and sold too, courtesy of 
a transfer feature. 

Gameplay remains exactly the 
same as it did in Premier League 
Champions, which is hardly a bad 
thing. The excellent Tacti Grid is 
back, tf you're not fanniliiar with 
the systen^, it allows precise con- 
trol over the positioning of a 
team's players on the pitch, 
regardless of their overall forma- 
tion. Use it well and it's a sure 
fire way of increasing 
your chances of win- 
ning. For such a pow- 
erful system it's a big 
sticky piece of choco- 
late cake to use 
(that's a good thing) 
and puts the tactics 
system in Sensible 
World of Soccer to 
shame. Other key fea- 
tures of the game 
include up-to-date 
squads and numbers, 
as well as bookings 



can neuili in hmfyimg ilegrats ijf iiiin^. 
.' hjared pliircr} siiouiil l)« -siiii^tirtvled tn enid 
w ^Tf Uamm^ h^ Mor^ t, thtufhi you cin lean 
^H *■ t* miiit Ebom siif)«L EitlTHne ftati h mk! 

Ot seems software 
companies must be 
mad or supremely con- 
fident to release a 
" "V title these days. For one 
g, it's such an overcrowded 
'e, Then you've got try to live 
. "0 the standard set by the 
::el.y popular Sensible World of 
icer, regarded by many{nnyself 
- ^dedl as not omly the greatest 
.:y title ever, but simply the 
- =t computer gam^e ever. So 

3t can 7?;e Double offer that 
■ -35 can't? 

Well, there's pedigree for 
'irters. The Manchester United 
■•■ es has been running for over 
-; years now, with each succes- 
• ^ game receiving more praise 
' .:'i the last. The Doubie is built 
; jfid an updated and enhanced 
■.51 on of Krisalis' last Man U 
■■ -e, Manchester United - 




A [ikidi Hit ■■■•■tt (I ilifrif II* i!k« KiiH itpliy. 



and suspensions. Some of the 
team selections are dodgy howev- 
er. If you're a big footy fan like 
myself, you'll wonder what the 
likes of David Kerslake are doing 
in the Spurs defence when more 
regutar first team players are sit- 
ting in the reserves. Also some 
transfer values can appear conser- 
vative, but these are alterable by 
tinkering Vvith the player's skills. 
Anyway, player valuations are next 
to useless most of the time, who- 
ever would have thought that 
Andy Cole would have been sold 
for £7 miHion for instance? 

Ttying too hard 

The original Manchester United 
Premier League Champions had 
its critics, but I preferred it to FIFA 
and rated it a close second to 
Sensible Soccer. The problem for 
7?je Double is that it has been 
released at a very unfortunate 
time with two competitors offer- 
ing better products- In my opin- 
ion, as far as the arcade game is 
concerned. The Double is beaten 
in every department other than 
sound when compared to the 
seemingly unbeatable Sensible 
Wodd of Soccer. I also think that 
Gremlin's Premier Multi Edit sys- 
tem mops things up as far as the 
editing options go. 

Don't think that The Double a 
bad game, because it isn't. The 
control system, once mastered, 
is excellent and the presentation 
and graphics are much clearer 
than those in SWOS. The transfer 
option adds plenty of lastabllity 
to the game and stops the 
annoyance of seeing the likes of 
Andy Cole still at f^ewcastle 
months after he has left, a prob- 
lem which plagues SH/OS (you've 
got a thing about Andy Cole 
haven't you? - Ed). If like me 
you're nuts about football and 
footy games then The Double is an 
ideal second purchase. But if 
you're after a game which is the 
best in its market then I'd recom- 
mend Sensible World of Soccer ior 
arcade fans and Premier Multi Edit 
System for football management 




A 111 tlMi| piE)(i|t iNiwi I plafw'i SIM U k« 
loinitl Or Itaiul T«i cii twn cliiiie Ac ^wf- 

' etliiii 




A TIm Ddillt's pBfSf ecthic a tkm 1* FIIA, nlliBr 
thfli tkt t«crl»i4 Smj p«ra|Kclni futurid ■ iht 

emlif r PranJET La«|iia CkiMpimt, 




A Kriiifis r«l(M Ihhi gimn »cciraltlr rtcrtMH 
r«ll lilt httf, hut h«W E^n i| when tedidr 
Sktrinikigi kit jiit ninsitei ts taut i ftiitfl 

lovers, Unfortunately, ??je Double 
suffers from that o3d problem of 
trying too hard to appeal to all 
gamers. It succeeds but there are 
other titles out there which, in my 
opinion, do a better job. 
Rik Skdws 



IVIAiyCHESTER UMITED 



I workhencli verSiiyit 1.3+ 

I niiiiber of disks 3 

IMM,.,.. 1Mb 

I linl iiik instaliibic to 



graphics ,, 

unwi sound,,.,.. 

lastahitity.,,.... 
*'5nn placability 



GDDd, buta$ 
""*" always SmOS 
mm >s better. 



AMIGA 



CD12 REVIEW 





Price: £34.99 ■ Publisher: Mindscape € 0444 246 333 



Oullfrog's Theme Park finafly 
makes it to the CD32, alter 
scoring a hit on just abojt 
every ottier computer and con- 
sole format, 
Despite the subject matter. Theme Psrk 
isn't a white-knuckle thrills extravaganza, 
Quite the opposite in fact. There's all the 
ftin of the fair, but you don't get to go on 
any of the rides, Instead you play the man- 
ager of the park, with the fob of building an 
entertainment centre to rival those of 
Walt Disnev- 

Before you start, it's advisable to read 
the 'New Business Portfolio" (why can't they 
just call It a manual?} as it's nigh on impos- 
sible to get into the game without any back- 
ground knowiedge. The instructions are 
bigger, lortger and chunkier than a box of 
Yorkie bars, but then big games call for 
big manuals. 

The tfippy 3D cartoon intro sequence 
gets things off to a good start. As the 
game loads, it checks to see whether 
you've got a joypad or a mouse connected, 
and adjusts itself a;ccord(ngly. If you 
choose mouse control, you can't enter 
your name and details on the set-up 
screen, unless you have a keyboard 
attached. However, you can with a joypad. 




A niH - 1\\ li? (an il tlie fiir, 

liinw h's i cNchc hut it's trit. 



Strange but true. 

There's a built- 
in beginner's 
guide to help you 
get started, 
although it's still 
a bit confusing to 
the first time 
player Once 
you've passed 

the Olympian task that is the beginning 
bought a few rides, deciphered how to 
open your park and started the game 
properly, things become more fun. 
Watching your little customers milling around 
with their balloons is quite entertaining and 
the sound effects and music are very pleas- 
ing. It's Iike5/m C/iy with rollercoasters. 

If you have been playing for a couple of 
hours and you want a rest, you would think it 
wise to save. In this version, you cannot save 
ydur aiCtual park, only your detaiis and the 
amount of money you have. This means that 
next time you come back to it, you have to 
Start with an empty park, which detracts sub- 
stantia fly from the game. 

You can set the game to run at one of four 
speeds, which is handy if you want to get 
rich quick, but the top speed is a bit of a 
scunner as all the animations skip a few 



A B4liW K^ ytlir drtim pjiti fnini a tuft iF iris; [n i sjiiclacijlaf cirirril 
lidiania willl t\\ smrtt (if itlrai^gi} *llt ri|le$. 



frames and end up looking like something 
from a weird Eastern European cartoon. 

There's plenty of satisfaction to be 
gained from buildi^ng your park and watch- 
ing your Customers enjoy themselves, but 
the lack of a proper save game feature 
spoils it all. Having to rebuild the park 
every time you play is demo-ralising, and 
will be enough to put many people off 
for good. 






Price: £25.99 ■ Publisher: Team 17 CQ 01924 267776 



©arning itself a respectabfe 85% 
last month in its standard Amiga 
incarnation, ^7?? is now available 
for the CO 32. It's a 
direct port from the origi:nal flop- 
py version, so even though 
there's nothing added, there's 
nothing taken out either 

What we've got is a scrolling 




top-down racing game, in the vein of Hoadkitl 
and Micro Machines. There's a choice of three 
futuristic cars: the 4x4 Jeep, the Ultra Buggy 

and the Formula 
Special, each of which 
handles slightly differ- 
ently Before you race 
you can do a bit of 
shopping, upgrading 
your car to suit your 
driving style. Nervous 
drivers could go for 
extra ghppy tyres, 
while speed freaks can 
boost the engine 
power Shock 
absorbers and power steering are also avail- 
able for generally improved performances. 

The races themselves are fast and furious. 
Tearing round the cleverly designed tracks is 
thrilling. Sometimes they're so cleverly 
designed that you get completely lost and end 




FHicy I <ip tn dit ImjcIi U-iekf 




up gomg 

round the ^ [f^. ■■m wkUiki m Iti nsiUBii tnct 

track 

backwards due to a lack of clear directions. 
Vbu really have to know the track before yoL 
race it. Also, some of the obstacles are so 
small and unobtrusive that they look like bits 
of the background, until you crash into therr 
It really gets the adrenaline going though 
and in the end, the sheer excitement and 
playability win through and you forget about 
the minor faults. 

I would have thought they would add CD 
quality sound during the conversion, but no 
matter. It's thoroughly addictive and, like a 
good record, you'll keep coming back to ptay 
the best bits. 
SLW 




e Ejri( 

Astein 



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ii 



CD32 REVIEW 



m 



KiX. C 



King Pin 

■ Price: £14.99 ■ Publisher: Team 17 (D 01924 38S 903 



Oniike bowls, which involves peo- 
ple in tank tops and slippers 
rolling 'unround' balls around a 
willgge green, Ten Pin Bowling is 
thte wholesome pastime of mafia 
bosses and families fronn Milton Keynes, 
Bastcallv skittles using big balls with finger 
holes I never thought it would look good on 
screen, but Team 17 have changed my mind. 

There are three main play options; A 
Single series where you can play against up 
to five computer opponents in one^ three or 
five full games; Pairs involves you teaming 




A Ihcis Miitiitita toumls tn » tutifftPl ttirow. Ni i liilw iltii|li. 



up with a partner trying to beat another cou- 
ple with your combined scores; and Trio 
consists of two teams of three competing 
against each other over a set amount of 
games. There are other variations SUCii as 
Matchplay where you must win a certain 
amount of games and Spares where you 
have to knock down awkward 'splits'. In 
case all of these scoring methods gets con- 
fusing there's a handy cornputerised score 
sheet to keep track of aH the points. 

Team 17 have tried to make KmgPin as 
close to real bowling as possible, so you also 
have to contend with wa;<.ed floors which 
have slight cun/es and bends, To combat this 
you can choose from a variety of ball weights 
and can increase or decrease the strength of 
your shot accordingly. There's even an option 
to muck about wiith your opponent's statistics 
to give you that extra edge, 

KingPin on Amiga received a very 
respectable score of 76% when it was 
reviewed in the March issue of CU Amiga 
Maga;ine. It was credited with good graph- 
ics, involving gameplay and intuitive control, 
and nothing whatsoever has changed on the 
CD32 version. Control is just as simple: you 




wpfilit like Id ipnii a*it Hat I Ine itver dresK^ like Ikis, Erer. 

can move the 
player's position, 
alter the ball's 
weight and the 
power of the 
shot. The sound 
is mainly limited 
to pin racking 
noises and ran- 
donni announce- 
ments from a femaie voiceover telling 
people to move their cars away from the 
entrance. It's an original concept though and 
at £14.99 it's good value for money, ■ 
LC 




jL YVcy hcf I'm ■■ ^iriksl Er ■■, snrrf 

Uh, l'nii!il)rjiii(ilnq- 





Price: £29.99 ■ Publisher: Neo 




A h. whait's HElmul Kohl itQi«$ in Uiis gsfflt? 

ed up having to work hard for a 
living? Well, The Que could be 
' just the game for you. It teaches 
you how to plan and pull off rob- 
beries ranging from little jobs 
such as your Aunty Emma's corner shop to 
the Tower of London, 

You play the part of a young criminal who 
sets off to seek/rob his fortune in the bright 

lights of 
London. You 
begin in 
Victoria sta- 
tion with no 
money and 
nowhere to 
go. But as 
luck would 
have it, you 




I A Die Icithes i\ii i !«■) ^hiut walnui «r 

LI"""""""" 



jump into a taxi and are told that you have 
won a year's free supply of taxi rides ~ just 
the job for any budding criminal , Give a 
false name at the Ugly Dog Hotel and you 
get a room from where you can plan all your 
blags. Plotting a coup involves staking out 
and investigating all the locations on the 
screen, talking to everyone to find out who 
might be useful and what percentage of the 
takings they want. 

Once you've gleaned enough information 
it's back to Ihe hotel room where you sit 
down and plan your crime. First though 
you've got to get one or more accomplices. 
The hotel phone is just the job as it links yOU 
directly to any contacts you've made earlier 
Once you've got one or more accompfice 
you can set about drawing up blueprints for 
the job, 'Vou can then start the robbery, but 
if you get caught you'll end up in a 
monastery (f?) for the rest of your days. If 
the job is successful, however, you can lis- 
ten to to the police reports as they investi- 
gate the robbery and find out any mistakes 
that you might have made. 

There is not much difference between 




A Hdi iiiiw: Th hi HiitJig lat i Isjdf, jvst wnPij Im a Ih 

this and the Anniga version. Som* speecti 
has been added, but it's only in the form 
a monologue/narrative from the maih char 
ler, which is a shame as it could have adde^ 
more atmosphere to the game if the other 
shady characters had been given voices ■ 
LC 



,d£fl 




Hme eu(S4r in self en 



I 



AMIGA 



ny 



nd 




Amiga Frame Grabbin 
just taken a Fall... in Price 
but definitely not on quality! 



"^O OPTiOlVAl 






(^ni|MEttt, 1^ 
^jn (TMfl W^^ in 

I HAM t [.Vt-H 
!|l^ prn<((|ins| 

Inu^a arr 
dlgili«l n 7«'Bit 
It.TmlUlan / 
MI4IK1 



PrtiGrabi"*... 

Hitwan: has buiM 

In morw .ind 
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InUDGET REVIEW 



Aviisard wiring 

Platlnunn ecNtkMi 



Price: £34.99 ■ Publisher: Empire ® 0181 343 7337 




i 



t's a testament to 
Civ/h'^ation's addictiv- 
ity that tfie name of 
it's creator, Sid Meier 
has become so 
famous in the cormp titer enter- 
tainrnent world, and that the 
game Still ranks among the top 
three favourites if you ask 
games players and journalists 
now - four years after it was 
first released. 

In Civitkstion you have to 
guide your people from the 
stone age through to the space 
race, tryirig to keep at least one 
step ahead of the opposition by 
building cities, controlling eco- 
nonnic conditions and the mili- 
tary, mininig and exploring 
territory and developing new 
technologies, products etc. 

You can have up to seven 
computer opponents and can 
play the game on Earth or on 




A h't till htapHiini [ri die mitil h m kignr it. 



ariother, custom built planet, Vou 
start the game in 4CO0BC with 
very little opposition but as the 
boundaries of science and dis- 
covery widen you will encounter 
the other civilisations and war 
will ensue. 

Mi lien ia later, if you are not 
destroyed you will see rockets, jet 
aircraft and atomic power, and if 
they don't destroy you, well, 
you're God. 

Lemmings has sold over 2 mil- 
lion copies world wide and has 
been Psygnosis' biggest success 
story The concept is Simple 
enough, but the practice is mind 
bendingly addictive. Lemmings 
are suicidal rodents who, evefy 
year in the Fjords or Morway, take 
\{ upon themselves to jump off 
cliffs en masse. In the game they 
are equipped with a number of 
devices and tricks which the real 
animals don't have, such as shov- 
els and umbrellas, and 
if you get sick of them 
you can press the 
nuclear self destruct 
button with hilarious 
results. The basic idea 
is to stop them from 
dying though. Oh 
come or! If you don't 
already know about 
Lemmings you've 
been living on the 



moon for the last cou- 
ple of years. 

Which brings me to 
Frontier, in which you 
can start off on a 
moon if you like. 
Frontier is the product 
of D.avid Braben, who 
became famous in the 
^9QQs ior Elite . It's 
the follow up to this 
game and involves 
trading, fighting, min- 
ing and exploration of 
a vast universe, build- 
ing up your status and 
power and the size of 
your space ship. The 
ship (and game, for 
that matter} can be 
viewed from a variety 
of different angles 
and all communication with the 
outside world is carried out from 
within its confines, You're not just 
limited to the same ship though. 
As you become richer and more 
successful you can upgrade, 
which in turn increases your range 
and money making possibilities. 

Frontier is possibly the biggest 
game ever packed on to one dou- 
ble density disk. You can choose 
from a wide variety of 'careefs' to 
make money including transport, 
mining or military and both your 
skills as an overall strategist and 




JL pgigini Hi, tnltf jildi|. It's Ijniuniiiga nf ciNine. 




A Fffliiir, I! f«i lllil't |i»seMi alreiJjf. 



m 

as a ship to ship space combsfP^"" 
eer will be tested to the full, 
Aithough it's a good game I 
must admit that I'm not mad on 
Frontier, but the general con- 
sensus of everyone else in the 
office is that it's brill. 

There's only one flaw in 
Empire's marketing strategy, 
though Surely everyone has 
these 
games 
already, 
don't they? 
AD 





Hulk 



Price: £14,99 ■ Publisher: Hit Squad (D 0161 832 6633 



On space everyone 
uses the same 
cliches, especially 
when trying to 
describe a game 
where a squad of marines 




Infiltrates a space ship to 
destroy enemy aliens. But I 

won't- Once upon a time Gremlin 
produced a game called Space 
Crusade, based around Games 
Workshop's Warhammer 40,000 
series of tabletop role playing 
games. It was best played as a 
2D game but there was also an 
isometric 3D view, which was 
slower, but more illustrative. 

HoX content with this admit- 
tedly rather good e-ffont. Games 
Workshop teamed up with 
Electroniic Alts to produce an 



even more realistic game, wbere 
the main view was first person. 
When a Soul Sucker attacks you, 
you can see him coming through 
a central screen on a control 
panel [see left), and it's not a 
pleasant sight- This control panel 
also allows you to view what up 
to four other Marines can see and 
has an overhead map, showing 
your location in the 'hulk'. There 
(S also an overhead 2D viewing 
and weapons screen and the 
action takes place in real time. 
Space Hufk held pole position 




for this type of ganne until 
Doom appeared and few other 
role playing games have the 
same sort of shoot 'em up 
action and genuine suspense as 
ft. To succeed at the 50 odd 
missions you need to know the 
controls inside ouL It'll take you 
a while to get acclimaitised but 
Space Hulk is an enjoyable and 
rewarding 
game once 
you do, 
AD 





GAME TIPS 



;»i 



!9?eanfivi;3b @ 

Hello again and welcome to our second and 
final solution to Empire's top adventure 
game. Dream web. Sitting comfortablv? 
Then we'll begin ... 




The TV Studio 

Go to the TV studio. Walk as far right as possible, 
then as far down and go left. Use the gun on the old 
security guard. Examine the barrier controls and use 
thenn. Walk left and up into the s.tudio. Pick up the 
passcaird which is hidden under the brochure. Go left 
and down into the storeroom. Examine the fusebox, 
use it with the screwdriver and take the fuse. Now go 
far right and up the ladder Examine the winch control 
and then open it. Replace the blown fuse with the one 
f romi the storeroom. Use the winch control. Splat one 
dead General! 




Chapers House 

In tlie Dreamwelj, talk to 
the |(«eper once more and 
then examine and use the 
right hand door in the main 
corridor. Use the key on the 
plinth as usual. Rvan will 
materialise in a car park. 

Go left and examine and 
take the wire cutters from 
the back of the car. Go to 
Chapel's House via the 
travel screen. Walk to the 
wall, examine and then use 
it. Examine the cartridge 
and then take it. 

Return to Ryan's flat 
from the travel screen and 
put the cart from Chapel's 
house in Ryan's interface. 
Use the network interface 
and LOGON with the tag 
BECKETT. Type SEPTIMLIS 
as the password. Type 
CARTRIDGE and then 
READ BRIEF. 




Tntie the vmp. cutters l'M)ni1h« biij:k Jil Ihc cni in (lii> r.M pHik 




A Uahe SHie yau jEt tJie c^rtridgp ii Chipel's hguse. 



Sartain Industries 

Once back in the Oreamweb, talk to 
the Keeper and pay special attention 
to what he says about, 'knowirt^ 
someone well'. Go as far south as 
possible and tahe the purple crystal. 
Go as far left as possible, examine 
and then use the door on the bottom 
right. Use the key on the plinth as 
usual. You'll materialise outside 
Sparky's Bar and from here use the 
travel screen to return to Eden's 
house, Walh left to the bed and 
examine the organiser hidden under 
Eden's purple shirt. 

Use the organiser and keep press- 
ing the N or P keys until Sartatn's 
address comes up. Go back to the lift 
doors and take the cartridge marked 
'Sartain Industries' which is resting 
on the table. Leave Eden's flat and 
return to your own flat via the travel 
screen. Pick up any mug and stick it 



in your inventory, you'll need it latar. 
Use the network interface with 
Eden's cart. Use the network in the 
usual way and type LIST CARTRIDGE, 
Now type READ CODE and take down 
the number. This will let you into 
Sartain lndustri«$. EXIT the network 
interface. Proceed to Sartain 
Industries via the travel screen and 
enter the doorcode 7833. Walk to the 
computer and use Ryan's gun on it. 
Go left and enter the malfunctioning 
lift doors. Examine and then use the 
lift controls. Use the crystal. 

Head down, walk to the briefcase 
and examine it. Take and use the 
papers to get Chapel and 
Underwood's addresses, as well as 
other useful gossip. Walk to the door 
on the right, walk up the steps and 
then walk to the doorstep. Walk to 
the tarmac and use the gun. Boom, 
there goes parson number three! 



K««p fTHJiig Ike N «r r ^tiii lg |et Mit«iii's «d<iTH. 




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The Boathouse 

AMurn to the travel screen and go to the bofllhouse. 
iaanriine and then use the railing. Walk to pipe find use the 
tmfim with the mug which vou collected from Rva"'s flat. 
Go right and walk to the junction box, Use the junction 
kox, firstly by itself, then uvith the railing itird finfilly the 
Ttug, UValk td the 
liOle in the balconv, 

•Mimine and then P ' 

toe it. Klouv examine 
the hole in the vi^in- 
dow and cxaniine 
«nd USB that too- 
IValk to Undervwood, i 
talk to her and then 
the gun. 



The Ruined Church 

Once agaiiTi Ryan will return to the Dreamweb so talk to the keeper 
iin for the latest gossip. Go to the bottom left corridor and use 
J far left corridor Hey guess what? That's right, use the plinth 
with the key again. Return to the travel screen and go to the ruined 
rch. Walk to the gate, examine it and use the wire cutters on it. 
-: !< to the siep. Once inside the church, walk to the hand. 
Walk down twice, then walk to the cloth. Take the cloth and 
".fien drop il, E?<annine the altar and then the hole. Use the hole with 
■:he hand, E>^arnine and use the altar then examine and use the 
•>ole. Now e?<airiine the jar, open it and take the gem. Walk to the 
stone slab and use it. iMow e><amine and take both gems. Examine 
and take the rock. Now walk to the stone tile and use ali three 
3ems on the stone tile. Walk right and then up. Walk to the statue, 
' '2Ttine and then use it iVlatch the image with the one in the diary 
.: a nnadman. Push the crystal once you've matched the image. 
You'll hear a noise and this means the gate blocking Ryan's path to 
"s south is now open. Search the entire area for another seven 
rcks. They're all pretty obvious but the one in the room to the bot- 
tom right can be difficult to spot. It's sitting tucked away at the top 
Hght. Once you've collected all the rocks, walk to the mine cart, 
examine it and use it eigJit times with the rocks you've collected. 
Once full, use it again and it will shoot off down the screen and 
crash through a wall. Go through the wall, down and take the first 
eft. Go down again, walk to the hole examine and use it. Now go 

left, up. up and left, 
Hurrah, you've fin- 
ished the game! 
Almost. As soon as 
the dialogue finishes 
go right. Now it's fin- 
ished for good and 
so's Ryan judging by 
the amount of bul- 
lets he takes... ■ 







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This month we look at invasion 
strategy and controlling far too inanv 
counties for your own good. 



©ommlling lots of counties can be a 
serious pain in the neck, it means 
more work, more risks and more 
exposure. On the other hand it 
increases your potential revenue 
J provides you with nnultiple opportunities for 
:cle. And hey: it's also the aim of the ganne. 
In order to hold on. to your new conquests 
will need to make sure that your home 
junty is connected: up to them, otherwise you 
fill tose control- If an enemy army invades or 
peasants rebel in an intermediate county 
vj will not only lose your far flung realms, any 

•: osi yOLi have built will disappear loo, (eav- 
'Lj uie occupying army stranded. To avoid this, 
■ to order your conquests so that they afways 
we more than one common border with 
ler counties under your control. Rennember 
lough, the same thing will happen to oppos- 

nobles and to avoid having to destroy or 
ike ait of their castles, why not mal^e them 
'■agically disappear by cutting them off from 
iir hon*ie county. 



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iri Ul J tiurlf um barikmlilCV ind nifhl be cgme bandils if disulsf Hi. 



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Leap frogging 

Taking and controlling every county you come 
across uses up valuable resources and will 
merely make your job more difficult in the long 
run. If you completely surround a county then 
just leave it alone, it will not bother you again. 
When you're done with nnost of the other Lords 
you can then conquer it if you want - but as 
long as it's not bothering you there's really no 
need. Vou can also station soldiers in uncon- 
quered counties to spare your own food 
resources. Beware of these counties, though, 
they nnay seem empty and undefended but 
they cen contain a surprisingly large amount of 
peasants and may need a large army to con- ■ 
quer if you wish to do so. 

Manually controlled battles can be fun - if ■ 
you have a MM Hz machine! They are slow and 
laborious otherwise, but you will need to take 
control if you adopt hard level warfare because 
the enemy will best you easily if you don't. 
Taking control is also terribly tedious if you are 
fighting with less than, 50O troops. If you've read 
your handy guide to hit and defence points 
you'll discover that swords are best for both, 
bows have the longest range and crossbows 
have more power but less range than regu-lar 
bows. Knights are cool too, but expensive. 

Move your army fon^/ard a little (leaving 
some swordsmen or knights in reserve!, placing 
archers and crossbowmen just behind the 
swordsmen. Target the enemy with your 
archer's bows and let them come to you. You 
will pick off a lot of troops this way Once they 
have nearly reached you set your swordsmen 
on them. At this point withdraw your archers 
back to their original position. See how the bat- 
tle is going and if necessary send in your 
reserves to speed things up and finish them off. 

If all is not going well and you are being 
really slaughtered, withdraw your troops and 
set the archers firing at the enemy again. Let 
the enemy follow your troops into the fire and 
then release your reserves on their flanks. The 
white flag is basically useless: you might as 
well fight on until all of your troops are dead. 



ilj\i St, audiir EMth kn heen dniiitfti bf Ut ItrcH grf Sir Gif. 
I ikt 111! fltni S4« lilt: at cl ^ii lYniir? 



When besieging a castle don't try to storm it 
straight away Reduce the amount of fighters 




A. tlai SI. lilt t«i. Oir A12II CTMhed iFier this, b<iJl UiinMulhr lii 
behre ciPiperinf Iti <iA»k EMjnlry mi dele^iing At ftthei Ltmds, 




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AUcf Hf wwtib iircjipls, but it ui Sim \tw\ 1.1 Ud kuiMs 

to zero and increase the amount of builders to 
the maximum. Then build as many trebuchets 
{large destructive catapultst as possible. Guild 
ladders with any spare men, Leave this screen 
and wait until the next season. Continue 
building trebuchets next season until you have 
at least three, but the more the merrier Target 
the first season's catapults at the weakest and 
lowest outer wall, but don't send in any 
ground troops yet. If the walls are large you 
may need some siege towers but these take a 
lot of men to build and may not be of use. 

Once you have knocked plenty of holes in 
the castle wall it's time for a mass assault. This 
should take place in season three or four, and if 
you have destroyed enough walls each season 
with your trebuchets then it will fall very 
quickly. F^emember, when using ladders or 
assault towers your troops can be doubled up. 
You may also be able to take a castle by aiming 
all your trebuchets at the flag. Keep on pound- 
ing it with enough firepower and it will fall. 

To defeat all of the other lords you may 
have to neglect parts of your kingdom, and 
peasants may oust you from some counties; 
don't worry about this too much ( but try to 
police rampaging peasants and ex-soldiers or 
they could make things difficulty, Once the 
serious opposition has been defeated you will 
be made Lord Of The Realm whether you 
control them or not. ■ 




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LEANING OVER THE EDGE 

I receivad a letter frcHn 
a Mr Archar who want- 
ed to see pictures on 
his Amiga like those on 
a Mac. I axplainedi that 
for lif«-like photorealis- 
tic quality he'd need 
'^'^ . an AQA Amiga at 

leasrt, or buy a big box 
Amiga and add a 24-blt card. But 
he said ho didn't hav* the monay 
■nd wanted to know i<vfiy his 
Amiga couldn't do it as standard. 
I hear this argumant frequentiv- 
THb Amiga is a fantastic oomputar' 
end its basic hardware is better 
than PCs and Macs wtiicK <;ost 
much more. However, Mao and f*C 
owners constantly upgrade their 
•ystems (how many 2&6 PCs are 
vttll around?) adding 16-blt sound 
cards, graphics cards and are 
therafors able to edit and disptay 
much higher quality pictures. 

Unfortunately, some Amiga ovim- 
ers don't seem to realise tiiis- Thay 
assume that their unexpanded 
Amiga will be able to do everything 
that expanded PCs do and wtwn it 
doasn't they complain. It's 
Commodore's fault, Amiga soft- 
ware isn't as good, developers 
aren't supporting the Amiga ate, 
«tc, etc. 

Strangety it's never their fault. 
They don't seem to consider that If 
they spent mors money on their 
A,mlga, software developers would 
be able to produce better pro- 
grams. Let's face it, Microsoft 
Word would never run on 286 fCs, 
rt's only because PC owners have 
Ljpgraded that Microsoft have been 
able to develop and release such a 
powerful program. 

If Amiga owners would do the 
came the Amiga market would be 
a lot stronger than It is now. 
Likewise software developers 
wouldn't be held back by the 
B-lower systems arid could devel- 
op big powerful do-everything 
applications. As a result we 
could gloat at the over-priced 
F'Cs that our neighbours had 
bought. 11 you chose to buy a 
basic model Amiga don't expect 
»t to do what the super expanded 
PCs and Macs do and don't com- 
plain when it doasn't. ■ 




If last month's Get Serious pages were a hard- 
ware bonanza this months are a software spec- 
tacular. Firstly there's a detailed test of Amiga 
paint programs and a iooic iVIy-iVioney - a new 
financial package. But it's not all software; 
there's a super new genlock tested as well- It's 
all here in the next few pages- 



CTV Micro Studio ZOOO 

it's big, it 'ft covered in kaobs and Tony Horgan's in love with this all singing all 
dancing genlock, chromaksy and miitsr. 



Mv-Money 74 

Get a fjrobiftm with vovr ca*h flow? Andy Leaning checks out this financial planner. 
Will it help or is it not up to scratch? 

CD-ROM Round-up ............ 78 

Another s^lsw of ailver slivers slids klowly into ths CU Amiga Magazine CD-ROM 
mechanism {who writes this stuff?). 



Graphics Coitipanson 

Andre 'Monet' Digard teat drives the top four Amiga paint packages to find which 
offers the best painting too^s. 

PD Scene - G6 

All the lateftt games, demoa end oddities frem the public demaln. 

PD Utilities 91 

Andre Digard goes an a mv^termus adventure as he explores the faacinating world 
of public domain utilities and applicatianft. 



i 




PRDDUCT TEST 




Stutli 




r)T)^ 



Make your own pop videos, eci-fi epics, 
grass roots documentaries and corporate 
presentations with CTV's new video mixer. 

Price: £7SO.£1100 (whh TBC} ■ Developer: CIV MuttJmedra ■ Suppliar; CTVtel: B1296 3^0670 




Ji IL 



. Jl . it . 



A Riilif |Nf -nfcc ffft eltecis ire |inss.ikl« milA 
dH' blnMMkt]f III limftlitif ftiliirt j. 



©s we mentioned in our 
animation feature last 
month, CTV have 
released what's potefltiak 
ly one of the most powerful tools 
ever available for Amiga video pro- 
ducers. The Micro Studio 20O0 is a 
video mixer that combines two 
video inputs, chroma key, lumakey 
and genlock mixing of Amiga 
graphics, "four types of wipe, three 
channel stereo sound mixing with 
bass and treble EQ, noise reduc- 
tion, and separate audio and video 
monitoring. It's available in two ver- 
sions, with or without an internal 
time base corrector. It all sounds 
very impressive, but can it live up 
to such a promising features list? 

Connecting up 

Getting hooked up is a simple 
enough affaiir. A lead comes with 
the Micro Studio to connect it to 
your Amiga's RGB output. The 
lead that came with our test 
model was actuaiilv too short to 
reach around to the back of a big 
box Amiga (A4000 for example), 
although we are assured this over- 
sight will be rectified on units sup- 
plied to the public. Along with the 
Amiga, you can conned up to two 




A le[^ in a ttrtthinq culcur liacldlrDji (mm irnur Arniya. 
Aal fli'tt triis|iir1iul to frgikdiit Cilf Annis! 



video sources. These can be 
either SA^HS (Y/C) or composite 
sources, aJthough both sources 
must be of the same type. 

There are three sets of video 
outputs, plus a through port for 
keeping an eye on the computer 
graphics on another screen. The 
main output offers both S-VHS and 
composite connections, and there 
are two of each, giving greater 
flexibility for monitoring and 
recording, The third video output is 
a composite connection, which 
takes its signal from which ever 
channel is assigned to the preview 
monitor, This allows you to moni- 
tor one of the video sources on a 
separate screen, prior to fading it 
into the main display, 

On the audio side there are 
two stereo line inputs {phono 



A Tht Mjcm Studiu Zlll it well slntliBd with audtii iiiil nikci liipitK iid lutituts, ilferimg hmtli VMS 
cdRif tsilt mi S-VHS ciHnpjtibiliif, tiimf rnlk mDniEiir wuif fU lir vjicn. Hjiii ind eii[n|HJter irapliics. 



sockets), plus a monophonic 
microphone input (mmi jack sock- 
et|. The combination of these 
sounds is output through a pair of 
stereo phono sockets, There's 
also a monophonic line levef 
phono socket which capi be used 
to monitor any of the three sepa- 
rate sounds, prior to fading into 
the main soundtrack. 




A REiplsce brijlut p«m ui viil«D wrth f )i|ilNcs. 




A Im iHjbt lito iwf Mitt iiiikM kifiii «flKt 



A 11 JUpri 1995 - LMiii kin if iwilUf hbliL (M} luMiq! fte mttkti tkii ip vrilt t eiiff li DPiiil! 



And... cut! 

Most Amiga genlocks overlay 
graphics onto a single video pic- 
ture, with the option to fade the 
graphics in or out. In general, 
that's about as far as they go. 
This is fine if all you want to do is 
add some titles or logos to your 
video productions, but if you're 
serious about making your own 
films, you'll need mote inpuis, 
more outputs, and more feature^ 
The Micro Studio opens up far 
more options, giving you the 
power to create professions I- 1 ooz- 
ing videos that cut and flow neat- 
ly from one shot to the next. 

Four wipes are included for 
transitions between the video 
sources. They slide one picture 
over the other, either diagonally, 
horiiontally, vertically, or from the 
top left corner of the screen. 
They're hardly dynamic, but can 
add a bit of spice when used spa'- 
ingly. There's also the option to 
switch or fade to black and white 
This can come in handy for transi- 
tions between mono and colour 
footage, when you don't want the 
change to be too intrusive, 

Chromakey 

The main attraction for most 

users will be the chromakey and 
lumakey functions. These replace 
parts of the video picture of a ce' 
tain colour (yellow in this case) c 
brightness with the image comin: 
from the Amiga. This is brilliant 
for creating special effects and 
abstract visuals. For example. If 
you were to place your subject 
against a yellow backdrop, you 
could then 'key out' the back- 




PRODUCT TEST 



Overlay 



HSoSiiG 



iii II II II itHLiI 



ht jgnlDcIt kiljrs Tititts well, ianif ffir ttHfj 
to], md crtdilj tn yiur pr4iliCl:ltli. 

jund and replace it with the 
3a graphics, transporting your 
■3ct info a wiiole new world, 
natively, the iunnal<ey could 
used on an outdoor shot to 
"splace the sky with Amiga graph- 
;s or animations. Slip in a 3D rer- 
fdered animation of an alien 
"SOaceship behind the skyline, and 
.ou've got an instant sci-fi epic I 

You're likely to expecience 
some fringing around the edges 
■of your keyed subjects. This can 
t>e reduced by careful adjustment 
Of ihe lighting in the video shot, 
■and fine iweaking of the Key 
Adjust knob, 

Genlocking Amiga graphics on 
top of video pictures is easily 
done, The background colour of 
the Amiga picture is cut out and 
replaced Ijy the video, which 
shows through from behind. 

Audio mixing 

As part of the Micro Studio's mis- 
sion to give you everything you 
could ever want in one box. 
there's a decent audio mixer built 
»n. This offers two stereo chan- 
fiels and a microphone channel, 
•■iach of which has its own fader. 
Either of the stereo channels can 
De assigned! to the audio monitor 
output phono socket. This works 
like the monitor output on a DJ 
mixer, although you can't plug in 
"leadphones directly; you'll need 
to route it through a hi-fi or an 
amplifier first. Bass and treble 
controls allow you to tweak the 
overall sound, and the level of cut 
and boost is enough to make a 
substantial difference. Finally 
there's the noise reduction 
switch, designed to take out 
rogue frequencies picked up from 
camcorder microphones. Sound 
quality is fine, and the addition of 
the noise reduction and tone corr- 
trols is very useful. 

Conclusion 

The Micro Studio certainly has 
some mouth-watering features, 
and in general, they're implement- 
ed pretty well- The 'metal effect' 
plastic casing is quite sturdy, and 
the fader travel is fairly smooth. 
One extremely irritating feature is 



Clieck out all those icnobs and sliders 



WIPES: Fnur iiflartttt 
wipes cin fai silattad: 
it|Dn«l, cgrnef td cdt- 
IH, «tnii:«l 41* li«rii«i' 
UtTlitse aretsed »i 
HiigiliDns fmn tat 



HfV UUUST: Th* tkmnaktf mA luinak«y main eart 
be HI ■ctvNiiil II the arnDunl dI colour at llgll ll tiK 
Hitit f Kbire, to obtaii the besl pnsiiklt tfTlCt. 



MDNOCHROME SlLECTQIt: 
MIlWS !■ iistanl iwilEh 
kftWNII ictltmarui 
Mitk »ni wlili« p\auft. 
(Tifiktatlilade 
hetwBEii ikE two. 



nmm stitct^ wkkk 

^Iclira Is SBiit tdi lire 
jepinic I^EnriEiM nmniiir 
*llt|HJt. UjefvlhrlHiiiiij 
cuts prtdfely. 



TINE CDMntllEJ: Bass and Irekk cDnirDls in 
itdidiet fgr id|ji9,tl>9 the Irecjiertcies if ikt 
UMklRtd nHtrtpdsie ni twt vtw^a liii ii|i*lt. 




WIPE fllKB CUT MimS 
AND SELECTDflS: Tke 

■niin EDntrnk fir ^ilCral 

l>d£i ant [His, 



CUT- Eilj slrjii^hl firvm 
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Opliqiiat iilii 
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fBE-HDE LISTEN: 
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CHRDMA,'LUIIAKET SELECTOR; 
!twllch?R bEtwBcn dironuklT. 
limakey ariii jeiilDct; mliing. 



that if your video source isn't 
assigned to the time base correc- 
tor, and there's a break in the sig- 
nal (such as when a camcorder 
switches from camera to tape 
mode) your Amiga is iikely to 
crash, it the TBC is assigned cor- 
rectly, this shouldn't happen, but 
it's easily done all the same, 
especially during the setup proce- 
dure. The other problem regards 
regards compatibility with certain 
Amigas (in our tests, A500 Plus, 
A1200 artd A4000)- This was recti- 
fied on our second review model 
with a stop-gap fix, although 
we're assured that units shipped 
from now on will include this fix 
as standard within the box. 

Those problems aside, the 
Micro Studio 2000 is a wonderful 
tool, The combination of audio 
and video mixing, chroma and 



luma key effects, genlocking, mul- 
tiple wipes and stacks of inputs 
and outputs makes this a very 
powerful bit of ki^t. Compared to 
your average £200 genlock, it's 
not ciieap, but then it really is so 
much more than just a genlock. 
The option of S-VHS and compos- 
ite VH5 connectioms gives com- 
patibility with lower-end 
equipment, but also takes advan- 
tage of superior S-VHS picture 
quality when available. The time 
base corrector will be a necessary 
expense for those using domestic 
VCf^s and camcorders (ie non 
stable sources). If you use only 
stable sources however, then you 
can save yourself some mioney 
on the overall price. A TBC can 
be fitted at a later date if the 
need arises. 

The Micro Studio 2000 comes 



t 



A Heie's jngthcr vii,p« In ^cimn. diagiUBal Ikts tinw. 



recommended to anyone who is 
serious about using their Amiga 
to produce professional looking 
videos. It's also worth noting that 
it's the orily chroma/lumakey unit 
still availatjie for the Amiga, as 
RocTec's Roc Key has now 
been discontinued. ■ 
Tonv Horgan 




A Hvri'a «■( «f Ikt McfD Studb's wipes ii tttm- Tkt picliin if Ikt ckirdi Uwir li hiii m km the t»p 
left tvnier ft Ike sEieen, in»skii| «■! Ike oii|li»l vidca picture ken^elk. 




PfiODUCTTEST 




Price: £25.00 ■ Developer: My-Soft ■ Supplier: My-Soft 



Yet another financial planner for 
your income. But does this one 
match up to the rest? 



MV-MONEV 



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^^^^^ y-Soft is a conn party 
^^T|^^V few people willi have 
I I J I heard of before now. In 
\^^^L^ f^g great traditions of 
^^^^ Amiga developers it is 
a small company developing 
affordable software. 

My-Money. their first program. 
Is a financial planner. All pro- 
grams of this nature work In a 
similar manner They allow you to 
record and track your income, 
spending and savings. The big- 
ger, more professional programs 
like Easy Ledgers, provide compa- 
ny finance management, taking 
into account invoices, purchase 
orders and so on. 

■But My-Money isn't a heavy- 
weight program. In fact it's tiny by 



Available from 

My-Soft jire $«|lin<j My- 
Monqy fJirect, Tfieir 
Address is 71 Springfield 
Avf>niie. Whitehaven CA28 
fiTT. No telephone nu timber 
was AWfiiliible nt the time 
of writtng. 



comparison and is aimed at indi- 
viduals who want to plan their 
own fiscal well being. It allows 
yoLf to set up records of your 
bank balance and savings, to 
autonnatically calculate regular 
incoming and outgoing payments 
and then monitor them individual' 
ly or as a whole, showing your 
total financial status. That's about 
the extent of it. 

Keep it simple 

What makes My-Money special, 
however, is the ease and simplici- 
ty with which you can set up, 
maintain and track the movement 

of your money. To a large extent 
this is because it's far more limit- 
ed in what it can do, compared to 
the biigger alternatives. It avoids 
the 'features overload' syndrome 
suffered by similar programs. The 
basic range of faci'lities is all that 
it needs, and anything extra 
would compromise and confuse 
its functponality. 

An example of this is the way 
regular transfers, payments, 
incomes and bills are handled. 



The program can keep track of 
your money no matter where you 
choose to keep it. You can set up 
savings accounts, current 
accounts, and have it regularly 
allocate money to your pocket, 

This is something I particularly 
like. I've tried accounts programs 
before that a.llow you to define 
salary payments, and transfers to 
savings accounts but they fail if 
you forget to record when you've 
taken small amounts out of your 
account, and before long the pro- 
gram is completely out of sync 
with your actual balance. 

Pocket money 

With My-Money, however, you 
can have it transfer £100 a week 
to a 'pocket' account. If you do 
take more out you can ol course 
still record it. You could do this 
with other programs, but the ease 
with which My-Mon&y lets you do 
this seems to have an effect on 
the subconscious, and I found 
myself make an effort to keep it 
up to date, 

Unfortunate(y, it's not all good 
news. The program has- bugs, and 
we're not talking head lice here 
either, but bloody great big cock- 
roaches that scamper across the 
floor. It crashed with alarming 
frequency, requiring a complete 
reboot of the Amiga, Some of 
the graphs were impossible to 
read as some of the tops of the 
bar graphs were outside the 
viewing area. Error messages 
appeared that were completely 
meaningiess, and at times the 
program just locked up, forcing 
yet another reset 

Another annoying asipect 
about My-Money is that once 
you've started entering data 
there's no way to abort the oper- 
ation or cancel it. There are hard- 
ly any cancel options. If you 
accidentally clicked on a payment 
button for instance, you'd have to 
enter a payment, which couldn't 
be deleted aftenwards. This could 
lead to confusing account state- 
ments. More cancel options and 
delete functions are definitely 
needed if this program is to be 



used for anything more than or 
the odd occasion. 

Conolusion 

MyiVionQY h^s the makings of a 
good program but untif the the 
bugs are sorted out. I can't recc 
mend it. I' look forward to seeing < 
new version that overcomes the 
failings as it will be a very useaf' 
program. Perhaps 'Version 2 will 
just that ■ 
Andy Leaning 



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ACTIV 




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Tel: (01325) 352260 enquirfes@active2.demon.co.uk 
But iu rubuu uOfVjMihi iiti.cib uc'i i rn " ' 



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A ':x)lla{:(irin oi Amiga 
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Only E10.0& 

CLASSIC CARD GAMES 



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Ritr1«ves iMt Of <jflm- 
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CD-ROMS 



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AWhok 



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MULTIMEDIA 
TOOLKIT 



COMPATIBLE 



Weird 

Science 



% 



Muttimedia Tcx>lkrt 

Many of the CDs that we've looked at in previous issues have been let 
down by poor front ends. Most CDs give you nothing more than 
Workbench, leaving you to fumble your way around the contents trying to 
find programs to load the files and figure out strange meaningless 
file rannes. 

However, the Multimedia Toolki^t is different. It features a simple menu- 
driven program that allows you to pick the type of file you want to work 
■vith: images, samples, demos etc. Click on this and a list of corresponding 
files pops up, click on the file and then on an action button (view for 
instance) and hey presto there's the file. 'Wonderiul! 

Multimedia Toolkit also contains a wodge of reasonable quality fonts, 
colour and mono clip art, music modules, and samples which are accessed 
via Workbench. In brief, this isn't the biggest or best collection, but it cer- 
tainly is the easiest to use. 

Weird Science, 1 Rowland^on Cloae, Leicester LE4 2SE. 
Tel: 0116 234 06^2 Price: €19.95. 





The Beauty of Chaos 

If you like fractals you'll iust fall in love this disk because it's filled with 
nothing but fractal images. Some of them are impressive, some are rather 
dull. There are 507 pictures in all of the mandelbrot set. These are saved 
in mainly IFF or GIF formats and a viewing program is supplied on 
the disk. 

However, we had problems opening many of the GIF files in any Amiga 
GIF reading graphics program. There are also a number of TIF files on the 
disk, should you want to see the fractal in more colours (the GIFs store 
pictures with just 256 colours). 

It would have been nice to see a collection of fractal generators on the 
disc as well letting you explore the world of fractals yourself. And maybe 
some fractal animations, let's face it we're not pushed for space are we! 
Not having these on the disc is definitely a missed opportunity. Still 
if you're into this kind stuff you'K love it, otherwise avoid. 
PD Soft, 1 Bryant Avenue, Southend-on-sea, Essex SSI 2YD. 
Tel: 01702 466933. Price: £19.99. 



^^ 




Imagine Enhancer 

This disc offers a wonderful collection of fonts, attributes, backdrops, and 
objects for fmagine. There's also a gallery of wonderful pictures all pro- 
duced with Imagine. The discs holds roughly 100 new attributes, 25 fonts, 
10 image backdrops, eight reflection maps and 12 vehicles. This isn't much, 
compared to some of the CDs available, but the detail in the objects, the 
quality of the attributes and the definition of the fonts makes ft worth hav- 
ing. The biggest problem with this disc fs that many of the file names are in 
German (particularly drawers - Bilder, Wolken, etc aren't exactly helpful) but 
it won't take too long to figure out what they stand for 

If you us^ Imagine this disc is definitely worth having. If, however you 
work with a variety of rendering programs lUghtWave and Re3l3D. for 
instance) then the Amiga 3D Raytracing volumes (reviewed in the March 
issue I or the 3D Areana disc isee opposite page} are probably better bets 
as the offer objects, textures and files for the other Amiga rendering appli- 
cations in addition to Imagine. 

Gordon Hsrwood, New Street, Alfreton, Derbyshire DE55 7BR 
Tel: 01773 &36781. Price: £49.9S. 







.^ilflUGA 




Another mo nth has 
crept up on us and 
sure enough another 
batch of CDs arrive in 
the CU Amiga offices. 




Art Backgrouncls Collection A 

One of the problerriis with rrany CO clipart collections is that the authors 
cram the disc with loads of images, and in the race to fill the disc grab 
images from, arywhere. often sacrifice quality for quantity. Serious users, 
however, want quality, not quantity. A better approach would be to cut t lie 
number of images, ensuring each one is well scanned, supplied at decent 
resolution and cleanly edited- 

Field of Vision have taken just this approach with their Art Backgrounds 
disc, it contains just 60 pictures all of which are ven,^ well produced. The 
images supplied are mainly colour tones, atmospheric effects and washes. 
Each image is suppjied in a variety of resolutions [-from 12B by 192 to 2048 
by 3072) so you wont need to resize them {losing quality in the process) 
too much. The only downer to the disc is that the images are in Photo-CD 
format so you'll need to something like PhotoCenics to use them. If you're 
iookipig for a collection of professional, high quality, abstract, backdrops get 
this disc 

Field of Vision, 45 Seversbrook Road, London N19 4QQ. 
Tel: 0171 263 5054, Price: £40. 




In recent months IVe seen bucket loads of CDs claiming to offer profes- 
sional clipart for DTP users but in reality offer nothing more than a rather 
crap collection of black and white, tow resofution, pictures. 

On loading this disc however I was pleasantly surprised. This disc con- 
tains bitnnap images, structured images and EPS files. The structured clip 
art is in the form of ProOlips for ProDraw, handy for this month's coverdisk, 
There's also a collection of CorefDrsw images (not very useful for an 
Amiga owner)' 

The real surprise, however, is the bitmap images. As usual there's a col- 
lection of black and white pictures but there's also a large number of Amiga 
painted colour graphics. This are all impressive quality, looking much like 
the painted images to be found in old Style encyclopedias. 

For DTP orientated userS the Weird Science Clipart disc is well 
worth having. 

Weird Science, 1 Rowl^ndson Close, Leicester LE4 2SE. 
Tel: 0116 234 0682. Price: £9^99. 





3D Arena 

Almathera have been doing CD discs for a while now, ranging from 
Aminel collections to professional clip art discs. Their latest CD is yet 
another collection of objects for 3D rendering packages. 

3D Arena provides a collection of objects and textures for Lightwave, 
Smagine. and Reat3D. There are also files for 3DStudlo and DXF if you 
happen to have access to these PC based rendering programs, 

The objects are of impressive quality, and certainly up to the mark 
we've come to expect of Almathera products recently. 

The textures are also very tasty, although I'd like to have seen some 
more innovative textures: marble, wood, stone etc are a bit common 
these days. 

We'd probably buy this disk because <t's got some useful objects on it, 
although, !n our opinion, there could have been a greater variety and 
choice of Textures. 

Almathera, South«rton Houss, Boundary Busines» Court, 
92-94 Church Road. Mitcham, Surrey, CR4 3TO 
Tel: 01 ai 687 0040. Price: £24. 99. 




AMIGA 



DELTRAX PUBLIC DOMAIN AND SHAREWARE LIBRARY 

TeUFax 0492 51S981 THE VERY BEST PROGRAMMES FOR AMIGA & IBM P.C 



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1 




Which is the best paint package when it comes to 
drawing pictures on a bianic page? CU Amiga 
Magazine goes on a mission to find out. 



©reating a picture from 
scratch is still one of the 
most satisfying methods 
of producing computer 
art. We took the Amiga's 
four leading paint packages, 
Photogenics, Deluxe Paint Pefsonai 
Paint and Brittiance looked at them 
from the point of view of an artist 
who wants to paint a picture wiih 
nothing more than the mouse, the 
Amiga, and the software. No fancy 
scanning tooJs, no ray-traced texture 
mapped backdrops, and no compos ! 
tion of digitised v\6eo images. 

Tcx>ls of the trade 

All four packages are based aiounci a 
set of basic drawing tools- We start 
our test with a comparisorv of the 

main tools available to the artist. 



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Curves 

^Photogenics doesn't liave any curve 

drawing tools. Curves must there- 
fore be drawn by hand. In certain sit- 

^^^J u at ions it's possible to use the 



ellipse and circle functions, discarding the 
unwanted parts to leave a cur^ye, although thiis 
is usually more trouble than it's worth. 

Brilliance and Personal Paint both have 
options for nornnal curves and be2ier curves, 
Gezier curves are drawn using four points 
instead of three, allowing lines to be bent 
through ariy angle. Deluxe Paint settles for nor- 
mal three-point curves. 

Undo features 

^^^^The undo function is essentiiai for 
^IT correcting mistakes. 

O rt ^^otogenics uses a strange kind of 
undo system. Permanent changes to 



the picture aren't made until you dick on the 



The contenders 

PHOTOGEMCS 1.1 

TKe new bov of Amiga graphics, 
Photogenics is a 24'bi1 paint and 
image processing system. Looks like a 
hot contender with its many simula- 
tions of natural drawing mediums. 

BRILLIANCE 2 iNV. 

The favourite of many Amiga artists, 1^ 
developed as a direct rival to OPaint. '^'■^''^ 



Lf jje t»tMrtfMi.jt atrttjig, (^si ji MTi ia c^ in» '^f ^w^^ ■ iin« a 




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PhDlD^enici 1 1 - lire^i ctuvtirtieiir iriis-lt wiUr its manir 
^imiihliiires dF nt\ Mle paiilini maFeri^h. 



Speed and special effects are 
Brilliance's strong points. 

PERSONAL PAIIMT 6.1 

Personal Paint has found many fans 

thanks to its speed and flexibility. 

DELUXE PAINT IV AGA 
It's long beeit the favourite fi^r most 
Amiga painters, but has recently last 
ground to irtcreasingly sophtsticdted 
competition. DPAinf 5 may reverse this. 



Fix button. This allows you to draw for a few 
minutes (or as long as you like), and then if 
you're not tiappy with it, you can delete the 
whole of the last few minute's work by click- 
ing Undo, You can't undo any changes until 
they've been fixed. Depending on how you lixe 
to work, this can be either a pain in the back- 
side, or quite handy. 

The best solution is again offered by 
Brilliance and Personal Paint. They both offer 
multi-level undo/redo. On both programs you 
can set the number of levels and amount of 
memory available for the undo. If you have 
enough memory, these undos can take you 
back for miles. Once you've used them you'll 
never want to use anything else. 

Deluxe Paint is quite basic on this front, k 
wilt undo the last operation only, which can t 
ven^ limiting. If you are drawing with the icon 
bars turned off. and tfien turn them back on : 
access the Undo button, that key press courts | 
as the last operation, so the Undo does noth- 
ing. The way around this is to use the U key to I 
undo when the icon bar is hidden. 

Filling areas 

I The ability to fill an area with a 
colour, an image or a pattern is 
essential for any paint program. 
^hotogenics' best aspect when it 
comes to filling, is the variable tolerance lev^ 
This allows you to fill all pixels of a similar 
colour, rather than only those of exactly the 
same colour, Othenyvise, fiUJng an area of a 24U' 
bit picture would be impossible. However, 
that's the only frill you get with the fill optioni.j 

Brilliance is very good at filling areas with 
brushes. It can stretch a brush to fit the size 
and dimensions of any shape. Its grsdien- ' 
are quite good too. 

Personal Paint has the mo&t useful g radii 
fill available. Its Shape gradient was used to 
produce the seats in the picture of the car, 
took me about two minutes. The gradients 
also have the smoothest dithers of any 256 
colour package {Brilliance's, dithers are pretl'. 
much its equalj. However, these are Persons 
Painfs only advantages when it comes ir 
It has no circular fill, no angled linear fill, - 
no decent brush fills. 

Palettes 

Palette and colour range selection is anc" 
important factor, in order to set up a def: 
gradient from one colour to another, you : _ 




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Apricot 
Aquararine 
ESeiae 
Black 
EHue 

Hue- Violet 
Brick Red 
^rnt Sienna 
Burnt llriber 
CarnatSor Rnh 



C&lour£.»| 




A. PtfttniB'nics his i>n« dl Hit bcil \^i\iViit selsectdrs. isin^ n nnikna- 
Mi if a J4-bi1 c«lf w Tik^i, "i ' itHm tF CMiDtmlf-isei preiet hiH. 



•,o define the colours, and set theim up as 
3 range. 

Photogenics uses the whole 24- bit palette 
at all times, so there's no need to define a 
'sub palette'. However, it has one glowing 
feature, its long list of predefined colours 
such as apricot, midnight blue and 
forest green. 

BriStiance has a nice simple palette, and the 
'ange selector is OK, 

Personal Paint lacks some of the range 
^unctions but it has a few tricks up its sleeve. 
Forennost is the fact that it shOwS RGB and 
HSV functions at the same time. It also has 
oetter colour spreatd Options, palette merging 
and colour reduction, 

DPaint used to have a really easy range 
selector (prior to Version 4), whicli only need- 
ed start and end points to be picked- Now you 
have to pick up each colour and place it on a 
line, which is limited to 64 colours. The palette 
s simple enough though. 

Image prcjcso^sing 

Image processi'ng is the use of special effects 
to alter parts of a picture - effects such as 
blurring, sharpening and false colouring. 
Image processing has been used e.»ctensively 
to produce all kinds of effects. The woman's 
lace and hair (above) went through several 
darkening processes to produce the heavy 
shadow effect. The trees were blurred to pro- 
duce a better motion effect. The road behind 
the windscreen was darkened to account for 
ihe effect of the glass, 

Photogenics is primarily an image proces- 
sor, so it scores pretty well here. It has a 
mass of processes available, which can be 
used as the 'paint mode'. If you decide you 
don't like the effect you just used, you can 
change it to another before it's actually 
fixed' onto the image. 



A Perseial Pain shows olf iomi »f its m»wf Jiii|i prtH«Hi| 
•ptuii,. It CI* cm ttwi iBSfis iiii M«|ic Ei^ piOMnt. 



Bf finance has some image processing, 
though it's strictly limited. All of its processes 
are set and cannot be adjusted or fine tuned. 
This is definitely a major downside. 

Person&t Psiat scores best out of the tradi- 
tional paint packages, It is the original cross- 
breed. It has image processing features to 
write home about. It can do anything from tint- 
ing to producing a stereo image random dot 
'magic eye' picture. All of the processing can 
be adjusted to your heart's delight. They work 
well and you will certainly use them extensive- 
ly. There are some annoying exceptions like 
anti-atias, pixel ise and tei<turing, but it makes 
up for this by letting you edit the functions or 
even Create your own from scratch. 

OBluxe Paint dies in this section. It has 
hardly any image processing features. Tint, 
anti-alias and transparency are the only notable 
Ones, All of them are really basic. 

User interface 

BEiJse of use is just as important as 
Lidvanced features, especially when 
it comes to keeping the creative 
juices flowing. 



Photogenics almost certainly has the best 
front end. Everything is in windows including 
the picture being worked on. This means you 
can drag things out of your way easily. It also 
has lots of really rieat features, like the screen 
selector which holds a small cameo of all the 
pictures currently loaded. Move a cameo to 
the second box and you can rub bits of it 
through onto your main image or use it as a 
texture. It does still have a fair amount locked 
away in the pull down menus, which is a pity 
as this is the only use it makes of the right 
hand mouse button, 

Briliiance has a user Interface that's been 
designed from the ground up. Initially the pro- 
gram is a major pain 10 convert to. After a 




A FlAttgeRki WDrtis in * afslcn nf winipws, ntiich allinws Its: iser 
1A cukiiliUly citsttBlu Ikt l»iih nf tie nriwts Hulnl pi*d$. 

while you get kind of used to it and although 
I doubt I'll ever love it, it does have its advan- 
tages. Chief amongst those is that there are 
no pull down menus. This makes navigating 
the program so much easier. It also has a lit- 
tle box which constantly tells you what you 
are pointing at. Neat. The biggest pain for me 
was the way the menus obscure the screen 
until you switch them off. 

Personal Paint has a simiilar front end to 
Deluxe Paint. Almost. The major difference is 
that Person&t Paint works the way Deluxe 
Paint should. The whole thing feels respon- 
sive, the menus are a til clear and everything 
happens quickly. The windows can be 
dragged around the screen so that you can 
see what they are affecting. It is modem 
whilst still being traditional. Anyone familiar 
with Detune Paint will pick it up instantly and 
after a few days be completely hooked. Most 
of the keyboard short-cuts are the same as 
DefuxB Paint too, accelerating conversion. 

By comparison Deiuite Paint's user inter- 
face is old, cranky and worn out. Far too 
many options are hidden at deep level within 
some menu or other. It's stiil not too far 
behind most of the others though. 



Natural media 

1 The latest fad in computer art pro- 

^F«B grams is 'natural media'. This 
^^•/ means airbrushes which work like 
i^^^_ real airbrushes, chalk which leaves 



lilUe I laky bits on the paper and watercolours 
which saturate and almost run- 
It also means having the screen behave 
like canvas, paper, blackboard or another real 
world Surface. 

Pfjotogenics is the only one to have these 
simulated pen and paper types. They work 
best in high resolutions. If your pictures are 
going to be rendered in HAM-6 or HAM-8, the 
fringing can be more obvious in lower resolu- 
tions. However, with a bit of practice, some 
realistic effects are possible. 

Deluxe Paint 5 promises some of these. 
Our October 1994 cover disk demo version of 
DPaint 5 allows you to try these out. They use 
IFF brushes as texture guides, to give the 
impression of painting onto various surfaces- 
It's a rather crude system, but can actually 
work quite well, and has the advantage of 
allowing the user to create his own, simple 
by saving out custom brushes into the rele- 
vant DPaint directory. Heither Brilliance nor 
Personsl Paint offer these features. 




COMPARISON 



Wm r^, 



And so 
the resu 



iTg 



have 



Photogenics 1.1 

Producing the drawings in this feature witli 
Phologentcs wouid be tricl<y. It differs fro-m tlie 
otfi^er tliree packages in that it's not a 'wliat 
you see (s win at you get' program, if you want 
to be abie to specifically define each pixel in 
the picture, you'li have a hard time of it, as 
you're always painting onto a representation of 
the actuai 24-bit picture- 
However, there's so much you can do with 
Photogentcs that is impossibie witin the others. 
Top of the iist are the simulations of different 
pens and brushes, which aifow very subtle 
shades to be added with littie fuss. 

Photogenics is best suited to the artist 
who wants to output images to high resoiu- 
tion 24-bit systems, if you want to design a 
title screen for your iatest game or demon- 
stration, youi'ii probably be better off 
looking elsewheire. 

Deluxe Paint 4.1 AG A 

Everyone uses Deluxe Paint, don't they? In 
many ways, it's started falling behind the 
Opposition, and the delayed release of 
Versi^on 5 hasn't helped that. Nevertheless, it 
didn't get where it is today without being a 
damned fine program!. 

In its favour, it's the standard that all the 
others have had to live up to. 'While it does 



get beaten by the competition in quite a few 
areas, no one package can boast all of its 
features. DPaint has always been a favourite 
for Amiga artists, and will continue to be for 
the foreseeable future. 

Once Version 5 hits the shelves (it's due out 
any day now}, it should consolidate its posi- 
tion. A bit slow, a bit quirky but still up there 
vh/ith the best. 

Personal Paint 6.1 

Personal Paint has some of the best features 
of the lot. The user interface is remarkably 
free of clutter. The image processing is 
remarkably useful. The ability to edit the 
image processing functions gives it even 
more flexibility Its automatically scaled mag- 
nification is very handy You drag a box over 
the area you want, and the magnification is 
calculated appropriately. 

Colour reduction and palette nnerging 
prove to be incredibly useful too. Multiple 
brushes changed by a single key press are 
invaluable, it also has a virtual memory func- 
tiion which seems impossible t.o live without 
once you have used it, 

Personef Paint may lack certain features 
from the others but makes up for it by being 
the best workhorse. It's especially good if 
you're upgrading from Deluxe Paint. 

Brilliance 2.0 

The star of the computer press, BfMance is 
somewhat different from the others. It comes 



close to Personal Paints usability but not qu ■ 
close enough for my liking. The menu syste' 
it uses is a big step in the fight direction bu' 
a long way from reaching its target. It just Qt. 

in your way a little too often. 

Otherwise, this is the program to go '■ ■ 
you like plenty of features at your finger' : 
Almost anything Delate Paint can do Bn- . 
can do better. It has multiple brushes like 
Personal Paint . it also has the best brush har»-j 
dling. Its ability to fill a shape with a brush is 
the best I've ever seen. 

If you need an art package but can only 
afford one, Britliaoce should be it. It can do 
almost anything. It's a long way from being - 
ideal tool, but it has the best combination of 
features and usability. 

The tiottorn line 

So which one of these well known paint 
ages comes out on top after all this exten: 
testing? Can you Stand the Suspense? Well. 
just for you here are the results at last, in 
descending order we have; 



o 

o 

9 



t. Personal Paint 1.1 

2. Brilliflnce 2 

3. Deluxe Paint 4 



4. Photogenics 1.1 
ndre Digard 




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This month's 
public domain 
pizza has an 
extra thick 
topping of 
cfemos, nriusic 
disics and 
slideshows, on 
a crispy deep 
pan base of 
games. IHold 
the anchovies. 



WKness 



This is another game that promises plenty, 
but doesn't quite deliver. It's basically 
Defenrfer dressed up with digitised pic- 
tures of the planets, which form the game's 
(evels. As Far as I'm concerned, the best 
things about the original Defender were its 
speed, the ship's uaquenchable laser gun, 
the bnlliant sound effects and the daredevil flight manoeuvres 
Wna&ss doesn't capture any of that particularly well. Fast unpre- 
dictable or intelligent aliens Bte out, in favour of slow moving 
blobs that have to be shot umpteen times to be destroved by 

your sluggish ship, How about a 

new improved Witness 2? 

Availably from: Saddle 

Tramps PD, 1 Lower Mill 

CJose, Goldthorpe, 

South Yorkshire S63 9BY. 

Tel: 01709 888127. 

Dish no« CLG 69. 

Prica: 

£3.95 

including 

P+R 






HspffJsyv ^^ 

All of the effects are viewed through a half-screen win- 
dow in this brief demo from Oxyron. Most of the graphs 
ics are pretty chunky, but impressive all the same, such 
as the wornnhoie, the fire, the texture mapped vectors 
and the voscel landscape. I'm told it needs 6Mb of f^AM 
to run, but I suspect it might work with the standard 
2Mb and a bit of Fast RAM. 
Available from: 
Fre»styJe PD, loa 
Wood side Way, Short 
Heath, Willenhall, 
West Midlands WV12 
5MH. Price: £1.50 
ii^cluding P+P, 




Cyberdroid 

game 

Cyberdraid has the mailings 
^ . of something special, with its 

' ray traced sprites and fancy 
,\ i title screens, Urtfortunateily, 

the horizontaJly scrotling 

shaot 'em up giamepilay is 
spoitt by two things. First, is the grey 
colour scheme used for aFl the sprites 
artd most of the background, which 
makes it hard to pich everything out. 
Second is the way the main character is 
rendered helpless for a split second, 
every tima you turn around or land on a platform. The frames of th« 
rotatmg droid ara all very nice, hut while he's performing his little twM 
yoo're a sitting ducN far the alians. Apart from that, Cyberdroid \sm9m 
Jittle game, and still warrants attention from frustrated zap fans 
Available from: Saddle Tramps PD. 1 Lower Mill Close, Goldthoroe 
South Yorkshire 563 9 BY. ' 

Tel: 0T709 8SS127. 

Disk no. CLG 69. 

Prica: £3.95 including P+R 



Club Mix IV 

music demo 

Featuring substantial sample 
from Jam and Spoon, Eleva: 
and N-Trance among the bea' 
Derek Heasleys Club Mix IV h 
plenty of potential. The seve'- 
minute mix chops from one Vst* 
to the next a bit loo impatienp. 
for my liking, sounding more u# 
a TV adven for a dance compi**-, 
tion album. That's OK, but I 
the line at Cotton Eye Joe san*. i 
pies, Please! Oh well, if you iia ' 
a bit ot pounding Euco techno. 
and you c^ri stand the Rednex 
interruption, give it a shot. 
Available from: Der«k 
H^asley, S Haze I wood 
Grove, Artane, 
Dublin 5, €irs. 

Pcice: 

£2.50 
includ- 
ing P+R ^H I 
Requires ^^^ | 
2Mb. 



W 



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Double Shuffle 






game , , , 

f»uzz1e games with squares ^ don't you just love em? I 
ioiit usuallv, but this one's OK- You're presented with an 
irrangement of immobile squares and a small number of 
movable counters. 

The object of tKe game is to move the counters into 
the position* indicated in the bon at the bottom of the 
tcreen. You can slide the counters up, down, left and 
right, but thev onW **op when they hit an immobile 
square, so you have to plan your moves carefully- A neat 

puule game, 

I Available from: 

II Freestyle PI>. 
108 Woodside 
Way. Short Heath, 

»Wi1lenhal1. West 
Midlands WV12 



including P+P. 



Poker Mania 

game 





I 



Cross a fruit nnachiine with a gaime of cads, arid 
Vou"d end up with something like Pok&f Mania. You 
don't play against a computerised oppotient - 
instead you win money according to iUe annourit 
you be: and the odds for the hand you end up 
with. To keep it from gening boring, you also get 
bonus games such as 'Higher or Lower' or 'Find 
the Ace'. Bright graphics and good sound effects 
make it an entertaining diversior^, Worth checking 

out for a bit of fun. 
Available from: 
Freestyle PD, 108 
Woodside May, 
Short Heath, 
Willenhall, West 
Midlands WV12 
5NH. Price: £1.50 
including P+P. 



l^^ *mi j^Mki$& 



IIHI lilll 'IKf 



CT iC3 , 



hlQ' ;ini Q f^ 




Songs. Rack 

music disk 

Nine tracks of chugging techno are on offer 
here, well produced with clean samples and 
neat arrangements. Innovation i& in short sup- 
ply, but if you like a bit of melody with your 
bleeps, then ihese should do just fine. 
Available from: Freestyle PD, 
10S Woodside Way, S hort Heath, 
WillenhalU West 
Midlands 
WV12 5NH. 
Price: £1.50 
including P+ft 




M*A*S*H 

garne 

Apparently Lhis game has been in develofh 
ment for two years, so instead of calling it a 
Worms clone, it seems the opposite is true. 
Either way. M*A*S'H is very similar to 
Worms. It's also a bit like Lemmings, but 
instead of saving the little critters, you've got 
to blow them up* You start at one end of the 
level, with the enemy at the other. Your aim 
is to annihilate the enemy base with a bar- 
rage of missiles and bombs. In the mean- 
time, the enemy potatoes [yes, potatoes) 
come charging over the hills to do the same 

to you- 

You have the combined forces of your ^ 
own potato army, plus a few tanks. There's 
plenty of violence, but who can condemn a 
game that victimises potatoes? This is the 
shareware version, The full version can be 
obtained for £7. There's also a swirly pat- 
terned freaMastic kaleidoscope sequence 
at the stEir'. hurrah! 

Available from: Chris Gregen, Sheaf 
O' Wheat, Dunboyne, Co, Meath, 

Ireland. Price: £1 






Anhalonium 
Lewinl 

demo 

The latest from TRSI never quite gets 
into top gear, although it threatens to 
on a number pf occasions. There are 
some of those 3l> plasma dusters, 
some shaded vectors, a bit of wobbly 
teKt, a handful of dot effects, and a 
passable techno soundtrack. 
Available from: 17 Bit Software, 1st 
Floor Offices. 2/8 Market Street, 
Wakefield, West Yorkshire WF1 IDH- 
Tel: 0924 — 

366982. 
Price: £1 
plus 50p 
P+P. 




'^l 




AMKIA 



Mosaic 

AGA slideshow 

Graphics junhies can get their teeth into the 15 top qiiali- 

tv pics, on this disk. Moat are in a cartoon style, with plenty 

of colour antt lots of nice smooth 256 colour shading. 

Available from: 

Freestyle PD, 

108 VUoodslde Way. 

Short Heath, 

VUillenhall, West E 

Midlands WV12 

5NH. Price: £1.50 

including P+P. 




Infection 

games disk 



Normally I hate puzzle games with squares. 
but this morith I've already recommended 
one, Double Shuffle, and here are three on 
the same disk all getting the thumbs up! 
Infection is a bit like draughts, except four 
people play ^t once, and the object is to 
infect the opposition by occupyitig the adja- 
cent squares. Toobz was reviewed in PD 
Scone not so long ago, and Confuiiori is a 
cross between Pipe Mania and a sliding 
block puzzle. Lots of fun for everyone. 
Available from: 17 Bit Software. 1st 
Floor Offices, 2IS Market Street, 
Wakefield, West Yorkshire WF1 1DH. Tel: 
0924 366982. Price: £1 plu« 50p P+R 




Istanbul Style 

slideshow 



Not quite as professional looking ais Mosaic, but a good selection of 
artwork all the same, Istanbul Style is made up of 14 fantasy 
scenes,, most of which include throbbing barbarians, with the odd 
sword-bearing wench thrown in fof good measure. Trolls and mon- 
sters also get a look in. 

Available from: Freestyle PD, 10S Woodside Way, Short 
Heath, Willenhall. West Midlands WV12 5NH. Pric»: £1.50 
including P-kR 





f^: 



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i^ 



I.-.-.., 



1^1 



ZXAM 1.6 

spectrum emulator 

The latest version of this ZX 
Spectrum emulator comes in versions 
for AGA and rion-AGA Amigas 
(Kickstart 2 and above). Both ver- 
sions need a 6S020 or higher proces- 
sor. A 68030 is recommended to keep 
the speed up. 

We received two variations of this 
disk which include different games. 

The disk from 17 Bit Software comes m ^^^ ^^^ ^ 

with the following: Oliie and Liss, I ^"»'r-»-^'J n^rcc 

Pitfall 2, Quazatrofi 2, Rsfiton Mania 

1+2, Saboteur, Stroot D^r^. Space Harrier 1+2, Speed Kinff 
2, Spy vs Spy and Thrust. 

The Kew=ll Software dish includes A/fTvo/f, Atic Atac, Bomb 
Jack, Cyclone, Knight Lore, Manic Miner, Spy Hunter^ 
Starqttake, Tarantula and Uridium. Take your pick. 

Available from: a) 17 Bit 
Software, 1st Floor 
, Offices, 2/8 Market 
Street Wakefield, West 
t Yorkshire WF1 1DH. Tel: 
: 0924 366982. 
I Price; £1 plus 50p P + R 
ftv b) Kew=ll Software, PO 
Box 672, South Croydon, 
i Surrey, CFI2 9YS. 
*' Tel: 0181 657 1617. 
]^ Price: £1 plus 50p P+R 



III 





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£ 


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AMIGA 



GAMES 

QflAVITY FOf^CE E fY 
Gama al lhi» ynar '94 '! 
STAFtBASE mai-fT 
Bfill pmn°°n'[;li[:k 
HOdETl AQft ¥ 
Eiu»(lanl itedl Hn Up 
MEGABALL WSA V 

MECHFlTlfiCE 4-V^ 

MOOSE CiRIWf ■»¥ 
dcHxt Overhead laoef 
SOCCER C^nOS *V 
FKitvQame 
HIGH OCTANE 4-Y 
Fsat raising game 
TflTH HOLf 60LF (Jf *¥ 
Grea.1 gon oanw 
ZOWBrE *.POC*I.YPSE 2 V 
SHcHJl sm downl 
FIGHTIWe WARRIORS *V 
SlresHiohlai' cliirie 
DITmELL IW SPACE *V 
Ciooa plaflorsusf 
QSWW D 4-y 
Nice lumping qama 
DOfJKEV KMe *V 

Classic ^cade aanw 
GORF -1 
Good gorrne 
STARI&NS .Y 
Sa^csy 9lxK)t em up 
ICC RUNNER ^ 
Gw>S plattormw 
ORC ATTACK -Y 
Figiii; than ofl 
MftDFIGHTEFiS Y 
Beat WE' youf osjponwnf 
Orbit ^2) -tY 

Bnll spfev Hi^! Sim 

GALACTIC PREDATOR i-Y 

A^ipr p3^Kl 

CROBOTS tY 

RolKt war gainff 

f=.flNTASY FOOTBALL LEAflUE +¥ 

EKrnllgnl' nnnn^g^ariqnl sim 

THE SHcFriEFlD *Y 

Playact 

ROAD To HELL (1.5 MEfl) +V 

Good Kjp vkw rac»r 



FRED FISH 1 TO 1000 

SCOPE 1 TO 220 
ASSASSINS, JAM ETC 



UTILITIES 

VICftOTlRAgKER ► 
Everytlwig far mahing demos 
VIDtOTRACKER AGA Y 
The AGA 'rarEtan 
HDS »Y 

Create randwr dot s'arains 

TEXTENQINE^.I+V 

Smi pei wardpffie«3se3i' 

X-COPY PRO -V 

Dl$k capiat 

LITTLE OFFICE +Y 

Wi'P. Si'9hea1, Ehttasa etc 

IW*fiE STUDIO fWB 2*1 

pic converter.'' manlpulstor 

BLfcCKBOARC W 

Pk convarter.' manipulatof 

PC TASK It-Y 

PCeniLHator 

DELITRACKER *Y 

Mu»c B<a>'«>f 

RELOKICK +Y 

Dsgrader 

MAGNUM )Y 

Dis^ maa crsalor 

FAST INTAO MakEA 1-Y 

DESKTigp vrpEO STUFF *Y 

Usclul 'iHlla 

GATQR GRAPHICS *y 

Gracnics lute^nal 

GFX CONSTRUCTION KIT +Y 

Sreal ?<): aid 

MfNIMORPH -Y 

F351 morphflf 

PLASMA CLOUDS £M V 

Plosma cmstor 

VECTOR DESIGNER +¥ 

EHSKMA&TER 3 tY 

Doqus Clone 

ACTION REPLAY 1 .5 + 

Soltware vercion al cailridti* 

ACTION REPLAY V* ¥ 

CRACK'N'COPY f 
CRACK'N'COPV AGA Y 
AGA EMULATOR (not 1200) 
MASIC WORKBENCH fncit 5DD) 
TERM [3\ f Y 
QrMl cOfWtis pn)3r»m 
INSCRIPT .¥ 



NOBLE 
HOUSE 

4B EDNAM DRIVE 

GLENROTHES, 

FIFE 

KY6 1NB 

Emsil: NHOUSEftPELPH! COM 



IMAGINE 



FEMALE (OBJECTSS 

Faur mxieis at female waking ready la 

animals 

57 CHEVY l,WBS*) [QfiJECT) 

HUMANS (OeJECTSl. 

2 FTiala.'Z feTiBfle 

CARS ^OBJECTS) - BMW. SS DODGE 

STARTREK iOBJECTSj 

SCI - Fl (OEJECTSl 

IMAGINE TUTORIAL 4.Y 

All yiou ever wanned 1a kncvw about crtaigtris 

, Minis .' TifS, prc#d* .' «l*p try $t*^ elc 

SPACE FONT TOOLS 

Ex caivir'niHiclal prograim ioi mamfHJlaling 

lonti. itaiclze <:ondeFrGe etc (gr»al) 

IMAGINE UTILITIES 

ISL, Wrapge". Igenaurf. Showobj sir; 

TEXTURED 1 - WCHd Old tJ^c 

tekturese-sh™ 

TEKTURES 3 - Mow Stona 
TEJfTyREE 4 - Ofginit *. Uiil 1e tofivtil: 

JPG to IFF 1 GIF 
WORLD ■ 

lnE«ctB -t Ape -• tand • Plants nduMs 
EtMlly, a nlllltv 10 croole she! like objects 
lor imaglnet'llgiiitwaviS'TEial 3d elc 



Sow as separate disks Or buy all 
U ImfornnlyE 10.00 



EDUCATION 

OOiQUR IT .»¥ 
C-stounng Dock 
STORVLAND S ,-¥ 
EjcceliE»il neasxiing actvenrlure 
DUNKS DTP *Y 
DTP 1or Kida 
LITTLE TRjiVELLER »¥ 
Wtjrid t^rSIS 
JAPANESE f Y 

Laam Japanese 

«.Q. TEST -tY 

GARDEW DESIGNER »¥ 

3D dasign 

CROSSWORD CREATOR t¥ 

FOOT¥+y 

PodIb rJie*9r 

CDWMUJJICATE *Y 

TOME OF MYTHS jZ) ♦¥ 
Emceil&nl AypeitKiok 
LANGWAGE TUTOfl +Y 
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D-PAINT TUTOR -tY 

y/orld war S *Y 

Myperbook 

WORLD CEOeRAPHY *Y 

MBfffia texl 

QCSE MATHS +V 

KIDS GAMES *¥ 

UR MEN f 

Laam Ici lead 

CLIPART 

CCM-OURCLIPAHI |3| 

GAME CHARACf EFta (COL) 

iDISNEV CLIPS fCOLj 

DANDY AND BEANO 

WOMEN CLIPART m 

Vl CLiPAFfT 

SPORTS- (£) 

MUSIC 

FRAMES ,'' BCM^DERS 

FOOD .'DRINK 

TRAVEL 

VJEDDlNGS 

FLINTSTONES iOOL} 

UON KIN<5 iCOLt ^3) 



GLAMOUR SLIDES 

BEST OF ESCORT t¥ 

BETA TEAW +¥ 

fiFPO 2 * Y 

BFPO SPECIAL (NOT +) 

BORDELLO BEALTTIgS 1 4.Y 

BOflOELLO BEALrriES i (2) »Y 

BOflDELLO BEALfTIES 3 (2> - Y 

BOFIDELLO BEALFTIEB 4 +\ 

BORDELLO BEAUTIES 7 + Y 

BOFIDELLO BEAUTIES 9 + Y 

BUST UP + ¥ 

CiHeEK,¥ CHARLIES * V 

DCiMIMIA r - Y 

OOMIMIAa* Y 

THE FOX + ¥ 

GIFILS, GIRLS, GIRLS 2 + Y 

GON GON GIFILS *■ Y 

HOT GIRLS + ¥ 

HOT GIRLS 7 * y 

WADOWNa VS TUTTI (2) + V 

MAYFAIH BEAUTIES 1 +¥ 

UAYFA.IR BEAUTIES £ + Y 

MAYFWR BEAUTIES 3 + ¥ 

PARADISE PICTURE SHOW ?+¥ 

PeNT[REi3LAMOUFt(2)+¥ 

SLAVER STEVE 1 + V 

SLAYER STEVE 2 + Y 

SLAYER STEVE 3 + Y 

SUPER G(RLS 3 + Y 

TWILIGHT SLIDES + V 

UTOPf A 1 + ¥ 

UTOPfA 5 + V 

UTOPtA 3 + ¥ 

UTDPtA 4 + ¥ 

WOMEN OF THE ORIENT * Y 



HOGE SELECTION 0F 1 S. 

TITLES tN STOCK 

(PROOF Of fiG£ HtOUfflf DJ 

FULL USTING IN CATALOGUE 



+ SO<H-/600 compatible Y 1200 compatmie () Number of disks 

1 -5 disks El. SO per disk G - 14 disks £-1.25 per disk 1S+ disks CI. 00 per disk 

UK postage FREE Europe postage £12.00 R.O.W. postage Z33Q 

Payment in £'s sterling only. Cheques/PO's payable to Noble 

Fast turnaround. All orders sent by tst cFass post. Write for FREE catalogue disk. 



limawai 





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PD Disks f:i per disk 

'^^^hether in this ad or 
ANYONE else's! P&P - 

UK Add 50p Per OR- 
DER. Europe Add 20p 

per disk. World add 
40p per DisN 



MW iiit <iiit|r ba WtJad to pgaarn able ia PROVE thaa ^la. 



Stfi(^4^ 



Dust Cover 
Mouse mat 
3,5" Drive Clener 
60 DSDD Disks 
100 DSDD Disks 



£250 




£20.5 
£39.5 



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PD UTILIJIES 




Utilities 



They're calling 

it the greatest 

piece of 

licenseware 

ever. Find out 

what it is in 

this month's 

selection of PD 

Utilities. 



adventure creator 

GRAC is the Amiga's first true graphic adven- 
ture creator. No boring reams of text. No 
repetitive strain injury from too much typing. 
No dull still bacl<QroLJnds. This program is 
des'gned to make point and click adven- 
tures, like Monke/ isSand. Simon the 
Sorcerer and Beneath a Swel Sky. 

There's no real limit on the number of 
rooms you can have. You can speak to 
hoards of characters, Music and sound 
effects are reasonably well catered for and it 
can use various fonts. The design and func- 
tions of the control panel are left up to you. 

Best of all, GRAC has its own scripting 
language. This allows yOu to have control 
over the game. It means you can play an 
animation when two objects are placed 



Guitar Companion 



musical aid 



pflPinmmprT^B r:^n.T"n tm u: 



"^udic 2 Zal 



m 



VERSDH 
11/11/91 




r V r 



W^^^."^ 



*■ r - * - 



-i — *■ 



"*— «- 




m mm' 









"he main program in this 
= '^ries of five is an old 
■ iv.'0'urite of mine. Guitar 
'y^ord Directory, which has 
•on updated to Version 2, 
:3 designed to teach guitar 
:^'ords. It's really simple to 
...^e. Pull dovvn a menu, 
ielect a chord, and up pop 
!hree variations on that 
I chord. Neat, 

The number of chords 
Itias been increased to 276 
Iwith 1 ,0OB positions. That 
probably makes it the most 
comprehensive list available 
Un any format. Good news 
(for USA users is that the 
I program is now NTSC com- 
atible. It still shows thefin- 
^gehng too. Mot a major update, but worthwhile all the same. 

There's a companion program too. Bar Chord Index shows all of the power 
chords. It would be even better as part of Guitar Chord Index- 
There' s a simpfe tuner ■- a good idea, well implemented but the samples are a 
[bit rough. Then there's Song Book, a simple program detailing 22 songs by their 
'chords. Lastly there \^Music2Tab. Pump in some standard music and out comes 
"c tablature. 
The only things missing from this compilation are vertical chord diagrams and a 
ist Fret style propraim. This set of programs is essential for any guitarist. When 
.^ed in conjunction with Fast Fret (CLR Licenseware) they make for a killer learn- 
g environment. 

Available from: PD Droiine, 

Terl: Q191 584 0917 Price: £5.25 including P+P. 



'™ ^* 



A ibi HisicJTrt pr»|riin inm tl*? Cvitar CompdiiiM. A lictntwirt «tun- 





A Tlert js It liinil •[> t^e numbei »f tugms. tdi z^w 
i»it MVth GRAC - it's Uf I* fMJ- 



*■ Create rof * *i^<^ 
i:li£sit «iicli as Btntath 
1 SibbI SkT withj GRAC 



together, or 

have a cut 

scene (ike in a 

film, with the 

action switching 

to a different 

location. Or 

maybe you 

could have 

some object come crashing down when the character 

walks over a particular spot. 

However, there are limitations. There's no AGA sup- 
port, which is OK if you want to save disk space, but 
not so good if you want stunning graphics. There's no 
sprite scaling, so characters won't shrink as they walk 
into the distance, and multiple player characters, such 
as the gang in Msntac Mansion, would be impossible. 
Character animation is also rather basio, which can limit 
the camera angles for your scenes. 

The whole thing is admirably rounded off by Lethai 
Formula. It's an example game on the second disk. 
Whilst it's not quite Indiana Jones, it is considerably 
better than some of the old Sierra adventures. It doesn't 
have too many locations but manages to do very well 
considering that it fits on a single disk. 

You do need to have a little programming experience 
to use GRAC, It wouldn't be half as good if you didn't. It 
will take you a little while to get to grips with it, but 
then all the best programs do. Every adventure fan 
should have this, it won't turn you into the next 
LucasArts, but it will give you just about everything you 
need to get damned close. To the best of my knowl- 
edge this is the first program of its kind on any comput- 
er GRAC is easily the best licenseware title ever. 



Available from: F1 Licflnsewaro, 

31 Weilington Road, Exeter, 

Devon EX2 9DU. 

Tel: 0392 493580. 

Price: £4.99 including P+P> 



19 



AMIGA 



PtimiTIES 



Gas Trick 

bill calculator 



Here's a nice simple "W 

one. Gas Trick is a 
small program 
desigried to calculate t 
Vour gas bill. It's writ- 
ten in Amos, designed ' 
to b« r«allv easy to « 

US6. So far so good. 

Oas Trick lets you ' 
save your workings and 1 
load tihem at a later , 

date. Useful iHf you get ' —— — 

more than one bill or even just like to keep a separate 
record. It has a good on-line help systenn. Wherever you 
move the pointer, the program tells you what that area of 
the screen does. It's simplicity itself to use; enter the start 
and end of quarter meter readings, click calculate, and 
you're given an accurate figure for your gas bill. 

There is one major flaw though. Vou can't change the 
background figures. If British Gas change their pricing the 
program becomes useless. 

A VAT change would do tho same. Gas Trick is a good 
program while it lasts, which maiy not be for long. Let's 
hope version two is a little more configurable {and 
includes etectricity too). 

Available from; Roberta Smith DTP, 
190 Falloden Way. Hampstead Garden 
Suburb. London NW11 GJE. Tel: 081 
455 1626. Price 90p plus 50p P+P 
per order. 



Little Blue Plastic Disk 

various utilities 



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Bsr Clock 18 a small progr 
which puts the time and 
date on the Workben-ch W 
bar. L3stAhit2 is a boon 
programmers, It gives you 
informatiori on any sc'" "' 
failures without you h . 
to scribble down number* i 
from Guru meditations. 
Zpee<J Up is a supposea 
ZModem accelerator. It's 
mearii to increase moder- 
as* transfer rates, but in prac 
TltMlj tice I didn't find any real 
fere nee. Keys Please is a 



1 Uil. 



DJa-l 



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neat little on-screen keyboafd which shows you Rawkey values. 

There are also three real goodies. Installer vl.34. Commodore's 
install program now with Workbench 1.3 compatibility, 

SnoopDOS J is a must for anyone who regularly compiles disks < 
installs software, It will tell you what program files are missing if a 
progj-am doesn't work. Las.tly there \s MFormal 1,2. It's a replacif- 
ment for the standard Workbench disk formatting program. It dcv 
useful things like automatically installing the disk. It can't really 
replace format as it doesn't have a CL! option and won't format PC 
disks from scratch. Still good if you format lots of Amiga 
disiks though. 

Available from: Roberta Smith DTR 190 
Falloden Wav, Hempstead Garden Suburb. 
London NM11 6JE. Tel: 0181 455 1626. 
Price 90p plus 50 p P+P per order. 



I 



Music 104 

music utilities 

An unusual disk this one. It can't quite decide what it is. It's trying to 
be useful to everyone. The featured prograrri is Composer, an easy 
to use rri-usi'C notation program. It can do just about anything in the 
way of putting music onto a stave. It can even play the result. 
Unfortunately none of its support files are included on this disk, 
which is bad news as the program just refuses to work properly 
without them. 

Hunter IJI is a music ripper. It looks through memory for sound 
samples or SoandTracker modules, which can then be saved out to 
cfisk - useful for borrowing tunes and effects from games and 
demos. Also incfuded is SuperPlay. a standard SouncfTrackef 
module player. 

Inlay Maker is designed to print out inlays for your cassette col- 
lection. Just type in a list of the tracks and print. Nothing to write 
home about. Last is DSound, which plays sound samples from RAM 
or direct from a hard drive. 

iiS Available from: 

Roberta Smith DTP, 
190 Falloden Way, 
Hampstead Garden 
Suburb, London 
IMI/Vn 6JE. Tel: 
081 455 1G2G. 
Price aOp plus SOp 
P+P per order. 




* Cut iid| cmtm i*l4YS. Iiliir Makr frinn the Hisii; 1G4 itixk 
Simple bt clketivt. 




Virus Workshop 4.6 



virus killer 



yt J wi-ii ff n ny in I 



(C) Trtilwitri itAtt «c. 



ill 



rjiiBfi 



.., „^-. -- i [*lll! It 

It) Nlltl It 

Kvlfrt nifti It 
^itrfffO ryiilj, it 



.?tliS| '"* 



iilfeirt 



iJOK^^^W" 



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9m\ 



Back to the essentials. 
For a little while nouw 
Virus Workshop has i 
been the most com- 
prehensive virus killer 
around. It's aimed 
squarely at people 
who know their 
Amiga. 

Beginners and non> 
experts should head 
for Virus Z. Virus 
Workshop is for the 
technically adept user. , 'lie n««il]er m« Manj.irMr rwf flmi* VS»is Ihrt*- ■ 

_, . . lilflllhf elTidirirt al Its iflt. 

The options it pre- 
sents are comprehensive to say the lea*t. It wiM do any- 
thing from a simple boot block search to checking the 
operating system vectors. It has full support for hard dri- 
ves. and there's a ream of documentation on hunting ¥if*» 
es. 

This is the virus killer to get. Beginners might do wsH I* 
get it so that ihey can learn more about the Amiga. Thi* w* 
gram is fuFI application, so if you just want a little progr— 
that pops up in the background, again, hepd for Virus Z. 

Solid, reliable and trustworthy. This is the program Vm 
get if you suspect an infection. It will track down any- 
thing unusual. 

Available from: Freestyle PD, lOS 

Woodside Way, Short Heqth, Wirienhall, 
West Midlands WV12 5NH. Tel: 01S22 
710985. Price: £1.B0 including P&P. 



W\ 



AMIGA 



1^ V Cr-t -iCioa 



Est 1988. 



POfSTACE INFORMATION 

Ptease include Mlp PtJHiajc For 

UK Disk Ontefii And 75p Pel 

llem For CD Onlert 

(Max Postitge Payable i I -50) Kuri-ypL- 

Add 10ft For Disk Orders & £] ,00 i'>-< 

CI) (Mai. y.M) 

a.O.W Add 20'S. For Disk Orders 

& £1.5*1' t^ CIJ (Mix. £6.00) 
Alt Orders Sen) I si Class. Or Air 



1st Floor Offices, 2/8 Market Street 
Wakefield, We.-it Yorkshire WFl IDH 

TEL (01924) 366982 FAX (01924) 200943 

Monday To Satuntay "J.OOam Till 5.3ftpm 
Answcrphonc At Alt Other TirriK 



£1.00 
PER 
DISK 



J 



( AMIGA PUBLIC DOMAIN ) 



I 



T 



ae2(]FILliRV3.23 

Jj'Mrjrti Qrsclory Ocus Ciorw 

J6'y PENGODEMO 
Supaf F9«igp CKjn*! 

aeia FihiDiNG the truth a 

UFO Disk IVlagaririS 

Mft- ? ROBS HOT STASH l«3. 35 

A -A-ays Had Hot H6w Utte 

361 & ROBS HOT STASH HO- M 

ArrcihsT Superb UlilS Cc>m|». 

3615. (ABCO) CHAHiEV CAT H 

'□ardening Cat' 2.5MB Anirti 

3614TURBOCAT 

Slheneware Cal Diak Msksr 

3613TRILEMMA V5.0 

Q4'm^ Bm Qrea1 Puzzle Game! 

3612 THIRD [>liyENSlON ISlO. 11 

n:^ fiOrtS. Kii 0«Sk Wag. 

i-:.T (AB) CYBERQAMES 

l:x,ce«sni B«At4nn Up' 

3«iOJUMPeM 

BcundTig StilN ,' Pu£2t9 G4m« 

3fl09irjFe;CTlON 

Excellent Puzzle Game 

360SO€MON V1.01 

Patiance Type Card Game 

3607 I^lOwCRS CAHDSET 

For Klondika 1,2 or 3 

3606 PHOTO CO CAflOSET 

For Kloftdika l.^or^ 

3*06 BAflTENOeP VI 1 

Superb Cocktail Dalabaaal 

3604 BEGINNERS SU1D£ TO WSS 

Ha.ndv. Easy Tutorial For WB3 

3603GF)(UTILS4.ICONS 

indkuJes iconkio<»£tc. 

3602 UEVJ UTIL3 NO. & 

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$60t f4EW UTILS NO. fl 

Indudas V Check-9r & 53 

3600 (AB) FINDING THE TRUTH 

Disks 1 a 2 About .Ali«ns S, UFO 

3539 RO&S HOT ETAS4H NO. 33 

StaDks more Supait Utite. 

3596 Pflenv IWOMAJJ CAROSET 
For Klondi*o AGA 

3597 FINAL WRAPPER V3.0 
Irtdudas Loaits o1 Uacxoi Ts>0! 
SSSSDauxEGALAOAVa.S 
Mega Mega Mega Qams-I 
3595 PUCMAN 

ArcaOB Perfecl Pacman! 



3594 PAPt^tET HO! 
The All New Panwr! 

3593 LEAGue SOCCER CAROS VI .1 
$aiicer CardB Game 

X3532 JPEG AGAV2.1 
&$$t AQA Jp«g viawflf 
3581 COmtMNIA PFI6VIEW 
Playable Puzzle Garre 
3590 (AB> HOLIDArS 
T^lgrtal (^ Good Photography 

3569 (AB) PHOTO TECHNIOUES 
GciWJ Ph^tO TiiKjriat 

356* lUAGEDESK VI .3 

CreaiB Thumbnail Pics 

3597 BOING Va 

Thing on a spring t\(m6 

35M ROBS HOT STASH NO. 32 

IncJudas BJC6C0 Drivars. 

35&5 r^EW UTII.S NO- 7 

Mora Bits & Bats 

3594 ROBS HOT STASH NO. 31 
Aiiplhiar Hal Ulals CollafTtkin 
3563 AGA SPECCY EM VI 6fc 
Irtdud^ ^ Few Oames. Too! 
3562 NEW UTILS NO. S 

Mot* UplO Date LNite. 

3581 INTERIMET LTTILS 

iwiude* IRC Chai Clieni 

3SS0 (AB) PAGE3TF1EAM 3F UPDATE 

Updalts Tu' 3F Fiftjm 3D 

3$7^ ROBS HOT STASH NO. 3C 

Another Packed UtHs Disk 

gS7^ FRACTALS CAHDSET 

3577 MAFllLYN 2 CAflDSET 

ForKtoni*kei.2af 3 

3S76 DIYREKO 

Cr$$1& K.l(>ndlka ^ta wilh Ima^ FX 

aS75 ARCHPLLEOS CARDSET 

3574 DRAGONt^NCE CARDSET 

3&75 BEAUTY GARDBET 

3571 CIMCHY S CABOSET 

For u;e Wiitti Klondika AQA 

3570 ROCKETZ VZ.26 
O^eal Thnisl Type Qame 
a&69 (AB) MAO E. ISSUE 7 
Pi?pUl6r Sci Fl .'RPQ Mag 

a&ea letkal formula 

(3'aphitc Advanlura Qarrre 

3567 POKER MANIA 

Good Cixnpuler fokar Qama' 

35MF1 DEMOS 

\na. Erik, Jr Arti!;1 & Ukimaie Ouiz 



356* THIRD DIMENSION NO. 10 

TT* 3D Corti Ki( Disk W«g 

35S4 SAWUFlAI SHOWDOWN 

Demo Versiori. Geal em up 

3S&3 GRAPhlC UTILS NO. 2 

Ulils & hiagic WB \cor\s 

35K (A6( THA'i/eL 9-U1DE 

Travel Guide To The- World 

3561 CYBERPUNK NOW NO. i 

LdI6 of Cyber Relaled flrlicles 

356000 NEW UTILS NO. 5 

LalBEt Ulils Slaish 

3559 DeSEPtr ISLAND DICK 

Funny BA.W AnimatiDn 

35SB (AB) MAD HOUSE 

Superb' Luop; An$ Style Adv. 

3557 FKJBS HOT STASH NO. 29 

Ificfitdes ViruMftKker $.S0 

3556 FINAL WRITER PATCH 

SptWdS Up Final Writer By OjAO 400% 

3S5J WOFILD HlSTOFlY TIMETABLE 

htyperbook History Program 

K3S54 (AB) OOVE DEMO BY ABYSS 

Superb [>emo From Party 4 

X3453 (ABC) VIRTUAL DREAMS 

Bast Ever AGA Demol! H.D RAquifSCi 

3552 (ABC) IWAQINE OBJECTS 

Btarwars OhjaelE, XWings, YWrtge Ehi 

3551 MUl VZ,3 

Lalaat Megic Userlntarlajis 

35SCI (ABC) LION KINS CLiPAflT 

Ltria at Cute hii Res. Clipaila 

3548 SUICIDE MACHINE 

Operalion Wolf Wrth Furry Anjmalal 

3548 VIRUS WORKSHOP 4.T 

Kill Tntjii Nasty Van! 

3S4T AGA (CON DISK 

Morft Z56 C<y>OUt leoftS 

aS4S HD GAt;IES INSTALLER 2 

Irtilalli Ov«r 20 tJit*9r*nt Gsmsa 

SMS PHASE 4 INDEXER ■ 

AeHs From End. 2 Dtiv** R«qtiir«d. 

3^44 ^Uh^BO JAtJ 

Ovafhead Driving Gamft 

3543 IfJTERf+AL COMBUSTION 

Another Superb Sprinl Clone 

3542 ROBS HOT STASH NO 29 

Anothar Hoi Utils Gomp. 

3$41 HOES HOT STASH NO- 27 

Inr^lucfes Latest VlmSZ II 

3540 IMAGINE BITS BOSS 

Inc. Araxx Scripis For Imagine 3 



3539 GAMES DISK 
Tex? Hal WiUy i Crazy Challefige 
3539 MAGtC SELECTOR VI .40 
Ch^nje* Sackdfojjs $l Ade» SFX 
3537 TtRlyt. V4.2 EXTRAS 

inciui^ss Llt^ and Loeale 

asas TERM V*.2 090+ VEHSIOM 

Arehims wltn MO ln*ia(ief 

3534. TERM VJI.2 

000 version wUh Doc* 

XaS34 LION KING CARDSETS 

Fur you Kr'flw Whal 

3533 THiRD DIMENSION HO. 9 

3D Usar Magazine 

3532DVSK.STIK Vt.l 

Superb Diak Label Piinterf 

3531 ON FORM VI. 33 

Superb Invokia Prinlaf 

3530 ADDRESS PRlMt V4.4 

Adclfe£9 & MBilahol Prog. 

X3529 PERIHELION CAflOSCT 

Fanidiy .' Sci Fi Cafdset 

XaS2a RIPPING YAFINS CARDSET 

eriii*h CarioAfi Ri«urt«*i Caras«t 

XaS£7 SHERYUN FENN CARDSET 

Siucy Ktondf3!j« CArdsM 

XaSSe VIPER AGA 

6 Player Light CyCl«S. Shar«w&r« 

352^ ROBS HOT GAMES NO. 11 

Loads, ot Nevk' Games 

35?4 MINrMOflPH V1 -1 D 

Latest Morptiing Package 

35?3 MAOIC WB ICOWS 

Yal Another Disk Full 

3522 FtO&S HOT STASH 26 

ItKiudaa Exotic Ripper VS.Ob 

3521 NEW UTILS 

Inctudaa new Jpsg Datatype 

X3S20 NORMAL CflflDSET 

For klondwe AGA 

3519 VISUAL ARTS V2,0 

Very Powerful QUI Designer 

351fl ZAXXON 

Sup»rlJ C64 Classks Oonveoion 

X3S17 (ABCD) KILLING TIME DEMO 

gjurirting 4 fusk aOA, Oemo 

X3516 (ABCD) T^VISTEO hVGA 

SLiper&i AOA Oemal Needs fa^ RAU 

X3515NEXUS7 

AGA Demo- t)y Anajqmetta 

X3514 (AB1 MOTION O^^GlN 2 



c 



T 



AMIGA CD ROMS 



3 



■MMB ILLUSIONS 3D £9.99 
n^B Hundreiis 01 random ;il6'«>aph pIC' 
Hf^B lutes complete A'lth tne ulire yuu need 

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^^HH >eqi..jel to the weil recaived LSD CO 
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^^^ ■ Amircts 1 to 4. Hftcomtiiied witn NO 
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^■jj^l f^^''''' Aminet DATAI 


fSjTJT ANIMATION CD (Doubte) E1S.99 
l|^|A| 2 CD'S conl^tf^ln^ a plethora of supert> 
*4»..v'™i» AiiiigB anima1ia«w. Even includes 
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■to* aO AREMA £19.9& 

IKE iniitgirte, Lightwave 4 Real 3D Objeoia 

^t Gatore From The 24 BH Club Ir. 
J^ Scolland. 



CD ROM PRICE MATCH 

\^T WILL DO OUR BEST TO 

MATCH OR EVEN BEAT ANY CD 

ADVERTISED ELSEWHERE, 

ALL ORDERS SENT 
SAME DAY 1st CLASS POST 



THE 

ifiL fmtm 

ISSUE 8 NOW IN STOCK 

£6.95 



SUPER CD ROMS AT SUPER PRICES 

17 BIT COLLECTION 1 7Q0 Of our a-sks from 1 to 2300 

17 QIT COMTINDATIQN Mora Ubrary diskB from 2301 to 2600! 

17 SIT PHASE 4 LslMl lltnary retease from 2e01 lo 3351 

AUOS PO CD Invaluable 104- AMOS Ussts Source dxte tic, 

AMINET 4 CO Novemt^e^ 1994 Aminat Internet Archive 

ASSASSINS CD Excellent Qames CQ<lecl»n Runs From GDI 

BCl NET December 1994 ArttaiHl If1t*rne1 A«lllv«sl 

B.C MOOS & SFX Collection ol Thou&ande. of Mods s Sound S«rnptm 

B.C CLIPART & FOfJTS Mainly in EPS Forniel 

CDPC 1 Fred Fish From 1 ic &60 

CDPD 2 Fred Fi&h 661 to 760 4 Mor* 

CDPD 3 Fred Fi&h From 761 to 890 & MorB 

CDPD 4 Fred Fish Frtjm 691 to 1000. Cf + Anchiifftft & Mud! Morftl 

DEMO CD Older Ami^ Demoe For coliectorB 

DEMO CD It A liUJe nwre yp to (Jate, cut aim only forcolle<;lora 

DESK TOP Vlt>EO Snjpertj DTP CD inclu(Jes Fonts, Clip*. PiK etc 

EUflOSCENE MoEl upto data demo col^dion from Euriai*9 

GIFS GALORE CD SOOO GIF Pscturnes Irom over 40 categories 

QOtOFIiSH CD Fred Fish 1 to tOOO Archived AND Read^ to run 

GOLOFtSh 2 Another ■douijle CO Cantaining everything aflar F 1000 

HOTTEST 4 PC SOFTS La1*Sl L*rar> CD 

IMAGINE CD Top Notch Collactk>n< of otijacis,, gack^rOundi elc 

IMAGINE ENHANCER Objects, Maps, Fonts etc Pro Level 

LSD COMP't'NDlSJM LSD Legal Tocls to 151. Anima. Games Ett: 

MULTIMEDIA TOOLKIT Soun<3s.. Pie1u*e*, Clipart etc 

NETWORK CD Ctinnect GD32 to any other Amig^ (requires cafile} 

NETWORK CABLE Adapted Semet Cable lo-r u&e with abtivie 

PRO FONTS CO Adobe, CG Fonta & Stacka ai Clipart 

RAYTRACING VOL 1 EM*ll*n1 CpHettign (?t goocbes of nmagma 

HAYTFlACING VOL 2 tjlore Imagine slufl. Award winnirtgCDI 

SHEE R DELIGHT Adutta only C D ROM 

SPACE AWD ASTBOMOMV lOOO GiFS & SOOO Naise Teifls about apace 

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THE LIGHT ROM MisWy rseemmirvSed i&6|ects CO Ip* Lighlwaue 

TOWN OF TUNES 1000 hantJ seteded music mods with pte/ers etc 

UlTIMEDIA vol 1 Taxturea. soundE pkilures ale lor imil(im«Sa 

UlTlMEDIA VOL 2 More mullimadia BcceBsohes &. restHiroes 

WEIRD SCieNCe FONTS CD, IFF, PCX. AD06E ETC 

WEIRD SCIENCE CLIPART EPS. IMG, IFF, Paa*»*t1er elf 



! ^ 

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£9,99 

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e 14.99 

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EM.99' 
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C^ Commodlore 




rt^j 



FOWLER 

II North Stremt, EXETER, DEVON, EX4 JQS 




We're Backing Amiga! 

Amiga 1200, CD^^and A4000 

are in extremely short supply. Plioms for latest 
news, prices and avaikbilitj'. 

We have availabk now memory 

accelerators, hand cJisks ( 

disk drives, multi-io 
printers(iniipact, inkjet. 
printer and monitor sh: 

anything 



3 




Imagine a drive which is alnii:>st as fasi as a hard drive, but 
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Contact us if you want an Emplant board or a new 

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Studio II 

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§. 



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Excellent val 

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Fuji(iiu52SMBSCSi 1/2 iSW.OO 

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GVP4(I08 £129.00 DKEJ4091 i299.00 

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NEC £179.^5 SONY (179.93 

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Send p3wr Checiue/PoBtal ofda- 

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stale ydur JUme, adklrcss, 

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By Phone 

For an even faster servitc 
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ly - Saturday 9.30am-5.30pm 

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PrtCia CDrmcl At tlrUM Ol Goinig Td i>r«i«. 
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138-139 VICTORIA ROAD, SWINDON, 

WII.TS SNl 3BU 

Telephone: 0793 432176 
Faxi 514187 



E 



B 



J 3736-2 FONTS S TEXTURES 

J 3738 HOTBLCXiK 

J 3733 EASY CALC 

J3745£;PR0MUERETC 

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J 3747 MENIiWASTER V3 

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LI 3749 PER&ONAL DIARV 94 

3 3750 3D GAMES 2 

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3 3753-5 DRUWIKiT SAMPLES 

-1 3755-S ON THe ORE EN 

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a 3758 GRAPH PRO 

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tj 38*33 AoonesseR 

J 3914 WAYS TO CHE 

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WORKSHOP INTRO 




C, 



workshop 



DIRECTOifY OPUS 98 # 

How to make Directory Opus 4, our Februgry 1996 coverdisk, even smafter by 

getting it to automatically load files into applications. 

PROCALC 100 

Spread-meister Andy Leaning shows how ProCalc's complex and IF functions can 

be combined to solve difficult spreadsheet problems. 

BUYERS GUIDE 101 # 

It's all a question of credit in this month's Buyers Guide. Our resident shopping expert 
gets the credit for writing thiis month's column, while you can get Credit by reading it. 

GRAPHICS MASTERCLASS 102 # 

Peter Lee reveals the secrets of mixing pictures togetlier using the powerful 

composition tools of Phoiogertfcs. 

MODELER 3D 1 05 

fn the last of th-e ModeierSD coverdislc tutoriaJs, tiandy tips for 3D object creaition 

are included along with the remaining menu functions. 

SUBSCRIPTIONS 106 • 

Don't miss out on the amazing coverdisks and special offers we've got lined up, 

turn to page 106 now, 

VIDEO IDEAS lOa 

On yer bike! Tony Morgan checks out the wonderful world of colour cycling, f^ound 

and round we go. 

BACK ISSUES 1 1 # 

Missed a great «33ue? Here's your chance to catch up! 

FAQ 119 # 

John Kennedy answers many of the most common questions surrounding ttie 
fascinating world of the Internet, modems ^nd comms. 

SOUNDLAB 1 22 • 

Tony Morgan pushes Anniga hardware to ttie limits as he reveals how to make your 

Amiga sound like ft has much more than four channels. 



Q+A 116 



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Q£rA MASTERCLASS 1 20 

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^(ilil til .'it I ■« i'iiiii|Ti fT*i,M^Tii Hliltw;lii> 



BACKCHAT 124 



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i]tiirltf> voice lti(*ir opmiiMis, vii>iivfi. hupps <iii<il ffars. 



POINTS OF VIEW1 2S 



Wh^il'. Itii'.-' Ml lntrint'1 liiiii-.i>lt ■,i:ii|i)iiu| nil iHillnliit bofirds? Stir^ly HOtf 
(.liMi U. ii»t.li In |t;ii)it \Jli 1(1 liritl nut itinii' 



months yau 
should notice 
several new 
columns appear- 
ing along with 
the return of 
some popular 
ones. Comm^f 
for example, 
should see a 

'eloome come- 
back next month. 
New columns 
will Include a 
Creative Comer 
page covering 

the serious 

side of 

creative com- 
( puting (word 
processing, 
spreadsheets, 
databases etc). 
If there's some- 
thing special 
you'd like to 
see in our work- 
shop section 
Email or write 
to us at the 
usual address. 



AMICA. 



Diiectory Op 

In this month's tutorial learn how to teach 
Directory Opus to act intelligently, automatically 
loading files into their relevant applications. 





Oast month we showed you how to 
set up buttons to load your most 
commonly used programs. 
However, there's an even quicker 
way of loading those programis, 
which doesn't invofve creating new buttons. 

It's possible to configure Directory Opus to 
load specific applications by clicking on files 
in the directory windows. 

For example, yoj could tell DOpt/s to 
automatically decompress any files with a 
■OMS extensiori. 

Alternatively you could have DOpus load 
your word processor whenever you clicked 
on files ending with a .WP extension, The 



files would then be automatically loaded into 
the relevant application. 

DMS deoompression 

As an example let's set up DQpus to decom- 
press DMS files irt this way DMS is the com- 
pression program used for our cover disk 
programs. You'll find it in the C directO'ry of 
most of our recent 'technical' cover disks, it's 
no probfem if you normally use a different 
compfession system, as this example 
can easiiy be adapted to vvork with 
alternative programs. 

DOpus doesn't automatically understaod 
the concept of a DMS file, so we need to toll it 




what to do, In this case we need to create a 
new fite type, so select File Type from the 
Configure menu and click on New., The 
requester that appears lets you chose the i _ 
of operation that the new file type will carry 
out- J n this case it's an Amiga Dos style corrv 
mand so cli'ck on AmigaDos Program, 

From the next requester, click on the bu 
to the right labelled Edit Class. Yet another 
requester pops up. In the middle of this one 
you'll see a line called File Class and next to *' 
another field called Class ID. Change the te«' 
in the first one to DMS Compression and tt># ! 
next one to DMS. Having done this click on 
on the word Match in text field below - it 
should turn red and the cursor will be placed 
ini another text field below this that is now 
orange. In this field erase what's already tt- 
and type in: 



On the same line as this instruction you'll se»r 
magnifying glass. Click on this and in the ne^ 
requester that appears click on the fine that 
reads iVlatchName and finally press Return. 

RIe types 

What you've just done is set up DOpus to 
watch out for files of a certain type. In this 
case it's now looking for filenames that end 

with the extension of ,DMS. The operatiom 
we're about to set up will only be carried &.- 
on these files. This allows us to perforrr 
selected operations on specific types of ^Jt 
and we can check for files in a wide varier* 
of ways. 

In this case the '*.dms' line you type- 
was a file name pattern. You could type 
any AmigaDos wild card pattern here. T*- 
MatchName reference tells the prog ran- 
take this pattern and compare it with thi. 
selected file names. 

You'll have noticed other types of cor- 
son in the requester that appears when . 
click on the magnifying glass. From here 
can tell the program to watch for files cft 
on a specific date, time, or that have corrv 
ments and so on. 

Now you can click on OK, Next you c" 
define the operaitions that are carried ol' 
what actions the user needs to do to per' 
them. In our case we want to invoke the 



AMIGA 



TUTORIAL 



I 



re 



d 

ut 

e 



program when a DMS file is double clicked, 

In the box next to the wofd Events ... click, 
on the line that reads Action Double-Click. 
In the field below this box labeHed Evert 
Description, type in something to the effect 
of "UnDMS files to DFO'. This text is just for 
vour own notes, so it doesn't really make any 
difference to the actual operation, 

We've now told Directory Opus that when- 
ever you double click on a file it should check 
to see if the fife name has ,OMS at the end 
of it- If it does it can perform an operation 
we're now going to specify. 

Click on the New button on the left-hand 
side, half way down the screen. A cursor wi 
now appear in a text field just below this. 
Type in: 

dms write {f} 

Don't press Return just yet. Instead cli^ck on 
the button to the left of this ffeld, changing 
the operation type to AmigalDos (just like we 
did in last month's tutorial). Now in the box 
next to the word Flags move the scroll bar 
down and click on the line Output Window. 
You can finally press Return and click on the 
OK button. 

A)l being well you should now &ee the 
Windows we saw at the start, just before 
clicking on the New button. This time howev- 
er you'll see a new line added showing the 
new DMS file type. 

Click on OK and then on the next OK but- 
ton that appears. You'll now be back in the 
main DOpus screen. 

Try it out 

Cross your fingers, because it's now time to 
try it out for yourself. Insert a recent C\J 
Amiga Magazine cover disk into a drive and 
copy a file with the ,DMS extension from the 
cover disk to the RAM disk. To do this move 
the mouse pointer over the left-hand window 
fand click on it once. 

Move the mouse pointer down to the but- 
tons in the bottom left-hand corner and click 
on the one labelled DFO': . Now move the 
mouse over to the right-hand window and 
click once, and then click on the button 




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called RAM:. In the left-hand window you'll 
see several files, one of which has the letters 
DMS at the end of it. Click once on this file 

and then click on the button 

below labelled Copy. 
Now remove that disk and 
insert one you don't mind over- 
writing - making Sure it's write 
enabled first. After a few min- 
utes you'll see the DMS file 
appear in the right-hand win- 
dow. Move the mouse pointer 
over the file and double dick on 
it. A window will appear and up 
comes the DMS program, 
which decompresses the file to 
the floppy disk, This may take a 
while on some Amigas, 
You've now added the DMS file 
"v;;e to DOpus. Jf we wanted to 
i^e could have set up a button 
to do the same thing using the 
examples from last month. Why 
not have a go? In this case 
you'd click once on a file and 
then on the button. The result 




would be the same, but double cli'cking on 
the file is simpler Once you've understood 
what's 901 ng on, have a look at the other file 
types that come supplied with Directory Opus 
and see what else is possible. The best way 
to get to grips with software is to experi- 
ment. There's very little you can do to perma- 
nently damage your Amiga using software, 
but just be careful when you're deleting files. 

Next month we'll explore some of the 
menu function configurations, ■ 
Andy Leaning 



Dirfu;t«>iv Of 11 is- S 

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AMIGA 



TUTDRIAL 



ProCalc Tutorial 




Thinking about buying a peripheral 
and want to woric out who offers the 
best interest rates? it's easy with 
ProCalc - we show you how. 



Ohis month we show you how to 
build a handy little spreadsheet that 
alfows you to compare interest 
rates from various sources to find 
best rate of return, 
A typical example would be if you were to 
compafe the interest rates offered by a bank, a 
hire- purchase company and a credit card to find 
out which lis best for you, Although it might 
seem obvious at first, deferred payment and 
deposits can make this a fairly complex process 
for the human brain to handle, ProCa/c. howev- 
er, eats such calculations for breakfast, 

The first step is to set up s spreadsheet 
with the three different payment terms (see fig- 
ure one k Here we enter the start date, the initial 
price (£299); the number of months over which 
it will be repaid (24 months) and any deposit 
required- We also enter the percentages for the 
three financial lenders, in this case the shop, 
the bank and the credit card company The 
rates I've used here aren't meant to be realistic, 
so don't try finding them in the highstreet- 

fiiote hew p&fC&ntages are snter^sd 9$ ', 19' 
for 79%. You CSn set the display for currency - 
and percentages using tfje numen'o format 
optior} under the format menu. 

Get to work 

Notice how we only enter the amount, price 
and repayment period data once. We'K be 
spending this amount and paying jt back over 
the same period of time no matter where we 
go, so there's no point in creating it three times. 

Having entered this data we can now put 
ProCAlc to work, In figure two we use the PMT 
function (as shown last month} to work out the 



Key|>ad Problems 

Several r«ad!eri fiav« aitpsrienced 
problems using tha numeric hevfMd 
of the A 1200 and A400a with 
firoCatc - our November cover disk. It 
will work with the keypad which can 
be used for either cursor control or to 
enter numberi. 

To use the fUumlock hold down the 
Shift key and the Numiock key. As you 
do so you'll see a tnossage appear in 
tha window title bar sayingi Numiock 
is turned on or off- For data entry, turn 
numiock on, for cursor movement 
turn it off- 



monthly repayments gfven the data we already 
have. Three PMT functions are used to calcu- 
late the repayments for the shop, bank and 
credit card. As the shops will often ilet us put 
down a deposit, the shop's PMT arguments 
differ from those of the other two, with the 
deposit being subtracted from the total 
amount to be spent first (see figure two). 

Adding deposits 

We've now got all the information and in most 
cases it will be obvious which lender offers the 
best terms. But if deposits come into play it 
gets a bit more difficult. Let's put ProCalc to 
work and get it to work out the best deal. 

Here we use an IF function (covered in earli- 
er tutoriaJs), We need to test the three rates of 
return, to find out whether the shop, bank or 
credit card company is the lowest- Thankfully 
using nested IFs, ie one IF function inside 
another, and string arguments this can be dOf>e, 
The complete IF function reads; 

'=IF({E13<A14),IF(A13<El5/'Shop"/'Credh 
Card")JF{E14<E13,''Bank","Cradit Card^K 

This asks if the shop offers a lower rate than 
the bank, If so then it compares what the shop 
is offering to the credit card and then returns a 
string - 'Shop' or 'Credit Card' depending on 
which is the case. If the first question returned 
false, then the bank offers a better rate so this 
is then compared to the credit card and the bet- 
ter of these two is now returned - 'bank' or 
'credit card'- 

If the IF words are put in quotes, this 
ensures that the words will be displayed in the 
cell. Figure three shows the results of this 
function. Try changing the percentages and 
the initial deposit. All being well the cell con- 
taining the IF function will change to show 
which is the lowest interest rate charger 

And there you have it. Although not the most 
vital spreadsheet in the world this example 
does start to show some of the real power of 
ProCa/c, using the program's powerful financial 
functions to work, out otherwise complex sums, 
and then using it's IF functions to identify the 
best option for you. Figure four shows the 
results when deposits come into play and 
works out what is best for you in that case. 

f^eict month we'll be giving the wofid of 
high finance a break and exploring some of 
the prog rani's other capabilities. ■ 
Andy Leaning 




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AMIGA 



BEIYERS GUIDE 





i,„!iai.MilH.ni i"Ni^."'^_ 

VlS' 



j^P^hk alk into any shop these 
mf7j\ i^^VS and you'll find 
%, ^ g liundreds of bright 
^^■^ notices tempting ycu 

to part with your 
money.. One of the nnost favoured 
mechanisms that high street retail- 
ers use to lure you into spending 
yoiif readies with them is credit. 
To some peopfe instant credit 
can seem lilte a dream come true. 
It all sounds so simple, You see 
son^ething, a monitor for instance, 
you want to buy but your current 
funds won't allow it. Enter instant 
credit and you can have the item 
you want that second and pay the 
company back at nice affordable 
monthly installments. All you have 
to do is fiU out a few forms - sinrv 
pie. Or is it? There is a cadch. You 
must pay interest on the amount 
borrowed and unfortunately the 
interest fate is generally fairly 
steep. You may thus end up paying 
way over the odds for the item 
that you are buying. 

For example, most interest 
repayments are described as 
Typical APR 25,5%'. This means 



you pay 25.5% more than the 
price of the goods, Watch out for 
this. The higher the percentage 
the more you pay. In a quick sur- 
vey of interest rates advertised in 
the high street and dealers the 
average interest rate hovered 
around thirty percent! If you are 
looking to buy via credit shop 
around and see what the various 
interest rates on offer are, the dif- 
ference can be suf prising. 

Is it worth it? 

But if you haven't got the cash 
readily available and want a new 
printer or monitor surely paying a 
'little' extra is worth it. After all 
you won't notice the difference in 
the monthly paym.ents and you 
get to use that shiny brand new 
Microvitec monitor and AG A 
screen modes now^ rather than in 
18 months when you've finally 
saved up for it. 

■ Well yes, it can be. But there 
are other options. Why not take 
out a bank loan to pay for it? Banik 
interest rates (whilst still being 
steep) are generally lower than 



Guide 



Buy now pay later might 
sound ideal but there are 
pros and cons to purchasing 
goods on credit. CU Amiga 
Magazine looks at both 
sides of the coin. 



credit companies' rates. You may 
think that saving 10% over a year 
is small change, but just consider 
that it could also boy you some- 
thing extra for your Amiga - a 
400dpf mouse or a RAM board, 
for example. 

Then of course there's your 
flexible friends. We've covered 
the advantages of buying on cred- 
it cards before so 1 won't dwell on 
this. But one point to remember 
is that credit cards often offer the 
best of both worlds, instant avail- 
ability, average interest rates and 
protection if things go wrong. 

At the end of the day the 
choice is yours, There are certain- 
ly times when it's worth paying 
extra. For example, if an end-of- 
line model is going for a song or if 
the bank refuses you a loan (even 
if you have a perfect credit histo- 
ry). But if, for whaitever reason, 
you do decide to buy on credit 
tread carefully - it's easy to take a 
wrong turning and end up in an 
uncontrollable debt situation. 

Interest free 

However, not all credit deals are 
nasty pitfaiis waiting to drag you 
into the arms of the debt collector 
There is such a tfiing as interest 
free credit which means you can 
still borrow the money to buy the 
goods instantly and pay it back 
over a period of time, but you 
don't pay .any extra for the privilege 
- thene's no interest - it's free I 
This really is customer care, 
The shop is making it easy for you 
to purchase the goods without 



any disadvantages. This is the best 
arrangement and is increasingly 
common amongst big retailers. 

Another payment scheme 
appearing is delayed credit, the 
"buy now pay later' scenario. Here 
you pay a deposit, get the goods 
and only start paying for it at a 
later date. These are invariably hire 
purchase arraingements, where 
you pay more than original price. 
This approach is very popular with 
large household goods (freezers. 
HiFi etc) but is now starting to 
appear in the Amiga market. 

Just like hire purchase check 
the amount of interest that you will 
have to pay as well as the principle 
ie the final amount payable. It may 
be tempting but is it really worth 
paying hundreds more? Could you 
get a better interest rate from your 
bank? This month's ProCaSc (page 
100) tutorial shows you how to cal- 
culate the interest payments and 
find the best credit deal. ■ 
Andy Leaning 




AMIGA 



TUTORIAL 



Graphics Ma 




One of the most powerful image processing 
abilities of Photogenics is Composition; 
with it you can blend two images together 
seamlessly. CU Amiga Magazine explains 
the technique. 



Alpha box at the lower right of t' 
screen in the Images toofbar. 



Ohis month, a two in 
one tutorial; the rudi- 
ments of text manipu- 
lation within 
Photogentcs and ojr first attempt 
at image processing. The aiim is 
to convert a digitised pictufo into 
something which looks like an 
artist's sketch, If you glance at 
the finished item now, you'll see 
just how close we can get using 
the most basic of skills. 

Unlike most other art pack- 
ages, text is created in fts own 
image window in Photogenics. On 
the plus side, this means vou can 
transform it in any way you like 
before committing It to your main 
picture; the downside is that you 
have to go through a number of 
steps before you can actuallV 



place your text where you'd lifce it. 

For the first part of the tutorial 
we're simply going to write our 
text, and turn it Into highlighted 
gold lettering. On the way we 'it 
learn about masking, mode 
effects and placement. 

Start Photogenics and from the 
pull down menu Images select 
Open as/Other, and choose the 
Text loader The font we're using 
came with the software, so it will 
be listed In the directory of fonts 
[provided you Installed it with the 
program}; It's called Stengun and 
we want to use it at size 74. 

You must enter your text 
before it's rendered, so type in 
the words star profile, and OK 
that. The text is now drawn into a 
separate window, or buffer as It's 



called. As it stands now, you 
could copy this onto another 

image 'window, but we want to 
add some sparkle to the lettering, 
and to do that we need to make a 
mask (which is another name for 
stencil - something which pro- 
tects certain areas of a picture). 

From the Project menu, select 
clone and a copy of your text is 
created on screen. We will 
smooth this new image to give it 
more subtle 3D characteristics so, 
from the Image menu, select 
Blur/Gaussian Blur and choose a 
radius of four. Once it's complet- 
ed this lengthy task, select the 
original text window, and make 
this the Alpha for mgsk) image by 
pressing key 3; a miniature of the 
picture will locate itself in the 



Wow we begin work on our text 
Select the blurred image, and 
up the Mode requester; click t>f^ 
Emboss, then on the Fill screen 
gadget (the white tool above th«| 
word Fix on the menu toolbox) 
and watch as the words take or 
a raised, solid look 'Fix' this 
effect now, as this saves thf 
screen changes, and allows ; . 
to experiment to get the best 
look for the text. 

Try the Antique mode for a 
gentle glowing effect, or how 
about a Gradient Fill to simulate 
gold, by using yellow as the 
palette colour. To create a dap- 
pled, stone-like quality you COUW 
try the AddDust or AddNoise 
modes; to try anything out, se*ec- 
the Mode, then click on the fill 
screen icon. If you're not happy 
with the results, Undo the pre 
dure (click on the icon to the rijK' 
of Fill Screen) and start fresh. 

As with anything in 



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AMIGA 



TUTORIAL 



erclass 



Photogenics. if you tike an effect, 
you must 'Fix' it before going 
onto something else or you will 
lose your changes. Frequent 
saves are also recommended 
because you'll find yourself 
developing ideas on the fly which 
you may want to change later. 
Going back to a previously saved 
image can be a life-saver. 

Once you're happy w/ith the 
text, save it. For the record, my 
text uses a yellow gradient fill. 
Move the icon representing the 
completed text image, as shown 
on the bottom dispiay bar, to the 
slot marked Secondary at the far 
right. You can delete the Alpha 
image now, as it's served its pur- 
pose in protecting the area around 
the text from being altered . 

Next job is to load in an image 
onto which we can position the 
text. Fof this t'Utoriaii, open up the 
giirl.jpg file which comes with the 
program, it shows a rather refined 
woman, but of course you could 
load in any digitised image; for 
the time beirig though, stick with 
this one. 



To add our golden text to this 
new image, move your text image 

icon into the Secondary slot, and 
select the Image/Compose 
option; this brings up a requester, 
and also superimposes the text 
onto the colour picture. Using the 
mouse you can position the text 
anywhere on screen; place it 
directly at the top of the screen. 
Note the handles on the corners 
of the text image box; these allow 
you to re-size the image horizon- 
tally or vertically. 

You'll notice that I retained the 
black background on the text, as 
a severe contrast to the image. 
But don't worry, if you're wonder- 
ing how to simply place text on 
screen, we'll clear that problem 
up in a short while. 

Once the text is placed, OK 
Compose, then 'FiK' the image 
and save it. 

Artwork 

For this second part of the tutori- 
al, we're going to simulate art- 
work using the powerful mode 
and dfav!^ing tools in Fhotcgeriics. 



The first step in our art-forgery is 
to get rid of the image colours; 
we're aiming for a pencil/charcoal 
effect after all. So using the filled 
rectangle tool, draw out a box 
starting below our text (which we 
want to leave intact) and including 
the remainder of the image- From 
the Modes menu, select 
Greyscale. Once the image is con- 
verted to monochrome, 'Fix' the 
changes and save it, 

Now from the Mode menu, 
select LineArt, and drag out a sim- 
ilar filled rectangle to remove 
many of the in-between greys, 
leaving us W'ith an outline and a 
touch of subtfe shading. 

'Fix' the changes you've made 
when you're happy with them, 
and add a shadow behind and to 
the left of the woman's head by 
using the filled polygon drawing 
tool in AddDust mode. Set the 
dust count to a value of 1 2% to 
get a nice,, strong textured stiad- 
ow. To set a Mode value, click on 
the tool to the right of the 
Mode button. 

To add a 3D effect to the 



image, you can Paint with a white 
coloured chalk/pastel brush (size 
6, pressure 39%, Transparency 
38%) on the cheeks, forehead, 
chin and lips. Check out the illus- 
trations to see what a difference 
this makes, bri^nging the 'dead' 
image to life. 

'Fix' the changes and save, The 
final touch is the Mystery Girl text, 
As 1 mentioned before, here's 
how to make the background of 
the teKt invisible; use the Text 
loader, and using the Bodacious 
font type your words, 

In the same way as we added 
the Star Profile text, make the 
new text your Secondary image 
and Compose the new text onto 
our artwork, but this time ensure 
that the boxes next to Brightness 
key and Use Paint mode are 
ticked, That way just your text will 
be painted on to the image. And 
once again, you can move and re- 
size the text before you commit it 
to the drawing. NOTE - brush 
type and settings affect the way 
images are composed. ■ 
Pstar Les 




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AMIGA 



(01903)850378 



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TUTORIAL 



l%13ideler 3D 

The conclusion to our Modeler 3D tutorial 
looks at the remaining menu options and 
dishes out some tips for serious modellers. 





ollowing on fram last 
month's look at some 
' of the Modify menu 
commands, we COfl- 
Ciude the series by concentrating 
on the remaining options from' the 
Modify menu, along with some 
genera! tips for 3D modelling, 
We're jumping straight in where 
we left off last month, so it might 
be a good idea to have a quick 
scan of part one of this tutorial 
before you get Into this one. 

Merging points 

The Merge Points function is used 
for reducing the number of 
points in an object. This has the 
combined advar^tages of speed- 
ing thi!;ngs up and saving memo- 
ry. It looks at every point in the 
object and compares it to every 
other point, (f two or more points 
are closer than 1/1000 of the 
total object size they are 
replaced by a sjngle point. This 
distance can be altered with the 
Merge Distance function. 

Mergirtg points can be quite 
time consuming with large 
objects, so you get a progress bar 
to let you know how long you're 
going to have to wait. 

The next option, Quantize, is 
useful for creating odd symmetri- 
cal shapes. This moves every 



point to the nearest grid intersec- 
tion J n the screen shots shown 
t>elow I used it with a globe to 
create a ridged satellite type 
shape. Use the Grid menu option 
to change the grid size. 

The Array command creates 
duplicate copies of selected 
points and polygons, It can create 
as many copies as you require 
and offsets each copy by a fixed 
amount that you can specify- 
Once you've done this you may 
need to use the Autoscale option 
to resize the objects so they can 
all be seen on screen at once, as 
a shortcut press the A key. 

That's it for the tutorial. If 
you've got a 3D rendering pro- 
gram, LighrWave or imagine for 
instance, you can have a lot of fun 
with Modeler 3D. Whilst it lacks 
the power of the dedicated mod- 
elling tools built in to these appli- 
cations, in some instances its 
simplicity makes it faster to use. If 
you don't have one of those pro- 
grams, then we hope this has 
given you some insight into the 
wonderful world of 3D modelling: 



vidSoScape 3D 

In November 1992, CU Amiga 
Magajirie cover-mounted the nifty 



TRICKS AND TIPS 

To finish off the series here are a few tips and tricks we 
picked up whilst using Modeler 3D. 

The key element to creating realistic 3D objects with 
Moft0/er is understanding the program's many tools, and as 
usual, experimentation will bring rewards. Piay around with 
H «nd leern what the various functions do. 

Once vuu've got an understanding of the progrem you 
can then start tfiinking about constructing compleM shapes. 
Look around you at evervday objects and try to iniagine 
them not as one complex imagOr but ai a collection of lots 
of smaller shapes. How would they all fit together? 

Other tips include keeping the number of polygons to a 
minimum whenever possible. Try to get into the habit of 
uaing large polygons (this saves processing tfme), and use 
Merge Points whenever you've used Quantise or another 
function that's likely to result in overlapping points. When 
you do use Merge Points, try to salact an area fir^t - it will 
save you lots of waiting time. 

To save time when building up objects, save oommon 
objef^te and build up a library. When you've esteblished a 
reasonable library you'll be amazed at how quickly you can 
knock up new shapes. If you want to tnova a point, first 
select it. Now hold down the Shift key and click where you 
want it to be moved to - for individual points it's quicker 
than the Move Points tool. 



program VideoScapeSD. If youVe 
got this you'll be chuffed to learn 
that Vid&oScape 3D is the com- 
panion program to Modeler 3D. 
You can load and animate your 
Modeler 3D creations in Video 
Scape. To do so save your objects 



as Binary (ie click on Save As -> 
Binaryl- Now load Video Scspe 3D 
and load your binary Modef&f3D 
file. Following normal VideoScape 
procedures you'll be aible to move 
it around and animate it, ■ 
Andy Leaning 






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I 



VIDiO IDEAS 



£ 





Colour Cycled Effects 

Liven up those drab videos and grapliics 
with some rather excellent colour 
cycling effecrts. 



It's eaiy to create a motion-blur effect with colour eye ling. For this 
sKample, set up a range of 16 colours, so that the first 10 colours ar^ 
black {aasuming that you also have a black background} and the fol- 
lowing si;t colours fade from black, through grey, to white. Turn on 
colour cycled drawing mode and select the first colour in the range as 
the pen colour. 

Using a small brush and either continuous or dotted drawing mode, 
have a tfuick doodle on the screen. The lines you draw will be invisi- 
ble in placee, but then fade back into view for a short length, before 
disappearing again. This is because 60% of the line is drawn in black 
ink on a black background, while the rest is drawn in w^^hite end 
•hades of grey. 

Now press the tab key to start the colours, cycling. You'll see the 
white 'head' of your line tracing around the screen, with a grey blur 
following in its wake. This can be used to simulate rein, fireflies or 
tracer bullets. Alternatively, you can just use it as an effect to exag- 
gerate or stylise any part of your animation. The screen with the tiny 
men running across it is an extension of this basic technique. When 
you press the tab key, you get a stream of little people running 
around. Instead of using a normal brush, the trails were drawn with 
ari anim brush. If you want to replicate this, remember to switch to 
colour cycled drawing mode after you've loaded your anim brush. 




Oainl programs such as DPaint Pefson&l Pafnt 
and Brilliance allow you to define a range of 
colomrs within the palette. These colours can 
then be 'cycled', so that each colour in the 
range is changed to the colour of the one precedirtg it- The 
colours are shunted along the sequence,, with the last 
colour moving to the first position in range. When colour 
cvcling mode is turn on, those parts of the picture drawn 
with these colours appear to throb or move, The effects 
you can achieve are ideal for livening up videos or any of 
your graphics. Here's a run down of the effects available. 



A Ibt Rtdt mi w«re irwrm bf A«||)i| h ■■■ 



■cnss dit icFttn isjij eekar cftXtA raiiiinj. Qi^ c»l«ir 
I trndy lillta nilina-iUiin'id tusxn keiH< tlHUI. 



Fairground 

If by any chance you want to create a fair- 
ground style notice board effect, complete 
with flashing lights that run around the border, 
then this is your lucky day! Setect gridlock 
mode and a circular brush. This brush will be 
the template for your light bulbs, so scale it 
accordingly. Select cycled drawing mode, and 
paste down your Fight bulbs around the edge of 
the screen. The gridlock will keep them all 
evenly spaced and In line. If you want a bit 
niore realism, you can meke up a little highlight 
using a non-cycJed colour and add this to each 
of the bulbs. 




A fitir^rtuRd- 
■t|rft flaihiii 
liflt; It CHT 
1» inm mi 

HiRutt uritk 1 

llw M IwT If 

lUpttte 

ctlHn 

CtiClii; innd 
llie screen 



Come to 



? CIRCUS! 



AIVIIGA 




II I 



Time Tunnels 

This has got to ba th« most instsntlv 
gratifying usa of colour cv^ling. You'll 
need Dottixo Point' 9 symmetrv func- 
tions to get the most out of it, 
although Bitnilar affects can be dons 
with oth^r software. 

Hera's the pl«ii. Set yourself up 
with a range that graduates imoothly 
between two or thres colour*. TUrn 
on colour cycled drawing and select 
dotted drawing from the icon bar. 
Pick a nice big round brush, by 
selecting a small one, and dragging it 
out to about 2c ms in diameter Click 
on tha symmetry icon from the tool 
bar using the right mouse button. 





A UptnutM niH Mhrait ipiiKifT titiinii li«n wJAn 
DFnit Ikn itnr tmttm pttttnt fir iHliit tini taiicl vfftciL 

a circular formstion around the centre of the 



This brings up the 
symmetry options. 
Choose either 
'cyclic' or 'mfrror' in 
this case. For a sim- 
ple tunnel effectf 
change the number 
in tha 'order' box to 
something high, 
&uch as 60. This 
giwes you GO clones 
of your brush, which 



A Hypnotic thrdilini pansrns ;u(tl «» tlietf in 14 | 
■iiipli ii da Bii cunt C) Irtc mtb oilmi crcliity. 



appear in 

screerk. Click OK to get back to the main screen, 

Now you can start drawing. It's best to move the mouse 
quite slowly, as the computer has its work cut out drawing 
60 copies of the brush each time you rnove. If you move 
too fast, you won't get a very smooth graduation. It's best 
to keep the colour cycling off at this stage {not to be con- 
fused with cycled drawing mode, which should still be 
turned on) as it slows things down even more. As you 
move the moua« in or out of the screen^ the trails form e 
set of concantric circles. When you start colour cycling 
(wil^ the tab key), the circles appear to move in or out of 
the screen, depending on how you moved the mouse. 

The other method is to use the filled circle drawing tool. 
Click on this with the right mouse button to call up the 
options. Click the 'cir' button, move the dither slider to 
tha left, click the random tick box and then click on OK. 
Move the pointer to the middle of 
the screen^ and pull out a circle 
that fills the screen. 

Move back to the centre and 
press the left button. This will 
now draw s series of circles 
from the middle to the edge of 
the screen. Press 
tab to see 
them move. 

EKperiment 
using different 
brushes, colours 
and symmetry 
settings. Also try 
turning the 
lights off and 
playing some 
spacey music for 
a nice and relax- 
ing experience. 




Weafther Forscrast 

Ttie TV weather forecast graphics are getting a bit flash 
these days, but at a push, you can still do similar things 
with your Amiga. Scanning a map or using one from clip 
art collection should be no trouble^ The clever bit is using 
colour cycling to animate your weather symbols. 

Save your map in a screen mode that uses half the 
amount of colours you have available. For example, if you 
can work in a maximum of Z2 colours, save the map as a 
t6 colour image. This leaves the rest of the palette free 
for you to draw the symbols. Some of these colours need 
to be cycled, so it's important that they're not used for 
the map graphics, otherwise the map will appear to glow 
in places. 

Change the number of colours to maximum, and load 
the map back in, retaining the currently selected screen 
mode (don't change It to that of the map}. On e spare 
screen, draw your symbols and use the 'tracers' effect as 
explained in the Tracers panel to draw rain and snow 
falling from the clouds- Save the symbols as a single 
screen. Now you can cut them out, jump over to the map 
screen, and paste them on where you like. Press the Tab 
key to animate the r«in and snow. ■ 
Tony Morgan 




AMlNET5-eiS.9£ 

Late&l offerirKfs Irom tte 
Amine! arctiive. ThKSU&ands 

of fite of appFications, 

mods, dWK»s loofs etc & 

ovBrlOOO^aiTiiBS. 



€0 ROMS 



liULTIMEDlA TOOLKIT 2 £29.95 

Ai tntf Ths long aw^tad loMow up so the highly successful Multimedia TooIWt t has 
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rif.^^.'^"i?" °' ^'^^^E'^ ^5.04, hor»dreds of modules, samples and uiilities ttom 
thfl MEDUwf Group and OcraMED BBS, ovsr SO Megs of f^^lDI.'-Muaic-X flies and orher 
gcx3*e5tn)m the Craft brothers, UO Megs of Imagine and SO Megs of L^ghiwave obiecte 
mjTKlfBas of tsKtures, bac=kdfcips. lamJscapes and other pics- in 24-bit J-PEG Ham-fl and 
16-cotouf (Scaiaelc, formats}, loads otMagic WorkberKrt ►oonsetc. and lols.'iots more, 

17-Brr PHASE FOUR - £19-95 

All «he very latest from ihe 17-641 collection, 

ADULT SENSATIONS - £19.95 

The perteci companion For all nature lovers. 

AMOS PD ■ £19 J5 

Theotficial AMOS PD library (1 to 621) and lois mofe 

ASSASSINS COLLECTION ■ £19,95 

Over 650 games ready to run from an easy to use menu 

CDPD4-C15.95 

FJsh disks 891 to 1 000, AWFM. GNU CfC-H-. etc. 

DESKTOP VIDEO - £14,95 

Stacks of (extures, fonts, backgrounds, objecls & utlte 

EMERALD MINES ' cu.ae 

Over 10,000 levels oi this ciassic game OK on CDa2 

FRESH FISH 9 ■ £24.99 

Double CD wish the very lafasi froin Frad Fish 

(Fresh Fish 7 still available at £i9.95) 

GOLDFISH -£29.SS 

Fred Fish 1 lo lOOO in archived and ready to txm lomi 

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Dotible CD with the best of Fresh Fish 1 to 6 

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Very latast demos, games, anims etc. fnom PO-Sof(. 

(Hottes! 4 still available at £19,95) 

ILLUSIONS 3D £9.95 

Lcsads oi Stereogram tooi!s & prcs for the Amiga & PC 

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Various networkHng tools. Fish, AMOS, T-Bag etc 

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PROF. GIF £19.95 PROF. PCX-E19.9S 

SOUNDS TERFliRC - £19,85 

DouWe CO wiih ifwusands of music files for Amiga & PC 

W.S, CLIP ART - £9.95 W.S. FONTS - £9.95 



AMINET PACK 1 

£34,95 

The besi value CD tilte 

araund. Aminels 1 to 4, 

recompiled and tipdaEed on 

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ANIMATIONS ' £19.95 

2 CD set from Weird 

Science containing over a 

gigabyte of all types arid 

sizes of animaliond. All 

ready to mn from easy lo 

use menus. 



LSD/17-BITVOL2 
El 9.95 

Over 600 Meg of the latest 

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software for KicHslad 2 ft 3 

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40Odpi ultra high resoJulion 

€12.05 

m^i M0ust 



MOUSE MAT ■ E2 M 

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BUDGET l*OUSE - Cg.99 

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PRINTER STAWD - £^99 

KS vmiST SUPI'OfIT ■ £4 SS 

MESH MONITOR FILTEPI - E12 SO 

GlASS MOfliTOF* FILTER - £17.50 

A^CHE 1 - Fr.BO 

PVTHONlM-£9.$5 

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10 cap -£1.25 
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I lirn h-,cui s irt fHi 

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^^" AMtOA 



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wp m y ' ^^etawHre wly (II, So lureef^ es.oe H,O.W ) 

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'I'mfTii^infs^pteigi 



How You can be Rich within 3 yeare 

My name is John Scott. Let me brieri^y tell you my story. Frve years ago I was broke Hv- 
ing in a crampe<J feotsd flat and driving a msty old Ford Escofl. My cterk's salarv was 
not ewugh to sLirvwe on anti i was sliding into debt. I fell tike a tolai (aiiure Things are 
very differeni loday, I ngw own a large live bedroom house, a top-of.tt>e-ranQe 
Mercedes and a Porsr*e 911 Cabriolet, and my vvifa and I usually take Ihree oversea* 
hoiicteys each year (we have just wently returned from a supe* two weel<s if* 
Thailand). 

I went from being broke to a millionaire within 3 y>Mrs (cortKlcation ffvallDble) i 

have aamed mwe ihart £3 million in the past five years - not b^ drsaming or wishing 
or wealiti biJl through hard work, trying various lechnk^ues - making mistakes along 
Ihe way. but Jearning hundreds of linie known s«feis in tha process. 
So hew come my drasfc change in Idrtune? In tha beginning I purchased aJmosI every 
book available thai promised great wealth through plans or schemes thai required no 
work, but I soon discovered the informadon was wonhless. I believe that most pwpk- 
sBllmg plans (hat promise to show you how to make money using little or no effort .mak- 
ffieir money oai tha books and plans themselves - not on the formulas outlined in tho'^^ 
isooks. 

Five years ago I was lucky erwugh lo meet arid become close friends with an amairng 
forty-two-yBar-old selt-mada mutti-miilionaire, He taught me (hat ii's rwl just hw haro 
you *ork that cottnts as many people worl* hard all Iheir lives yal have holhina Jo show 
lor II. He shared with me his most Diosaly guarded secrets. By closely foltowinq hs 
advice I became a millionains within threa years. Jfau r>ow have the chance to share 1*1 
my success because I am making two very special guides, uniike apyihing else vou wti: 
)>avB read - or wifl eve* read - avaNaWe to you! 

1, THE STREETWISE WAV TO WEALUM 

Sortie lima a^ a friend of mine who had recenily lost his job, aware ol my success 
ashed me how he could do as I had. J revealed to him my methods. The r^uHs wer*^ 
amajing - desp.te his hawng no pfevious business eiepenence he made E5 150 dunn- 
his first month after foflowing my advice and now earns quite a substartiai income Hi^ 
success made me decide to wnle a complete step-by-step guide ihat will enaWe any. 
one regardless of their aga, sex ot education, lo earn an exceptio^l income - pfovid- 
Bd ihey are of at least average intelligence and pr^ared lo work hard and learn ne* 
ideas. 

I have called thfs guide THE STHEETWfSE WAV TO WEALTH' fA4 lorma! % paoe-^ 
illusliated_^ Price £20 postpaid). H shows how the beginner can start to make seriS;^ 
mofiey - ii's a lot easier than yttj may think and you don't have to quit your job lo slar 
utJfvFOusty you wril want to test it first. I will show you how to get started in your sciare 
time ai homa. Dent think for ore minute mat you can't do it - ni prove you can I wtn 
reve« to you Ihe monfly-mahing sacrets ihal no one oise wMI lell wou. Wha: 
reveal is worth many thousands of pounds and if acted upon will make you financial', 
secure for Ihe rest of your life. 

This IS not .some phoney *get rich quk*" scheme of the type oommonfy available Tt* 
information and secrets f will tnach you Am Ihose that I have used myself every 
day over the la^i Kvie yaars. ,| will lell you eKaclly what to do and how to do it I'll eve' 
suppfy you with actual names and addresses ot useful ooniacis. 

2. HOW TO LEGALLY AVOID EXCESSIVE TAXES AND BUREAUCRACY 

It is hard to imagine any economy wiihout some necessary taxes and regulations Bu- 
we are now burdened with so many taxes, conirote and raguiations that the average 
pusinessman s biggest exflensa is paying oil the taxman, wfiile his time is inereasinih 
taken up hg.ving to deal with senseless bureaucraoy, 

THE FREEDOM HANDSCCK' is your escape route. A massive manual (A4 lormr 
134 pages, 50,000^- words. Prke £29.95 postpaid S. It has takefi over two years to pre 
pare and reveals such secrets as; how lo ktgsliy avoid conlscatory lases and bureau 
tratic interference, open secret bank accounts, hide your assets, protect youf privao 
travel the worlij a& an iniernationai entrepreneur, obtain a loieign passport and mucfi. 
much morel 

It will also show yoir: how to get the guaranteed cheapest air tickets how to fly 1.- ■ 
class bet get first-class advantages and how to pay the very lowest rales al top • 
hotels. You will also be given tips and guidelines for growing in authoriiy and powri 
ultimately for developing an ability to make money and live freely THE FREE' 
HANDBCOK' is like no Other book every piuiished and there are many peopte and'ss'. 
eral organisations wt»o will noi like the lad that all of these secrets have now beer, 
revealed. To order either or both manuals write "Financial Freedom" on a piece ot papef 
along wrth your name and address and the titles rftquired. Enclose a cheque.'P.O fw 
me cDrrecl amount and send to me do my publishers: CASUTi LTD., DepI CUA PO 
^°/J^-^?5; H^''^''' J^fsey JE4 SQZ, Channel Islands. Credit card holder^ ma^, n'hnn. 
{01534) 6171 Bl anytime. 



Islands. Credit card holders rnay phor* 



^ul'isSe^^^ ^"^ *^''^ *'°^'^* '^'' 1™^ *"" ^*=^'^ with your ocder FREE OF 

CHAfiGE, a double .length (50-minule) audio cassette in which I pefsonaliy ravaai ho* 
to acquire the strertgth, wilipowet and energy ihat wifl be SO important for your fvtim 

GUARANTIEE 
If you don'1 think the material you receive Is wortsh to yoti at Jeast one hyndrcd 
limes what you paid for it, sFmpiy return Bverythfng in good concfUion and m 
pgbhahers will imnnedJateiy send yog a lull refund of your moiiey - no aueatiom 
asked. What could be fairer tinan that? h""™" 

You may asi! why I'm willi^ng to reveal all my insider secrets? Well, simpJv because vwr I 
success IS in no way any threat to my own and of course all those who order my mm- 
nat will be helping to increase my own wealth. AEso, many of you will probably seek fur- 
thar oonswltation and direction Irom me as your wealth rapidly grows an^f the consuta- 
■on fees add to my fortune. But then why should you care if I >make a prolit so tona m 
J Show you how to achieve financial freedom? And I promise I will, 
I've said everything I can say, now ii is up to you. If you apply my secrets I guarantM 
that they will bring you wealth. If I'm wrong all you've wasted is a few minuies and « 
postage stamp. Bui what if I am right? 30 days from now you can be just another nw* 
older or you- can be on your way to a belter life. You decide 



SWORN STATEME^fT; -Or the basis ot my fxvfessiceisl rataln^nsniti with John Scott ervw tm 
pdsr liv9 years t can c^/t/ty that Ihe at)0v6 sJalen^nts arettruearnf tactual and ttiat Ins rM( psraai- 
ai moittt o jrr s*«fss Of <j™ mfflSw; pounds. - - M. Thomm, AfflOunlapf 



BACK ISSUES 





Fil'/lftlil MiMWi^ 




JAfSIUARY 1995 

*ON THE DISKS: 
ComicSettB r, 
HyperCacho, Flight of tho 
Amazon Queen demo and 
clip art. Plus free 
ComicSottar irianual. 

• FEATURE: Creata art for 



FEBRUARY 1995 

* ON THE DISKS; Dirvctory 
Opus 4, Cry***' Dragon 
damo and soma handy 
utilltiaa. 

* FEATURE: Make your 
Amiga Faster for under a 
tenner. 



APRIL 1 99a 

• ON THE DISKS: 
Adorage, Task Force, 
Master Virus Killer, 
King's Quest VI 

and Dots. 

• FEATURE: Turning Ideas 
into mortey. 

• INSIDE: Demomaniac, 
Imagine 2.9, Darkmere^ 
Naughty Onas, Kjsd ~ 
Quest VI 




FEATURE: Amigi 
Graphics ai 
Videf " ^ 



ant 



ovP 



ISKS: 

^^ctaMed 4, music sann- 
plss, foriita and clip art, 
plus playable demos of 
Bump 'n' Burn, Bubble 
'n' Squeak {AQA only), 

• FEATURE: CD- 
the A12( 

• INSII 




of K240 
I us Toby 
<3tnipson's saquel to 
DiggarsI 

JUNE 1994 
■ ON THE DISKS: 
VideoTracker demo, 

sound samples, music 
tracks, plus playable 
demos of Tactical 
Manager, Sierra Soccer, 
Statix. 



imiation 
Imes Pond 3, 

^^■^Cade Pool, and part 
one of our soJution to 
Benaath a Steel Sky. 

JULY 1994 

*ON THE DISKS: GB 
Route, plus playable 
demos of Elf mania and 
Valhalla. 

• FEATURE: Upgrading 
Your Amiga 

• INSIDE: DPS Par Card, 
Montage, Pergar and 
HiSoft Basic 2, Banshee, 
Valhalla, Elf mania and a 
first look at Scavenger. 

AUGUST 1 994 
*ON THE DISKS: Art 
School package. Craft 2 
Turbo, plua a playable 
level from iahar 31 

• FEATURE: Music - your 
easy guide to creating 
top tunes. 

• INSIDE: Pt«w1ew of 
Deluxe Paint 5, 
Cocoon 





AM 


TijGgg^B^flB 




•MHmm: 


Mm 



MARCH 1999 

* ON THE DISKS: Modeler 
3D, Easy Ledger demo, 
Valhalla Before the War 
demo. 

• FEATURE: Hook up your 
hi-H and video to you 
Amiiga for brilliant sound 

^ janH uiftij^n ^_ ^_ ^_ , 



APRIL 1995 

• ON THE DISKS: 
MovteSetter, clip art and 
Fifa Irrtemational Soccar 
demo> PLUS free 
MovleSatter manual. 

• FEATURE: Animation 
made easy. 



BACK ISSUES ORDER FORM 

Complete this form and send with your pavrfient to: CU Amiga Magazirtg Back 
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Rata*: UK; £5.99 Europe and fesl of wo*W: £6.50 

AH iprica$ Irvclucte postage and packing. Disks are- Inctuded with all oncters. 

RIeasa rush me tfielol lowing back Issuels) of OJ Amig^ Magaiine; 
Ouanttty 



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Q I enclose 3 cheque made paiyable to EMAP fmoges Ltd. 

ij Please debit my,,., CSrd. (Viso, Amex, Access, Diners Clubcardb Bcsecit^l 

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Ptea5« 3\\mv 28 days for f ulfilrrHnt upon reOBJpt ot requaal Back issuer SuBleet to av«ii8bilitv. | 



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IMPORTANT ANNOUNCEMENT 



An you getting ibc Tnuiii uui oryMir Amiga'.' 
Have yau. Jistoveretl ihe wonderful woTlcl of NHS Public Doniun SoftwaK'.' 

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'games 



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Soffce HOIUNE (0633^ 470059 

DART Computer Seiviees (a i I m 
LEICESTER LE20PF 



# 



il 



-DART 



LOGOS, MEANINGS 
AND IVIYSTERIES: 



CD32 queries, 
ParNET atld var- 
ious ttther CD 
ROM-r«|jited 
problems. 



Af) nbnut 

RAM, opetAting 
syst^rris and 
processors. 



u 



J 



PJug-in hard- 
ware of any 
kind: scanners, 
dtsN drives ate. 



Answers to 
quBtiRs. on 
particular 
piecas of 
soft ware. 



Music, sam- 
pling, MIDI artd 
anvthing that 
makes a reallY 
loud noisa. 



Miscellaneous 
tools to keep 
vour Amiga 
running 
smacithly. 



Forni'feeds, 
pjtge-breaks, 
preferences 
and lots 
lots mors* 



Monitors, TVs, 
modulators, 
aci-e&n -modes 
Antt all that 
stuff. 



Pixels, sprites, 
anin>ation. pic- 
tures. In one 
sniaU word: 
graphics. 



Spreadsheets, 
databases, 
orgnnisera, 
accounts ... 



Not evarvtbiiig 
fits into a 
plgpeonhole, but 
anything you 
like fits in here. 





IDE infonttation 

s s ,. I ^''ave just got 
myself a 4" 
Conner CFS420A 
420MB IDE Hard 
disk drive, ft is 
actually meant 
for an IBM PC but since it is an 
I'DE standard drive, I assume 
there should not be any major 
problems getting it to work with 
mv Amiga A1200, 

However, I need a cable to 
connect it to my Amiga as the 
IDE interface on the A1 200 and 
the drive are of different sizes, as 
you' are probably aware. 

Please show me how to make 
such a cable or where f can get 
one from (in the UK). I know that 
the four pins on the right are for 
the power supply. I have no prob- 
lem getting an external power 
supply for the unit but t am not 
sure how to connect the other 39 
pins to the 44 pins on the A1200 
motherboard. Please please 
please help me. I shall be forever 
grateful if you could solve my 
cable problem. 

Incidentally, I have also just 
acquired «i modem. Is there any 
way I could E-mafl you guys 
over there? 

Eric Hoi, 
Malavsifl- 

Turn to page 32 for the answer to 
yauT hard drive problems. You can E- 
mait us at: 

cuamig(i@cix.computink.co.itk 
with any views y&u may have. 

CAD questioffis 

I am studying 
Autocad Release 
12 part time at 
college and 
would like to 
know if I could 
fun it on the Amiga, and i^ so 
where I can purchase the above 




Hard drive probleins, peripheral 
nightmares, software corruption ... 
there's no end to the technical 
queries covered here. 




TONY 

MORGAN 

There's lots of 

gienlock and 

VideoTracker 

qu (fries this month - 

my favourite. 




ANDY 
LEANING 
And I giBt to 
answer \Hm 
ProCflIc 
^ncfuiries - just 
the job. 



program. I have asked some of 
the big suppliers who advertise in 
your mag but they cannot help 
me. What are the system require- 
ments I would need to run the 
program and print hardcopy? I 
have an A120O with 130Mb hard 
drive. Power 2nd drive, 
Commodore 1081 monitor and 
120D printer. 

If this program is not available 
for the Amiga could you tell me if 
there ig another program avail- 
able which has the same func- 
tions and commands? 

Hoy Beer, 
Lowestoft. 

Autocad is not ayaiiable for the 
Amiga, but theee's gmd news. Th€ 
December 1994 isaue of CU Amiga 
Magazine came with e complete 
fuily-functi&nal version &fX-CAD 
designer, plus a full manual. You can 
order a copy from our back issues 
department, oa 9S5S 46SSSS. X-CAD 
Designer rum on any Amiga with 
1Mb of RAM or more. 



Should I wa^? 



CD 




I own an Amiga 
liT'^ 1200 and have a 
^ couple of ques- 
tions, I would 
like answered: 



1. Is there an MSX emulator for 
the Amiga? 

2, 1 am thinking of buying a CD- 
ROM drive for my Amiga. Should f 
buy the Zappo CD-ROM drive or 
wait for Commodore's CD120O? 
Would it be worth the wait? 

/. There's no MSX emulator avail- 
able for the Amiffa. 
2. Don't hold your breath for any 
official Ctfmmodore products. The 
CD1200 is unlikely to appear for 
some time, so fake your pick from the 
?Mppo and Power CD-ROM drives. 




ina^ss^ 



cker 



l\ 1 !•■ .5 




I want to thank 
Peter van 
Campen and, o'^ 
course, all of yc. 
at CU Amiga 
Magazine for 
Video Tracker 2.0AGA{ coverdis k 
94 of your November 1994 issut 
- iit is a software masterpiece. 

1 am using it on my unexpanc 
ed Amiga 1200. After watching 
the Copper Magnify 3 AGA exar- 
pie video, I was completely 
amazed by this powerful routiirw 
but I haven't managed to use it 
with a brush other than the 
Composi'te brush on the 
VideoTtacker disk. Is there a cef 
tain format my brush must have 
am using DPaim {VAGA\1 Or are 
there any width or height limits? 

Christoi BatzioB, 
Th«ssaioniki, Grseca. 

The brush needs to be in HAM-iftf 
m&t, with a maximum height and 
width of 256 pixels by 2S6 pixels. At 
Ions (ti those requirements are , 
there shouldn't be a problem. 



Hawk 
boara 



■'' .V 




RAM 

Does the fulhr 

populated h 
RAM board 
disable the 
CIA slot? 



Pater Roon«y, Ireland. 



it worked fme with PCMCIA peripk- 
emls in alt of our tests. 



heart bi 



i\ I [: i 




reak 

I am writing to 
you on the sub- 
ject of genlocks; 

I have an Amiga 
1200 and i am 
becoming a bit 
'joncemed about the state of the 
Amiga peripherals market, in par- 
ticular genloci^s. I was in the mar- 
ket for a genlock for my Amiga to 
go with the rest of my video 
equipment so I went to my local 
Amiga dealer and asked what was 
on the market at the time, I was 
told there was a new genlock out 
by Amitek. This had been adver- 
tised in most Amiga magazines as 
'Amitek Professional Genlock' for 
all Amiga computers, so I pur- 
chased my new genlock, wired it 
• P as per the instructions, pow- 
-jredi my machine on and. ., and .,. 
nothing happened, i was faced 
with 9 blank screen. The power 
light was on but nobody w^s 
home. I unplugged the cable from 
my extra drive, the genlock and 
my printer and tried again, still 
nothing. By this time ( was look- 
ing for the insurance documents 
for the Amiga because I thought it 
had blown up. I then realised that 
I had (eft the cable from the gen- 
lock still connected to the com- 
puter and phew, the Amiga was 
still with me. I presumed that at 
least I had found the fault, a 
dodgy lead I 

A couple of days later I 
received a new iead. This did 
exactly the same as the first 
cable, so I asked my local dealer 
to try the genlock on one of their 
computers. It did exactly the 
same on their A 1200 and A500. 

The next day I received another 
genlock, which we tested in the 
shop, but this too failed to run. By 
this time I was getting very 
annoyed. I was refunded my beer 
tokens and shot off to a camera 
shop that I noticed had a second- 
hand Rocgen Plus for sale, only to 
be told that this would not work 
on the A 1200. 

I was now beginning to won- 
der whether any genlock would 
work on the A1200, 1 ventured 
back to my local Amiga desier to 
pose this question to him. he was 
unsure as this was the first time 
he had noticed the problem. He 
then offered t-o sell me his 
Rendale ae02 FMC because he 
was due to change his, This 
works perfectly all right until you 
put an external video source to 



the CVBS IN connector. When this 
has been done the RF signal goes 
black and white but the genlock 
signal is still colour. 

Does any genlock work cor- 
rectly on the A 1200? Are the gen- 
locks tested on all Amigas as it 
stated on the adverts? Do maga- 
zines that test genlocks and 
othef peripherals test them on 
all Amigas? 

Anthony Vork, Northampton. 

Firstly we can asxure ynu that CU 
Amiga Magazine thoroughly test the 
products that ve review^ although 
H>e can't comment on the testing 
procedures of other Amiga maga- 
zines^ Depending on the type of 
product, everything revieu>ed goes 
through a battery of tests to check 
for performance, ease of use, value 
for ntun^y, and hov they compare to 
competing products, 

Thi Amitek genlock in question 
for instance wan tested Ott several 
AtTtigas, and indeed failed &n an 
AUOQ. On further inventigation it 
was found that the genlock had a 
problem oa the A129& and the gen- 
lock manufacturer assured US that a 
revision had been made to the circuit 
hoard so, that models now shipped 
dan 't have this problem. A sec&nd 
unit tested showed no sign of the 
fault This was all reported in the 
review on page 92 of the March 
issue. It's probable that you were 
uniucky and got tno early models. 

The Rendale and Rocgen gen- 
locks should also work on the A 1200. 
Try camttg Silica on OISI J09 IIU. 
They're the main suppliers of Amitek 
products and also have a technical 
support team who should be able to 
iron outyoar hardware problems. 

ProCalc 

I buy this maga- 
zine regularly and 
was very pleased 
when the ProCah 
spreadsheet 
appeared in the 
November issue. I missed the 
December issue but bought 
January 1995. I checked out sev- 
eral newsagents to try to obtain 
the December issue. Is there any 
way that the tutoriat for ProCsIc 
(Part two) can be obtained? Is 
there any way I can print what is 
shown on a screen? 1 have tried 
to print out graphs from ProCalc 
but can't use the drop-down 
menu for printing. Can a keyboard 
command be used? 

Mrs Ctarke^ Wigan. 

If you click on the Output function 



bv niiihdl 'mfiJ' 



I 1153 (Old 





A Click II tlH DMpMl fiictwi Ji tki Pn)«t mmt it FiiC:ik twt fii ai ^m wt h pnUcm. 




under the Project menu you'll be 
able to print out your spreadsheets. 
For graphs go to the 'File' menu and 
select Output, You 'II then be able to 
print them. You can order a atpy of 
December CV Amiga from our hack 
issues departmenti on 9SSS 468SSS. 

Accelerated 
trouT 

Since buying an 
Overdrive Hard 
drive unit over a 
year ago I have 
been trying to 
find an accelera- 
tor card for my A1200 that will 
allow 3Mb or more fast RAM' to 
be added without disabling the 
PCMCIA slot. I have written to a 
number of magazines (including 
CU Amiga) but to date no one 
has published my queries,. 
Hardware retailers have given me 
lots of conflicting advice (even 
from different branches of the 
same organisation). 

In your FAQ section on accel- 
erator boards in the March 1995 
edition you mentioned this prob- 
lem so I was surprised to find 
your review of the Blizzard 1230^11! 
in the same issue failed to indi- 
cate whether this board was 
PCMCIA compatible. I appreciate 
that when reviewing hardware it 
is impossible to test alt hardware 
combinations for compatibility but 
in the case of the A12D0 accelera- 
tors popping something into the 
PCMCIA slot surely would not be 
too inconvenient- 

Now that there are PCMCIA 
interfaced hard dnves, CD-ROMs, 
SCSI interfaces, samplers and oth- 
ers of the 4Mb memory limit/ 
compatibility problems of certain 
boards is a point of utmost 



importance when choosing a 
model. Would it be possible for 
CU Amiga to test A1200 accelera- 
tor boards for PCMCIA compatibil- 
ity in the future? I'm sure it would 
be useful. Could anyone let me 
know of a compatible model? 

Pliul Da via r Somsrsftt. 

The problem of PCMCIA card and 
accelerator incompatibility lies in 
ike Amiga operating syxtem using 
ike same area of memory for both - 
SO tkey conflict. The solution is for 
developers ^f the accelerators and 
PCMCIA peripherals to work 
around the problem, as Phase 5 with 
their Blizzard cards and HiSofi with 
the Squirrel have done* Sadly it's 
not easy to test this in reviews as 
each card and PCMCIA device is 
different, and without testing each 
and every card we couldn't give a 
definitive answer. 

However we are looking at ways 
of testing for PCMCIA compatibility 
and wilt hopefully announce this in 
an imminent issue. In answer to 
your immediate Question the 
Blizzard card will work (with 8Mb 
RAM} and an Overdrive. ■ 



NO SAES PLEASE 
We re<|rBt that we carv 

not respond to 
readers' queries by post 
or over the phone. 
Pleast^ tin r>ot include 
s.ti*Tnptfti addressed 
envelopes with your let- 
ter <^, aK we simply don't 
have time to answer the 
thousands we receive. 
Re! 

sihie throush the page* 
of the mafiazine. 



AIMICn 



THE 



FREE UPDATE^ FREE UPDATE 




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Frequently 
Asked Questions 



CU Amiga Magazine gets to grips 
with common modem questions. 



I ^L I want to get 'on- 
line'. What should I do? 

B f\m First yQu'll need s 
modem. The modem is the device 
that transmits data thro ugh the 
telephone network linking you to 
the Internet, where you can diat 
anywhere in the world for the 
same price as a local call. 

I Q. What sort of 
nfiodem should I get? 

B /%■ There are internal and 

external modems. The internal 
sort are bare circuit boards 
designed for IBM-PCs. Any exter- 
nal style modem will work with 
the Amiga, alii you need is a stan- 
dard RS232 25 way cable to con- 
nect it to the serial poa. Some 
PCs have 9 pin serial ports, so 
check your leads. Try to buy the 
fastest modem that you can 
afford: don't get one slower than 
14,400. If getting a fast 28,800 
modem ensure i1 supports the V34 
standard (rather than the VfastK 

H Q. What software 
will I nsAd? 

H Am Modems- always seem 
■ come with PC software In the 
box, wfiich is no use ro the Amiga. 
If you buy your modem from an 
Amiga dealer they will probably 
■'■:;lu-de 3 disk with several Pyjblic 
.0 main/Shareware programs such 
as NcofTifTi or Term, Yoj can also 
buy a program such as Termk^ 
i aval I able from Hi Soft, lei: 01525 
71B181, reviewed in CU Amiga 
Magazine. February 1995), All of 
these will let you log onto a BBS. 

I ^L Will it work as a 
fiax fnaohiite7 

H A. Nearly all modem 

modems will operate as fax 
rnachines but you need the neceS' 
&ary software. Although modems 



come bundled with fax software, 
ifS' generally PC stuff. The choice 
of Amiga software is limited to 
GPfax (First Computer Centre, tel: 
01 13 231 9444), Trapfa^ (Blilter^ 
soft, tel: 01 90S 22019S) and some 
PD utilities. Check, before you buy 
a modem, though, as some wiJi 
not support faxes. 

■ Ql Will any Amiga 
work with my modem? 

B ^*- Any Amiga can drive a 
14,400 baud modem with no prob- 
lems,, A 68020 or a higher based 
Amiga (such as the A1200) is 
required for reliable 28,000 baud 
connectfons. There are several pro- 
grams around which claim to 
speed up access. A500 or A2O00 
owners might find these useful, 

■ Q^ What's the 
difference between the 
internet and BBS? 

B A. A Bulletin Board is a 
site where groups of users com- 
municate with each other about 
common interests. You can swop 

messages, transfer files etc. The 
Internet is a world wide network 
of communication lines set up by 
the US military, which can be 
used for free transmission of 
data. It links thousands of BBSs 
around the world. 

BBS come in two flavours: 
commercial systems and non^zom 
mercial systems. The commercial 
boards charge fees and include 
companies such as CompuServe 
{tel: 0900 289378), Almac (tel: 
0324 666336), CIX {tel: 01492 641 
961) and Delphi (0171 757 7080), 
The no n commercial systems are a 
bt smaller, but usually free. 

On the Internet you can use 
tools such as FTP (for download- 
ing programs). Telnet (for logging 
into remote computers) and 
Mosaic (for using the World Wide 
Web). The Internet is fast, if you 



send an electronic mailmessage to 

someone, it will reach their site in 
a few seconds. To use the Internet 
you need to either get a dedicated 
account with a company Such as 
Demon, or uSe a gateway through 
a BBS such as GIX, CompuServe 
or Delphi. The dedicated account 
allows you to run mail, nets and 
Web ptograms on your Amiga, 
rather than using textnsniy pro- 
grams on the gateway system. 

■ Q. Which should I 
try firwt? 

H AkB Try some of the amateur 
Bulletin Boards listed to the right. 

These are ail systems which are 
part of the RdoNet network. 
FiidoNet is a network which 
includes tens of thousands of bul- 
letin boards, all sharing mail. You 
can post a message to a FidoNet 
chat area using your local board. 
and everyone else will be able to 
read it the next day or so. Most 
boards also have file areas with a!1 
the latest Public Domain software 
for you to download. 

M CL I have a fnodeni 
that works at 1 4,400 
baud- I've set my c»)mmB 
software to work at this 
9pe«d but nothing hap- 
pens. What's vwrong? 

B A. Although the modem will 
claim to work at 14,400 baud it 
works faster due to the data com- 
pression algorithms. Most 14,400 
modems wil! only recognise 
speeds of 19,200 baud. This might 
sound confusing, but there are two 
different speeds at work. First, 
there's the modem's transmission 
speed to the modem at the other 
end of the teiephone. No matter 
what, this will remain at the 
modem's stated speed: in this 
case 14,400 baud. However, due to 
the data compression the amount 
of data being transferred is higher, 
so the speed of the link from the 
modem to the computer is about 
19,200 baud, ■ 
John Kisnnedy 



My own board I 

B GL I Mfant to start 
a Bulletin Board. What 
software do I need? 

fl A> Now you ve opened a 

can of worms,,, there are sever- 
al programs to choose from. 
Some, like Max's BBS, are 
Public Domain, Some lite 
XenoLink are commercial (avail- 
able from the Darkside BBS). 
The best thing to do is ask 
around, and log into as many 
boards as possible lo see what 
features are offered. 

Board name: Heart of Gold 
IVIodem number: 01247 274919 

Board name: 1024 BBS 
Modem number: 01952 -419664 

Board name: The SMm elite BBS 
Modem number:0l81 230 1566 

Board name: Slimelite BBS 
Modem number:OiSi 230 1566 

Board name: Backyard BBS 
Modem number:0181 424 2065 

Board name: Ethereal Cereal 
Modem number:01707 275 567 

Board name: Darkside BBS 

Modem number:0181 771 9100 

Board name: Autopilot BBS 
Modem number:01332 660 768 

Board name: Am.nesia BBS 

Modem number:0151 606 1984 

Board name: Crooked Spire 

Modem number:01246 551 626 

Board name: Frost Free BBS 
Modem numberiOl4a4 -642 341 

Board name: Shades BBS 
Modem number:01670 787672 

Board name: The Lakes BBS 
Modem number; 017 68^8660 59 

Board name: Zeons Lair 
Modem number: 01 788-899420 




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Following on from last 
month's discussion on 
data compression, we 
taice a loolc at the 
mucli-used LI-IA system. 



ast month we touched on data 
compression, and how it can save 
I on disl< space and downloading 
times for modern users. The Stan- 
dard Anniga archiver has always 
been LHA, which you can see for yOurself if 
you log onto a BBS and see alt the files erid- 
ing with the Iha suffix. You'll find the LHA 
progrann itself lirrking on magazine cover 
disks or on your local BBS. and you should 
add it to your collection of Amiga utilities as 
soon as possible. 

Recently a newarchiver called L2X has been 
popping up a lot in FidoNet conversations. LZX 
promises to run faster and work better than 
LHA, so of course it deserves some attention, 
You can download LZX from the usual on-line 
places isuch as the Aminet,. which is where I 
got it} and Bulletin Boards such as Creations 
(modem number: 01S1 6659387), It is used in 




exactly the same was as LHA, that is, from the 
Shell with commands like: 

Iex b bqt., Archive tt7.iCf 

This will bundle up all the files in the current 
directory ending in .iff and store them in a new 
file called my_archive.l?)t. In order to check out 
the claims for LZX, I performed the following 
tests. First of all I archived ten large IFF Innage 
flies (which usually don't pack up well as they 
are already encoded slightly) and secondly I 
archived a pile of text fjles. 





Graphics 
Files 


Text 

Fil«s 


Original Size 


6284520 


2234752 


LHA Siz« 
LHA Timo 


5063205 
2m 03s 


305411 8 
0m44s 


LZX Size 
LZX Time 


5018060 
^\r\ 59s 


710674 
Om. 46s 


LHA version 1.39 


LZX version 


1.00 



As you can see, in both cases the LZX com- 
pression was slightly better — especially with 

text files. The time difference however was 
minimal (and slightly worse for the teKt files). 
Whether or not a change over to the LZK sys- 
tem is merited remains to be seen. An update 
to version 1.01 is expected 'real soon now'. 
and this will be worth checking, out. In any 
case, if you find that you need to pack up a Ic 
of data it will be worth your while to see if LZ' 
makes any difference- 
Interest ing ly^ both these coding systems 
rely on the LZW (Lev Zennple Welch) com- 
pression systenn, which was at the heart of 
the recent 'CompuServe to charge for GiFs' 
stories you may have read in the computer 
press. The GtF graphic file standard belongs 
to CompuServe and it uses LZW, which was 
developed by Unisys. LZW belongs to Unis\.: 
and they want to get some money from it - 
hence the proposed GIF-tax. It will be fun U 
see Unisys try to get money for all the pro- 
grams which are compressed with LHA 
or LZX. 

Workbench icon 
replacsemeiits 

Have a looit at the nice Workbench pictures 
shown on these pages. Look a bit different 
from yours? Well, unless you have Newtcon> 
installed on your Amiga, it should. Like Mag 
Workbench, Newlcons is a set of replaceme- 
icons to smarten up your Workbench display 
Also \\\f.eMagicWB, it's available from the 
Aminet Internet site and many BBS and Pub 
Domain libraries. 

Many folk are worried about using new 
icons, especially as some users have reports 
unexplained crashes. First of all. the original 
programs \\We MagicWB contained icons 
which were only that - icons. When you loo* 
at any files stored on your disks, you'll see 
files ending in .info. These are the files whk- 
contain the information the Amiga uses to o 
play the little graphic. They are not programs 
in their own right and are stored separateK 
from the programs they are associated v. " 
The Workbench clock program for examp-e 
actually two individual fites' the program iiv^ 
and the .info icon file. Without the .info file 
there would be no icon display but the pro- 
gram could still be used (either from the Shei 
or by using the 'Display All Files' option frtJiB ' 
the Workbench menu). Thus there is no 
that the new icons themselves could inte 
with the program. If things do go wrong ' 
experimenting with icons, there are a few 
things that should be checked; 

l.lcon typa 

Icons are classed into different types, in i 




to inform the Amiga's operating system if rt 
is working with drawers, disks or programs. 
If you copy an icon from a program file and 
make it into a drawer you may forget to alter 
[he type, with odd results, You can check the 
type by loading the icon into the Icon Editor 
program supplied on the Workbench 
Extras disk. 

Remember that if using the Workbench 
3.0 Icon Editor that it sometimes goes 
bonkers and saves a large outline around 
your images, If this happens, your only 
recourse is to use the Workbench 2 editor, or 
a third party program such as fconian (avail- 
jQle from the usual Public Domain iihraries 
/shareware outlets}. 

2. Too Is 

The .info file stores the graiphical data, but it 

also has a secondary purpose: storing tool 
types. If you examine an .Info file using the 
Information option from the Workbench 
(highlight the icon and press Righi-Amiga-I) 
you might see a list of toot types associated 
with the icon. This method is used to cus- 
tomise programs; for example, you might 
want the program to use certai'n screen 
colours or certain keyboard shortcuts. 

If the program has been written to look at 
the tool types then these can he changed to 
reflect your own purposes. The stack size is 
sometimes set from within the .info file as 
well - the stack is the amount of memo^ry 
which a program is allocated. Problems can 
arise if you simply replace one icon with 
another: you might overwrite the -info data 
and lose all these settings. If you are Chang* 
ing icons, remember to look at the tool and 
stack settings first. The install program with 
MsgicWB and Newicons will try and retain ail 
these settings and therefore there shouldn't 
be any problems. 

3. Disk and ni«nnory usAfle 

All the new icons are considerably more 
detailed than the standard icons and so use 
up more space. For the best visual effect you 
can run your Workbench with nnore colours 
than you are used to (8 or ^%\. This will use 
up more chip memory than normal which can 
lead to problems on un expanded systems. If 
you are running totally from floppy, you'll 
have to think carefully about using an icon 
replacement scheme as it will slow things 
down ever so slightly and use more memory. 

Beat the system 

New/cons works slightly different in that it 
virtually re-writes the way the icon system 
works. It adds some programs to your start- 
up sequence and alters the system to display 
the new images. It sounds a bit extreme, but 
It has the advantage of fJKing the short-com- 
ings with the Workbench palette system. 
Have a look at the example pictures and if 
you decide you like what you see, either get 
the file from the Aminet Or local BBS or 
PD library. 

The newer versions of MsgicWB also 
includes some 'active' parts, specifically 
some programs to make sure the palette is 
organised sensibly. As you can see from the 
images, the end result is very snazzy, 



although unless you can display a 
DblPAL or Muitiscan image on 
your monitor you may find your 
screen starts to become a little 
too cluttered. 

I'm quite happy with this set- 
up, which is a collection of bits 
and pieces I've collected over the 
years. And by the way, the line of 
icons which appears in several of 
the images is produced by the 
ToofsMsnsger program. This pro- 
vides you with an easy way of 
leaving programs out on the 
Workbench; especially handy if 
you iiave a hard drive. As with all 
the programs mentioned here, 
keep a look out for it on-line or 
from your library. 

Wallpaper 

Something else you should watch 
out for is the Wall Pa per collection. 
There are hundreds of well drawn 
textures for you to tile as a badk- 
drop pattern. They range from the 
usual mottled shades or grey to 
pictures of that girl from Twin 
Peaks who everyone apparently 
fancied a while back. These pat- 
terns are widely available so try 
'em out. None are quite so tacky 
as 'Sexybench' which includes 
several, in my opinion, very poor 
Manga-style cartoon drawings of 
the female form. Not the sort of 
thing you want on your 
Workbench when our Lisa walks 
into the office ...fl 
John Kennedv 




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Make four sample tracks sound like fourteen, witK 
some cunning mixing tricks. 



Oace it. four tracks are 
never enough, Even 
the most minimal 
compositions easily 
can eat twice as many 
sample channels, so how on earth 
are you going to compete with 
professional 32-track productions? 
With a bit of ingenuity and some 
clever tricks, that's how. 

The first time you laid down a 
drum pattern using a tracker like 
OctaMED or ProTracker, you proba- 
biy put the bass drum in one track, 
the cymbals in another and used 
up the remaining two channels 
with snare and assorted percussion 
arrangements. In an ideal world or 
an expensive studio, that wouldn't 
be a problem, but it is rn this case, 
as thel's just taken care of your 
entire sound output capacity. 

Althougih the Amiga can play 
no more thain four internal sam- 
ples at once, it doesn't mean that 
it can onfy play fogr sounds at 
once- As far as the computer is 
concerned, it makes no difference 
whether each sample is a record- 
ing oi a single bass drum, or an 
entire orchestra. Replaying the 
orchestra sample puts no greater 



strain on the Amiga than playing 
the bass drum - .after a!L they are 
both just sound waves. You can 
use this fact to your advantage, tO' 

make your Amiga sound as if it's 
playing far more samples than It 
actually is. 

Mixing samples 

The basic trick to learn is sample 
mixing. Dirum patterns can often 
be Squeezed onto a single track 

by mixing the right samples 
together Before you get started, 
it's a good idea to make up a new 
set of samples from your stan- 
dard drum sounds. Load up the 
basics, say a bass drum, a coupfe 
of high hat cymbals, a snare 
drum, a crash cymbal and a hand 
clap. Using all four tracks, build 
up the kind of rhythm you're after. 
Now look at the block, and see 
where two 0( more samples are 
played at the same time. These 
are the samples that you'll need 
to mix. 

Keeping your original samples 
intact, copy the waves into blank 
sample windows and use the 
sample editor's 'mix' function to 
combine them. It s likely that 



Combining basflnes 
MrHh brealcbealc 




Use peaics as guides for 
Inserlbic re-pMdied notes 



there will be parts where the bass 
drum sounds with the high hat, 
but another place where the bass 
drum sounds with the high hat and 
the snare drum, tn this case, you'll 
need to make two rtew samples. 

However. aJthough it might 
seem obvious to combine the 
bass drum, high hat and snare 
drum for the second sound, you 
could leave out the high hat with- 
out making any notJceable differ- 
ence. Certain sounds use similar 
frequencies, and so mask each 
other out, as is often the case 
with snare drums and high hats. 
Each time you combine sample 
waves, you lose a little of the defi- 
nition from both sounds, as they 
both have to share the same 
space. Reducing the amount of 
mixing will help keep the fidelJty 
of each individual sound. 

Depending on the sample edi- 
tor you use, your misted samples 
may come out at half the volume 
of the ortgin-al waves. Cheek for 
this, and if they need boosting, 
amplify them accordingly Usually 
a 200% volume boost will get 
the nil back up to their original vo^ 
ume. Once you've got a string of 
combined drum sounds, save 
them out for future use. 

Now you can create g new 
block, and using the initial four 
track drum, pattern as a guide, 
you can recreate the rhythm on a 
single track with your new sam- 
ples. The only places you might 
need to use two tracks would be 
when there's a sustained sound, 
such as crash symbol, which 
overlaps with a following sound. 
'In this case, you'll need to use an 
extra track. 

Breakbeats 

Breakbeats, connpleie drum 
loops, are very effective at saving 
tracks. A whole percussion 
arrangement can be contained in 
a single sample, and if you want 
to break away from the monoto- 
ny of a continuous loop, you can 
always chop it up and rearrange 
it. What can save yet more 



tracks, is combining basslines or 
riffs with your breakbeats. 

This sounds complicated a* 
first, as you would need two ic'. 
tically pitched loops in order for 
them to match up, but you don't 
actually need two loops, just the 
breakbeat and a single bass or 
synth sample, 

The trick is to make use of 
your sample editor's pitch change 
or re-sample feature, and mix: re- 
pitched copies of the synth or 
bass sound into the breakbeat. 

Using two tracks, lay down th^ 
breakbeat and your bassline or 
riff. Once you've got this running, 
jot down the order and pitch of 
the moles in your bassline. Use 
your sample editor to make re- 
pitched copies of the bass sound 
for each different note in the 
bassline. This is so that you can 
nnix these samples into the break- 
beat sample. 

Now set the block playing, and 
call up the breakbeat sample v. 
dow, As the sarmple is played, 
you'll see a scan line running 
through it. This tells you which 
part of the sample is being 
played. Listen for the notes of tf» 
bassline, while you watch the 
sample scan fine. It's likely that 
the notes wilt sound as the sea' 
line passes the peaks of the 
breakbeat wave. Watch to see 
where the scan line is on the 
breakbeat wave for each note c 
the bassline. 

Copy the first bassline samp - 
and then move to the breakbes- 
sample. Zoom right into the pot 
tion where the note occurs, hig' 
light the area, and click on 'mi> 
Now get the next bass sample 
into the copy buffer, and mix it 
into the next spot on the break 
beat wave. Repeat this right ale- , 
the breakbeat, until you've ove- 
laid the whole bassline. If nece- 
sary, boost the volume of the 
mixed sections. You now have i 
drums and bassline on a single 
track, leaving the remaining th 
for new sounds. ■ 
Tony Horgan 



AmrGib. 



7^%e0^ce% "TH^aii 0%den^ 



Pfeflse Send Cheqiies/POs imade out to Pfeinier Mail Order) or Access/Visa/i| Switch + Issue No) & Expiry Date to: 

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BACKCHAT 




J 



n ^ 





Got something you want to say? Write it down 
and send it to CU Amiga iVIagazina, Priory Court, 
30-32 Farringdon i-ane, London EC1R 3AU. 



LETTEft OF THE MOfsJTH 
On tlie up 

'jfigiolnfl dttbtitii ifOrif.fjrniPi*! thn 
futurm of tha Amlj^ii. I work tut 

Fcjrt*!, 41 hiff Ufjt'if i.hriirt whj^. h htt% 

rtic<jntlv •rtittJili'ir] h(»>w TV Tty^lumii 
in th«ir Pf^nlhriuMMH. ThroiitjU tliin 

iiytit^tii, Inli^lut^Mm. yrju r.iiri nt.f.av.it 
iiH YOU'' (Intoifik <iri af.rtfnii | in 

(it jit t) 'ftf ^f hit-tir( rj|rii|rUif,4 r.hlti)nril 
rli&[»liiyiri^ «ill itin^ti hir,ilili(]«, miil 
(|uo«* wlial t ftMw Mrh«ri thi»v Csm« 

Ariiitjj] 40Q0/0:jQ rufidinn Settfn, 
Noi^ thnrn «r» 01 Fort* Potthoififfi 
im th» UK nrid th«V Mr* nH lntk<rri uti 
VI 4 m»iJ«m to thfl c«ntrnl niiu.m 
wli»r*f thi» ffcrlpts «r« u^Utati^a to 
rlift iinita, hut *tHiA\ fiodil wvill hu 
fihio t» M(lup) iiu|tw<tr(] t4i in(;lui)ii 
n\n\t uvtn tOpf«l rtilHtiv« to th« 
hfitni Whf/st worri«il about fhw part 
tfit^ ArtMt^i iMta (ri piny in futur*» 
t»r,hfifj(fitiv7^ I CHrtHiiilv nin'tr 

FfriiiMv. ''ti th«i [j(iri[j|(i whri will 
rinvnr ijut niifiutjh i#f '4li uiiiriiatiitii, 

uuh ii.it 1^ tiKirwfi [jii ITV *m Tu«#djiyii 
)i1 4.(JD prii. 

WuMntti BnrkJHtrdMr, Covntrnlrv. 




Home business 

I am a fanatical Amiga 1200 user, who original- 
ly purchased nriy Amiga for its vast array of 
Superb games. Ho-waver, since reading maga- 
zines Such as yours. I have become more and 
more interested in the more 'serious' side of 
of computing, An area which has particularly 
caught my eye is public domafn software, 
which I use regularly. I r>ow want to set up and 
run my own PO library from home, I have all 
the equipment that f r\eed already, so ad I 
reed now is some advice. 1 am concerned 
over the legal aspect of the business especial- 
ly but I also need some ger^erat advice, on 
contacts and ideas especially I would be eter- 
nally grateful if you could help me out in this 
venture, as I am lookirtg forward to running a 
PD library of my own^. 

Danial Strangward, Berkshire. 

PD works, on the basis that the author of the soft- 
ware releases his at her program into the pubtic 
domain. Whilst they generally retain the copyright 
f meaning you tan't alter it^ you eatt copy it and 
pass it on, which is whati'Djirms do. As for 
saurces of good PD software, gel hold of the April 
mue qfCV Amiga Magasine. This cotftains a PD 
Special showing some of the hest PD titles around 
and where yott can gel them. 



A foreign affair 

Hello Amiga people. I live in France. The Amiga 
is great. I have a problems wrth your 
coverdists, though, because I don't speat< 
■much English and your coverdisks are all in 
English. So, could you do two versions of the 
coverdisks - one in French and one in Eriglish? 

Pisire Montor Paris. 

Sorry Pierrgf no can do. The problem is that we 
couldn't fit two versions of the programs onto our 
cotfer disks because the disks are always overfJow- 
tttg with goodies and there just isn't any more 
room unfortunately! 



Toil me more! 

Greetiings from Birmingham. I've been buying 
CU for more years than I care to remember. 
However. I've only just recently noticed an 
alarming trend - you only seem to be covering 
the Amiga. Commodore produced PCs, and 
you're called 'Commodore User Amiga 



Magazine' so why don't you cover the 
Commodore PC IVe got? I await your answf 

Paul Janktn«, ilrmirigham. 

Greetings!! You've been reading CU Amiga 
Mugazmef&r a while have you? Well, if you havf 
y&a should have realised by noH' that we've never 
c&vered Commodore PC {except in newsh in fact it't 
been setvral years since they've even been made. 
Looking at the front cover of this magazine yoa'U 
notice that the word Amiga is rather large, and the 
'CV bit is ralker small This is because we're an 
Amiga magajjne, nothing else. The Commodore 
reference Lf because Commodore make the Amiga. 
If you want to keep reading the magadrte, why not 
upgrade from your PC to an Amiga? 

Wiiere's the disic? 

For a long time now I have thoroughly enjoyed 
all your coverdisks. They and the magazine 
have been a great source of enjoyment. I've 
only ever had problems with two of the 
coverdisks. The first one was replaced within 
days without a hitch. The second disk, Directoff 
Opus, (coverdisk 100} however, is causing me 
great concern. I returned il approximately on© 
month ago but I still haven't received a reply or 
replacement since. I rang DiskKpress and was 
told that a replacement disk would be forward- 
ed to me but I have received nothing since. 
May I appeal to your good offices to lend a littJa 
weight to having a replacement disk forwarded 
as speedily as possible? I have also checked 
the March Issue for any news about what mig*" 
be causing the delay but to no avail. 

D Steele, Kent. 

There was a slight problem with this disk concerm- 
ing individual Amigas that did not happen on any 
of our test machines. However, if you contact 
DiskXpress they*lt now be able to supply you with 
a decompressed Direetory Opus coverdisk wluch 
will work on your Amiga. 



Absolute pants 

In response to Jonathon Robbins' letter mov- 
ing about Sensible World Of Soccer (Backchi 
March 95). I think he is talking absolute pan"; 
The improved goalkeepers add a newdimef 
sion to the game but can actually be beater 
by long distance shots, the odd clumsy deflec- 
tion and even the occasional normai effort. 
In my first attempt at a career I took 




f Hi FAR SIDi 



By GARY LARSON 




Torquay Utd to the top of the premier in 
successive seasons, krutJcking out top teams in 

cup com petition and never had problems vwitli 
needing two defenders to dean up at the back. 

My only grumbf& is that the computer 
teams are a bit too predictable as they try to 
get the bail back to the middle of the pitch all 
the time. Also the computer team's players 
never get injured and taken off as yours can; 
and there is no African Nations Cup. It's still 
great though, so Jonny Robbins, get some 
talent, SensI rules the world [when I'm 
in control). 

Giggly of tha South Went, Torquay. 



Even more PHsCalc 

I am new to the Amiga 1200, having just 
upgraded from the Connmodore 64. Because of 
the differences in the two machines I am find- 
ing it difficult to get to grips with. For example, 
I have been following your tutorial on ProCs/c 
(Coverdisk 94. November 1994) and while the 
program is exactly what I want, being a novice, 
I am finding it hard to get on with. Will you be 
publishing a manual for the program? 

C.R Weston, Kent. 

GotdDisk, who origiitatty puhlished the progmm, 
no longer have any manuak and vere untitling to 




I 1 I ! i t i .--».^.- ■ 

Aili Tit TKI inl IF fiBut idia . 

ttft HniM w ^itfrikn nn tiV ^^M44 tit llnfe 




mm 



ff.^. cm lifhrari: 



1«i 



" hnCak - Mc vf ihe ke»t sprt»iisliee'ls MftUHi II ii iwdiiMt Tm 
wgifliini tin ^iflM Ht iittresi rtits.. 



hi un cover mount oitr <?H'it, However y&u e&utd try 
catling Silica aw filHl M9 till vho did have some 
ProC'alcs lefi in stock. You might he able to get 
a /naniHil, as part of the tffmplite package, 
from them. 



Red alert 

The situation is becoming criticat here in 
Piortugal, I'm an A1200 owner with a 240Mb 
HR As a loyal reader of your magazine, I'm writ- 
ing to leave an important message: here in 
Pbrtugai it's becoming very hard to find a place 
to buy hardware and software for the Amiga. If 
we want Amiga software, the orily way to get it 
is to import it from other countries. Even some 
stores that had the Amiga, now don't have it. 
The reason? Most people don't know the Amiga 
and the ones that do think it's only a gam&s 
machine. The Amiga is being crushed by the 
other computers. Don't let the Amiga die. 

Luii Santoi, Portugal. 

Pop videos 

Thanks for your animation feature in the April 
issue. It convinced my older brother to get a 
second hand Amiga 1200 with an accelerator, 
RAM expansion and a hard drive, instead of the 
PC he was saving lor, He's been asked to make 
a video for his mate's band, but until now 
hadn't been able to afford all the kit. Now he's 
got a brilliant set up for a really good price, and 
the video's looking good so far 

The best bit is that now I get to play Sensi 
World of Soccer. Cannon Fodder 2 and Super 
Skidmarks, and t can also mess around with 
OctsMED when he's not using it! I thought I 
was going to have to wait another six months 
before he saved up and I got to play all those 
games every talks about at school! Thanks. 

Anstair Dean, Norwich. 



Gr«en wHJi envy 

I have seen many advertisements for 'green' 
PCs, which are kinder to the environment, and 
this seems like a load of rubbish to me. How 
can something made of plastic, metal and sili- 
con be environmentally friendly? Still it's all 
comparaitive I suppose: some will be better 
than others. Which brings me to the Amiga. 
Surely Commodore could advertise the fact 
that not only are their machines cheaper but 
also more environmentally friendly. They use 
less plastic and metal, smaller motherboards 
and less power than any of their crappy com- 
petitors, so come on, sell the benefits, 

Sasmus Googa, Dublin 

Er, we don't mean t9 he aegative here, and we're 
sare you've researched (bis properly^ hut since 
Commodore have not produced an Amiga for at 
least a year nov and haven't adpertised one for 
even iangeri the message is unOkefy to get across. 

Mo letter 

You sent us an empty envelope, sealed, with a 
first class stamp. Mr John Cawley of Glasgow. 



TEAM TALK 

Last month's video and 
animation feature made a 
big impression on tlie CU 
Amiga Magazine team. 
Or maybo tiiey've Jtist been 
iwatching too much TV ... 

ALAN DYKES 



Mil wit ittif lllbili rliif llr lit tiif n 
NcM itA l&it mmA. Mil |ir«f initiim 
cdhsisieJ vi 4ervelg|iiii; « stFCClwiit Ni« 

hrli icc«iil tD lelp' Mm cnpe if lit r«» 
h\t iKf UiMi. TIris ktt irmWti tftti- 
■q Itl ■■Mk studriR) RahEFt Di Win's 
TuMwtr 11^ 1[ Everr 2Y2il.aJilE JiDr«it|i' 

nitr sijriig It tiimsEN in Ike Mirnir. 

sjizHrng "YoK tiukin' llRic pint? I'TDU 
LDOKINC AT MET' 




USA COLLINS 




Uh'i k«tl |»ttilt^ t«ti<f 1« imnc lii; 

ikiHi tl fBiHtf. iRce mvit. M she'] 
I mffti 'rwn t<i« IkiI t^Hd tliiip Hi rtilii 
i HI 'CitJKfine llie ittgt'. Tte »it\f pitk- 
I kM ii ike k««ps eamiai inin wnrii wrtk 

ktrflCC CnraTBdji wkits talEira iKiwdtr 

ill-d it'i Irtjliteiiiii ikc k«ll v«| tf tij. Itflj 

it's D |iiJ Yisy «| letliKf tk« cipif Ji - 
wB're .ill let (Tifhtgiti U ■■•■ iwif 
fruffl fmr itt)a it cih iki htkttit H. 



ANDY LEANING 




tmti'i ulicR the wMe lnenct ikiii 
1» fir this mnittl), kt rtally in. fl« 
WIlEftld 1 reiifH ll Ikst lihn irii«rB Iwg 

llliill^cl iaiB a cmn-put^r nt creite 
Ikcir 'dta\ wimai, H«ll)f Lt BiCG, Now 
he') CPIHJINHi tllll tlie ilDJltl )li|kMlf 
C4I III Xki time fit hiitr. All that pdi|rii| 
Bbail Mitk CMf Crawfn-rd'i sutislici hi 
DalaSlur (rewi'ewcil Mgri^N SSJkls }ll«e 



TONY HORGAN 




THy iiqtl, itill f*t*ll'Ckiag te«r It 
kiCHtit 1 mp' DJ his ktei wAshwi n> 
rans a^ T»p OF the Pipt lnM Al »RI- 
tin nri ti liw ritaiinf I* sfieak Entjlitk. 
Imeari ki wfl mtf ittter hip p-hra^es 
kva tkt niifl. lit uljli»|Le. iBtertjc«i 
w'f>b liuriin iichsiD kabkle. Il's irmi| 
■t mwi. "Ifut I 'Cap gf let, Im^" imw 
ejidti iki nftf: "Tkc Uie main. It's Diap 
Aid \rs RhI, twt Us ill Jtr ckwiicer 



HELEN DANBY 




Tke Biikir itnip nickiw kis deciM u 
pit ker lice, ikf iitf rttiiiii |ir4f ini*g# 
ti r«sL Fed up kavHf Us awillaw kuckiu 
•I »ner ta ki*|i lt«r iwikE thnugh the 
light ti i risah nf late caff. ;h«'9 iK\i~ 
ti II titfi 1 riikEr ... er .,, finiKr 
appriac^. Alter setitll TZ skl'l ttfltii 
timllii lhlR]t JIIh 'Ihi w*rM is f liii to 
111 lid fVl'n nil fHl| tt He miilEss foe 
|tt |iiaf [@t®% ict together!" 



JOHN KENNEDY 




Siill pripiiiai Iw Us owi mHmf, Mm 
kn hecR SMpi| tUiit like '!'*i |iltii| 
Mirried ii tbt ■hih|' (iiti lk»^k k* 
iti't ftttt*! lid wttchilp Flir NsiJdiitjt 
Mi 1 FiirBTil. His Hi|k Gr^pl imigE isi'l 
baiai helped ky Ikii^ paitical^r pkele- 
jrof h ifeaigh ni the liieril mil he 
Al«i'i liless wt chilli it tiH, Firhip» 
we ciiM pil • phitofiiph it Ife* hippi 
dipt* id iitttai. Htl IK. 



AMIOA 



JWoiitf,, 




MATCH SCORES MONTH 1 

The following are the full results of all matches played in the 14 
rounds of month one of the Sensible Soccer Fancy League. Use 
these figures to find out how many goals were scored against 

your goalkeeper and defenders. 
Remember, if your goalie's team 
concedes no goals you get a +4 
bonus, if any of your midfielder's 
teams have a clean sheet you get a 
+3 bonus. 



%lound 1 




UAX« 


UUMilUTZ 


MIIGtUl 


uruEitnjiiEi 


UmtNMUMtCttl 


UVlltPElOtJ 


HiCltHIRflJ 


FC PDRIO 1 


MMiELDii amm* i 


TOniNHAM I 


Aiunt^ MINEIM) i 


•UHPfiDaiA 1 


lUttUTDZ 


mmii 


NmCUTUI 


nvi/Limm\ 


iCHHJMI 


NUtlSSTGlltMUIII 


HEGUTAGIUirKI 


Mmm 2 


umoi 


URCElOlUt 



Vou'va phdffied or posted your entrias by novv, and 
Vou'wa probably told all your mates how brilliant 
your team is. But Seiisi has a way of baing 
unpradictable, esf>eoially in the ciammY hands of 
fadad EMAP journalists. Hare are the results of the 
matches and the goal scorers for each team. 



Round Z 


^oe 


UUJ 


UNGER1 


tMJTASUATt 


nnRPlATll 


UKIMtlimiDII) 


EUCKBIRMI 


FCWT02 


UVERPODLt 


Wmm\ SUNDQIVN 1 


JlTliTICB MIHEIRD I 


KmiNHANl 


SJIIIPIDIIA3 


■MCHESTERUIItTEOt 


NmUSill£l 




RULIUOIIBI 


illANS 


NtGUVA EREMFU \ 


m\% ST.GfllUIN 1 


iiZIOI 


jmHTUS Z 


MICfLDNAI 



JON HARE'S TEAM 

Just how sensible was Jon Harm's cho1>ce7 
Plaver Name Position Cod« Value Goals 



Points 



C4C 



11 ; 
lb; 




jy IJv iL, 



M 



2127 



£T.9M 



orrta 



M 



1027 




casor 

ETOOK 
E3.5M 




Hound 3 




w«Rj»wrt« 


UU4 


GMJUASAUY^ 


UMBERS 4 


FCPIHCTSI 


UVBM MIWIEK 


UVIUPDOL 1 


lUUMlM 1 


SAHPOnMAI 


UKflMSUnDnMI 


rtmuHwii 


tTlfTICOMIIEIIDI 


SM.IUMI} 


lUMEHESTIIlVWITEDS 


mrnti 


■EirCIUTUI 


jwEinvsi 


UMMjUI 


BAJICIUIMS 


nUttSSTEEMUWI 


NKUmtMinm, 





30 



Thirty points! Ldis rienrique in goal, Dave McPherson m defence and 
Sergio Araujo are the stars of the show, while Paolo Negro did well; 
he would have had a negative score but for his go.al. Both Miguel 
and Vladimir Jugovic are strong in midfield but might have per- 
formed better considering they were both bought for around the 
£r2M mark. And just what does Stig Inge Bjornebye think he is up to? 
7-0 to AC Milan against Liverpool? Pull your socks up boyol 



Bound 4 

AJUl 


«jm^ 


EAUTA&UUr 1 


UVERPDOL 1 


lUCKBUIINI 


RAttEERS I 


MVEarUTEl 


K PQRTO 9 


MMKUnif 


lUN U1D 1 ^B 
MSENU. 1 '1 


IfTTMUltl 


ntfUCfl MIMEIRO 1 


NEIVUSIlft 


SjmraMiA 1 


REMMJUIRIDi 


LUIOl 


AE MILW 1 


PUUSSIGEIUUJII] 


JUHIITUS2 


UIICELIlNt 3 


KEUTA mmm i 



HOW TO ADD UP YOUR SCORE 

IvHoitly iwti Icftnit: wfiR |>iiiilni1 in lli«) MoiCK tlltft A|Hii i»tiH4^ti itl CU AriMU>4 IVI(l|Mlin« AMi 
lltp (»tie J til Amiun (jnpiipq. mill yiMi aEiauld Hw^p i hiifloH iilttyDiti tiniii at titaat *ili Itt ib*>1i1 
Wwi uuiHi't u" i»il"> any mhho dolnil nluiut llOW IHp iPrttitn woto tiniiieU hei aiivn llif> t i)iii|ioft* 

tiDK 'iiiipv ii»i« iv'in nuw Mn«ki;<:<i -n vou ean'1 mtim «tov mmp. 

F'oiiila niD Eitlilotl tir tl^itui Imt hy ■ 4tni «lliilt| •■■* UO'^l'i "■ " limit ll. ttitiliint itltfiMiat llio iilllMli* 
iitij Ictntti aiMt ItAliifiJi im ij'»^l<! 1 'i<^ titlliiuviiiu li«l will toll yiKl timi h<»w Oinl woiIiq Eoi pmi ti fltflyVK 

• UOAIKI I l*t ir> i(i|l (iitf^ y(iUfB(*lf ftpiii |.iiiiMl!l i « 4| if yiuii b«I«i l»il y*»H4lkof>)kcit he** ki9|tt a 
llD llria Itl I ill 

• E)i M NiJi itn III] icoftiMrfftrA r««oiy« fvtm p9lni« ( t4| tor #v^rv ^oil t^fiy •«Qr*> niul fhiti*> 

Miilnln < 4 3t tw *>vf>'v • !"«'• -sU*"-* «N°v !**»*»!• i*<»viWIV« »li««v •<•«• •«• p«<nl t'H M w^umy 
Ijiinl llieii ff^iiiti i riiii.Piltut 

• Mttii II I til Firi (M) Midfitiicli'ff teere four p«i»tt i*^\ for (tvory ii»iii impv t««fii. 

• Ai I At Hi it% (A) Aiint^herM r»e«tv« thr«« pointtt (41) f#r t»v^ry uofli ihty »eor»< 

111 vvtiti* i>u[ v'ttii owtianrll IpnMt ltl(tti4Ut')^*"'il< t>r<ti» <t<t«l up llifi iiitiitltt lliitl yiflli fitiii ilufniitl- 
ti^lj^, Imhf itiMfiflilDrq ani\ Ivvit (t|(4lt.k&IS U<4VE! ^fliUfiU i»y m olinit '** l'"^ '•■■■* HKinlh Q InhlP Iff 

^oal i^Afftri oil o«» ii|t|M»«itit imiti': Thin add t& fhii» tH*> ftnuiMiii *tt ti^mi bMroi ^iit^fii tiEor#i 

yitiif ijiidi hciDpDt rtittl ilittnniliiri: hnvfi Udill rillrtlly F>'1tl "I* i^H ^'i^^ u^^iil'i: tllnl 1inw« bttAII 
31 <iip|l nyrtinfti ^^i^li ut v^'i'> )lfl'ettd<it<> at\tt yi***' u'^'^'lf'^pc' a'kI niiliifiK f iliib lOtSi froifl 

v.Mir pr»vi|fiiit lifiJntft neore IhIbI. Veu rMiw Kavt> vihm «tv«>ii*ii «« oiu 

At. rill u«<*iM^ Me hfiiw BeniiW» ftonwrtm it<*(.^(;pi mimioiuo itm ilftre • ttmn* wiMNiiti Miit 
ubiiiu this sturinf •yilfim in thft boit above^ 



Round e 




UVEIPOBll 


UUI 


MTEMINUttlCia 


UIATJISMUITI 


FC roiTQ 1 


fUlEEBS 1 


lUCHBURII ROKRS 1 


RIVER run 1 


MSEUL2 


MAHCLnoisjiD'anttZ 


IWUICHl$T» Hiini 3 


TOTTUIHAM 1 


mi Mjumii 1 


ATiniCO MINf IRD 1 


HEWCAfTU 1 


SiUmMIA 1 


HCHUUIt 


iUtCELOMI 


MIUSST.eERIUI!l4 


MEGUMGREHnlSl 


imms 1 


uuni 



Round 6 




BUtCKIURN t 


UMI 


FEPDRITDI 


GAUTUAlUn 


RAMEERS I 


UYIRM1 


8IIIIR PUTE 4 


UnftHlOE 3 


NEVrUSTLi 1 


wuiEijopi summwi i 


lOlTEIIIUM i 


MCMIUIII4 


ATUTIEOMIttflRD-l 


ntMiSTSERiAIMI 


UMPDBRtA S 


NESmASWIiMSJ 


IUJIICIIESIERU1D2 


JinEMIUSl 


LAZiDI 


ARSEMLI 


lEMUUItlO^ 


SUaLOfHJ 



Round 7 




m%t 


FEPIMTOI 


VtLKUtStm 2 


BUCKHIRNI 


MMGEftSl 


UVEiPOQL 1 


wnanrnt 


■intern MUN4CH 1 


HilELOM tUMOfWH 1 


REALIUIftlOl 


MHUieEKMAmZ 


TQTTEIIIUMI 


«Tiniceiiii[iiU2 


ACMILJUII 


SAM»ORIA 3 


JUVENTUS 2 


NLSVrii SREMNU 1 


HUMOItSTEltUllinDI 


BMCE^ONA 1 


MlSflUL] 


jKEWCHSlUl ^^^ 


LUKf] 



'Round S 


^ 


JUAItZ 


lUMEUMSUNOmiJ 


ERUTASIIRAT 1 


TITTE MHJU 1 


RANGERS 1 


ATUrCQ MIIEIRQ > 


RIVER PIAn 1 


SJUIPMRU 3 


BiinRII MItNICH R 


IMMCNESTER 1 


UVERPOHLR 


ACmiUIT 


RUCRBURI Z 


MMSST.tEitlUlli] 


ECPMTQI 


mm* twtm t 


ARSEIU12 


JUVEMTUS t 


UUtEELOIUJ 


NENCUMI 


REALlUDmOl 


UUU)4 



Round 9 


'^^^^t^M 


TinEMtMNZ 


UU1 


MHIELOM SWDOWI 2 


EAunujurz 


SAMPIOIM 1 


UUEERIR 


AMTICt MINEIM 4 


RI¥ER PUn Z 


RHTERMIilllCHi 


IRSEMUl 


UVEfCf^OEZ 


PA5IS ST.GERIUUI R 


ACMIUJZ 


RUCRHiRN R 


UUIOZ 


ECPDRT111 


UWeffiSUR RTD 1 


RAREaflNA B 


nam SR£MPAS 1 


NEttCASTU ] 


juvtfiruss 


RUk MAIHtIB 1 



Round 10 




AJAX] 


ATUTIC<IMINEIR0 3 


EAUTUARAY 1 


SJWPtQRIA 2 


RANGERS Z 


IMMEUKMtUIUIimNR 


RIVER PLATE Z 


TOTTENHMI \ 


NERTEASTU R 


BATERNIiyNICHI 


Mf CUTA GREmS 4 


UVGRPOdLl 


RUEHRURHR 


jinEiwnjsz 


FCPOflTQI 


eUQlONA 1 


UOIRI 


MAHCHEJTERINII1DI 


ARSfMAU 


AC MIUN 1 


REAE MADItIR 1 


nUttSST.EERMAINl 



COMPETITFOni 



ii 



Round If ^ 




SIHiro(»RM4 


JLHUl 


iTUTico amm i 


G«LAUUUT1 


TIOnUHMI^ 


MMEERS i 


NUMELSDISUiHnill 


MVEJtPliTEl 


UYERII MUNICH i 


KALNilDltlll 


UVlltl»BQl ) 


uuin 


MIKLHAI 


lUGKBUMI 1 


UHkUIII 


FCFOIil0 2 


nUUS IT.SEKIUIN 1 


MUICHESTER UTP j 


UtSEULT 


HEGJYI CREMW ) 


JBVEIITKI 


NEnUSTli E 



Round 12 




MMCMSni UTD I 


UMT 


GUJIiTUAUTI 


USflULf 


lEWCASTlfZ 


UIGEI$3 


RUIMWNIIJ 


Rinil PUTE 1 


BAnitN mmzn i 


MAMUIOI SUNIHIHII 1 


mam t 


UVEBPIMIL 1 


lUCIlHIItNl 


NEEIIYA Gft£MMS 1 


ft tmw 1 


PW$ST.tUiMN4 


mzioi 


TOnEIKMH T 


MIICELDIU t 


AneiEO MINEIRO 1 


AC MILJIN 1 


JJJmOlM 1 



GOALS SCORED MONTH 1 * 

The foltowmg figures relate to the total amount of goals scored by 
each player in all 14 rounds played this month, Use this to calculate 
the plus points for defenders. midiielderE and strikers. 



PUVGI 

u iRui (mwr) 

Sckvxliim Riui 
CkriidH F»itui 
EiUH Binti 
lUnMidra Ctyiluiirti 

P^ilii Mal^Hi 
A«b«t» DHiiliMi 
•iMilrie Ub«rtiii 



posmm CADE 



tfO. DF 



I 

M 



Umm in l«r t* 

Mkhiil R«ni|cf 
Biiiiir KIM 

Friilh D« Bi«r 
FiiMi Btiirfs 
ffUk Rijbid 

JtK IhaiMi Rl 

llut(hr«fiHn y 

PfelK«l Uaiifit A 

RutJri R« Iter A 

mim tENHJiDi 

Biviit SeiMM E 

LiB Ohim R 

Sitvt Eto«l< R 

Tftii|i Uami D 

Nijsj liiiiittrtaini D 

S»i^ Hillicr M 

J*bi itmtu M 

tUphci) Schwtn H 

iMWriiM A 

AHOICO MIMEIID [BRA^f 

IJIEI Nirihii B 

An^ I 

Prftto I 

Piil« RtkerU D 

All»«iiir» D 

VtUw H 

Cnttni ■ 

Cirin H 

RchMi a 

ScilM Ariijc A 

URCEUIM (SFAIHl 

CtflH RiMidi G 

Ul«t F«Hf R 

Rliili Hhbii R 

SiiUlHMiAMr M 

WlHtAifililiiil 11 

Httt liwiHh M 

Jti* Mmh Mtfi M 

HrRti ttikbtiH A 

■tointrit A 

BATEHH MUlfl^CN fGERtUim 

OtlHf Mlkl E 

Hmf RiWH D 



M 
M 



R1R1 
R112 
R11} 
1114 
BtlS 
«1M 
9127 
19 Zl 
tllR 
R1]R 
RI31 



RZR1 

R212 

tin 

•214 
RZIS 

«22I 

em 
ait 
trn 
mt 

RHI 



i»i 

l}12 

»m 

KM 

mt 
tm 
tni 
mt 

1331 

R)31 



i&ii 

an 
Rsn 

t»l4 

im 
mt 
mi 
mt 

•S2I 
IS3I 

tS31 



Rill 

111! 



I 
I 
R 
R 

1 
Z 
9 
t 
4 
I 
11 



TRima Heimtr 
CbrislUii Medii^r 

■lliuil«l S<:hi>ll 

Jud-Piim Pafia 
Alaii SHtttf 



M 
M 
M 

H 
H 
A 
A 



BUCIfflURNEiaVERS4ENeLAM)» 

Tin Fkgwi^il E 

N<iiiii| ReF] B 

TiMir Ejfe D 

Calii Hei)^ i 

SnicMC it iiiir i 

Saun RipicT ■■ 

aenrill liltr H 

Tim Shermti H 

JiHn Wilkigi M 

ClirisS«tlM A 

Urn SkcKH A 

FC raita iPomueALt 

KurBfit E 

Mt hmi B 

B 
t 

P 

H 
H 



Rii Jiilt 

•SKIlUlit 

VwiiJhilfcw 
RbImih 




ShIhIWii 
Mabirin RnriiVK 

EALATASMAr.jTtiAKEin 

EiHtW H SlWDB 
MMDHftMiptll 

Men iirfcniK 
ViiHri JUtiiriM 
Bilept KtrioH 
Obnhnli 

SHtRiri 

IWiHSihv 

JUVENTBS tlTALT) 

linftmn 
likiFnJ 

AniiKi M l i 
ManHTHiiuH 
li fl li Pi EMI 
AmcwsCmU 
P»M* 5»iU 
UMiif DiirRiMpr 
UMtiBaigi 

Siiiii» VHin 

LlH lllKfe*|Mii 

hcltltpi 



tFlMlfi 

JtmHMH 



G 

D 
D 

a 



11 

M 
H 
A 
A 
A 



I 
I 
• 

a 

M 
M 

M 
H 
A 
A 



B 
B 

M 
H 



RE12 
lEU 

Klh 
BE2E 
BE27 
It2l 
Wl 
K3I 

mi 



ITR1 
1712 
R713 
1714 
ITIi 

tm 
tm 
nn 

mt 
mi 



nil 
1112 

IRIS 
1114 
ItU 

tm 

mt 
mt 
mx 



1111 

IIU 
1113 
H14 

II1& 
!•» 

RUT 

im 
ms 

M3B 

<t31 



1111 
1I1Z 
1113 
1R14 
1115 
1121 
ItZT 
1l2t 

im 



1I'3I 


i 


»I3I 


t 


1111 


1 


1112 


1 


1113 


1 


1114 


1 


111& 


3 


1121 


3 


112T 


1 



Round 1^^^ 




AJ^AKI 


M^NALI 


■UlfOIESTER UTB t 


GAUTAUlUn 


RANGERS 3 


RUiRMnai 


mVERFUTEl 


KEHUSTIE 1 


TBT1ENHIM 1 


Uma MMICN R 


UVEBPOBtl 


UiaL0IM4 


BLACKBURN R 


UI2I02 


EcraRTa2 


jUKimisz 


MAMEDDI SUNDOWN t 


AetinjwR 


KEEUTA EREMPAJ 1 


ATLETICQ MIHEIRfl 4 


PAittSST.SEBIUII2 


UJIPROBU& 



FmI HiictTgit 
RlktliJ Qi Kttttt 
Bhuppi Sipari 
AitiBilBic 

UVERFOOL (EMGLANDf 
Jnid Jmi«i 

NfH tUiixk 
niBiki 

Sli| fall liMbr* 
Steve McMiiiinH 
jMHtfer 
Jriii Rtratt 
RtbMa FMriir 



w mt 7 

M 11ZI 1 

A 113B S 

A 1131 7 



12S1 
til 2 
1213 
1214 
1215 
1211 
1227 
122B 
1221 
1ZIB 
1231 



MMMELEOl SUNBDHM {SSUTH AFRIUI 

Cnif l« Entiie a f3«l 

SfHNl KHikalC tl 1312 

JtkaHnHMiii D 1313 

Luck) Msltl? D 13)4 

iMiUatviffi D 1315 

ErntU Ckrwali IT 1321 

Rlkkit Mkrift M 1327 

RltMi Una M I3ZR 

Ziitllat* M 1321 

LtniBirE ChrfHfi A 133B 

Rtisatt U))l«|i A 1331 



MANCHESTEItUKITEOtENGUIIB) 

Hiti SclmeJeM 6 

Pill Farlier D 

StnB Bruce D 

Earif Falli^Tff D 

Obmii; Irwia D 

ladrar Miat^ghkil M 

NillncB - Rl 

B«T Kaait M 

Rfia Gi9|$ Rl 

Erii ChUii a 

MartHajNs A 

KEGIIM GRERinU (JAPAM) 

Dick HhBiHr G 

T<tki<riU K»ta|i 

Garu a 

Tttlkiki^a lllDfiM D 

HEutaki Fujikiwi D 

J«|kka Rl 

HakftaTnaiifairt M 

DmIUi Rl 

TtlttT« lUkMilM kr 

iavf Liatlwr A 

$hi|(i Snnm A 

HEirCASTlE irmiTED {iMELANB) 



MBreHvtlittr 
■•niahwKk 

RiMlF*! 

BaiTf Veai^f n 
Hdktn LcE 
Scan SEllaa 
FttH SsiKlstHf 





D 
D 
M 
M 
H 
M 
A 
A 



14«f 
1412 
1413 

1414 
1415 
1421 
1427 
I42R 
1421 
1431 
1431 



1511 

t512 
1513 
1514 
1S15 
1S2I 
1527 
IS2R 
1S2R 
I53R 
1531 



IGBt 
1EU 

istj 

1St4 
tdS 
1121 
1E27 
1E2R 
IE2R 
1E3R 
1131 



Firis 5t-G«iiiuilii ffrHcc) 

BBrairi Lihm B 

Jose Cabn I 

Alain Rucbf ■ 

Ai«aN»G<i«Kt g 



m 



1711 I 

1712 I 

1713 1 

1714 I 



1ERI 



111 



.*^&«i«)p <!' 



SOCCER 




P 



Mm^^ 



Houna 14 


SKSi^H^^^I 


NE1«CASni2 


AJAI4 ^^^1 


RIAilMUlllDS 


EALATASftNAT 3 


VHHANI 


RAflGER;£2 


FARISST.GEItMAlM4 


RIHItPLAn3 


NEGBM6IEMMS1 


RAHRN RIUHICI 3 


UlfERFOWZ 


MAKEBDI SUHDDffl 1 


RUCNBURtI 1 


MANCHESnRUTI>2 


ARSCMAll 


FCFORTIO; 


JUVINTUIZ 


TOHENEIAM B 


ATUTIi:0«HKIREI3 


LAzio 3 jm 


JMIflkElKUl E 


BAICEIWUI 9 



Filrcli C<iU(t«r B 1715 

RaiinlRwa M I72E 

fftalbGKi M 1727 

ViKMl Givmi M 1721 

David Giwla « 1721 

Vaida M , 172t 

GHftgnllMk A \ 1731 

RaaiBrs iSctllgWl) 

Aijif Garan G 1M1 

Djm McFkBTsiB D 1SI2 

AliaMcL^iaa D 1913 

Ra^lftBdli B 1114 

Baiiiir Rikartsw B IRIS 

CraigMttic M II2G 

Siairr Mi^Cnll M IR27 

l*iBlBr HvijiTA M 1R2B 

Siilitan^ip M 1I2» 

MrHcCiJsl A 1gJ« 

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BE 






Next IVIonth 

H«aiFniliEi; tliE leams fiu iff lcct«l irr k)r l«Nii ■■ 

iv isBcy l^a^ae ittitkdrsfr Altiitu^li lk< imhi •( 
Ike Ii8ii»g«r «f tine nwaCll iClciniiwi am ant {TBt 
tanwn, we'll puMisli their scnrG aad thcu dI lie tpf 
511 IfiXiigCr^ Fnini tkis msnUi'i iBmen ia tke neH 
i^sBE. We'll also knng iivb tte tt^tWi. nA tfie kiA 14 
nMiad's al' mstcltEs;., an upiitt Of Jhi Hwe's tCM mt 

let fvu Imiiw jasi Ntw m«i\ (« \»m t»Hf\ itM IMI 
M|i IfatnHH's taam HkctiMM k*rt ^tna. 



AMIGA 



PQiMTS 



FVIErt™ 




1- 

Borini| 
Bulletins 




the dreaded 




Th« ^sfiniom expressed in thia nftit^e 
ar» n&t nacAh&arily tihfHM hald tiv t^ 
Amigp IMagazfrtB. If yO" hafd dri 
opinion on the Internet or any O^har 
Awiga related tofHC then tiriail tw vt 
CUAMIGA@cix.eofntMitinh, co.uk. or 
tlH Dn*@i:lj(.cDinpulti4k.eo.uh. 



Oulfetin Boaras are bor- 
in^g, Before you rushi to 
the end of this rant to 
find my E-mail address 
and toast me with a 
flame, please hear me Out. I don't 
mean, that I think that Bulletin 
Boards are dull and tedious by def- 
inition and are used by dull and 
tedious people with a tenuojs 
grasp of true social interaction, F«r 
from it, my local board has given 
■me a great deal of enjoyiment 
thanks to the FidoNet system 
where I've met and chatted with 
other comms enthusiasts from all 
over the world, And they were not 
dull, tedious or socially inadequate, 

Too difficult? 

Bulletin Boards are boring because 
they are based on ancient technol- 
ogy. The first boards were slow, 
te5(t-only systems, where users 
had to register, log in, then pick 
options from on-screen menus by 
selecting the right keypresses. 
Once into the system, they could 
look through message and file 
areas, struggle with options and 
maybe get to download stuff. 

And what has changed since 
those first boards? FVactically noth- 
ing. I recently watched an intelli- 
gent computer literate adult use a 
BBS for the first time. He was 
stuck within minutes. This is the 
problem. Comms is too damn diffi- 
cult. It's a crazy situation. Look at 
the Mosaic browser for the World 



Wide Web system on 
the Internet, it's brilliant 
— click here, click 
there, colour graphics, 
sound, animation. It's 
the way comms should 
be: not some archaic 
system of AMSI charac- 
ter sets. The Worid 
Wide Web works 
because the pages of 
information which 
■i^aite up the text and: 
Lectures you see are alt 
based on special 
embedded codes called HTML It's 
a brilliantly simply system: you just 
used codes like <i>this</i>- to 
make changes, to the text style. 
You want a pJcture? Easy, add 
something like this <img scr="pic- 
ture.gif">. 

This is all possible thanks to the 
'Client^Server' systems. The client 
program runs on your computer, 
the server runs on the remote sys^ 
tern. Rather than just display text 
sent from the server system, the 
client acts intelligently and can dis- 
play graphics or sounds, or move 
icons and windows around the 
screen. For example, the server 
might transmit the code ' ■= b > ' and 
instead of displaying the letter 'B' 
the client executes a routine that 
changes the font into bold style 

The answer? 

Recently IVe been working on a 

system called Balloo which tries 
to take the HTML standard and 
hammers it into a form that 
Bulletin Boards can use. The 
problem is not with the BBS Host 
Software, but with a suitable 
client. To this end I've been cod- 
ing a new form of comms termi- 
nal for the Amiga. It looks like 
any other, except when text from 
the BBS host arrives in HTML for- 
mat, it is rendered properly. This 
includes graphics and buttons 
that the user can click on: click- 
ing on a button simply returns a 
key-press, so the host system 



doesn't have to do anything 
clever. The only changes the 
SysOp has to make is to include 

an HTML option for the nnenu 
screens he has on-line. 

There are problems to over- 
come of course. The Internet 
was onginally designed on the 
principle that connection was 
never a problem: machines were 
on-line permanently. If you have 
ever seen a really fast Internet 
link running a program such as 
Mosaic, you'll know what a really 
smart tool it is, and how trying to 
use it with a 14,400 or 23,800 
modem link is really a bit of a 
joke. Mosaic, and most Usenet 
news readers and E-mail sys- 
tems, are all geared for on-line 
use: there is no off-line option 
for the reason that the origina- 
tors were always on-line 100% of 
the time. Besides, the Wofid 
Wide Web works because all the 
other systems are on-line and 
there is so much information to 
choose from thait trying to make 
an off-line system is ludicrous. 

Unfortunately, in the UK the 
majority of modem users know 
that every second they spend on- 
line costs them money: and as my 
telephone bills will testify, it's not 
cheap if you have to use it a lot. 

What we need are new tools, 
specifically tailored to the needs 
of the home computer user. 
Mossic isn't enough, and a nor- 
mal BBS is too limited and down 
hght difficult to use. 

So we have to capitalise on 
the facilities we do have. The lat- 
est modems, the V34 25,800 
modems are far from ISDW links, 
but they are probably as fast as 
we can expect to get down a 
telephone line and they are get- 
ting cheaper. So is off-line stor- 
age - the other day I got a SCSI 
21 Gigabyte drive for less than I 
spent on a drive of only a third o' 
that capacity a year ago. 

We've got fast processors, 
and great graphics. In theory we 
have a terrific platform on whic^ 
to run a stunning client system, 
What can we do about it? 

The Balloo project is a start- f 
know there are systems such as 
RIP out there, but i feel they are 
probably not the direction rn 
which we should be moving. If 
you think you would like to heip 
or have any comments piease 
get in touch with me either by 
post through the magazine or w« 
electronic mail. ■ 

E-mait: j_kennedy@delphLcom 
FidoNet: 2:443/1 3.4 



ANItGA 




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inDoubler II ii a fjll 24 -bit AG A fltckfl 
tT for (be Amiga 4000- It anitomaiicailly d*- 
erlaces all AGA screen rnodes md scan-douhles 
1-interiaced PAL/NTSC modei to allnw 
jA monJTOT? tci diaplajf rhem. Suppofts VGA 
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IDEM CD-DE CARD £69 



pne^WER CASES ■ 

The AllOO Tower comti complete with 3 S 
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The A4(K)0 Towef comes complcre witJi 6 x 
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TOWER AllOO £499 

TOWER A4000 £429 

EXTENDED KEYBOARD .£29.95 

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Maxigtui 2 is a vi«y higb quality genlock for 
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HAXIGEN Z Genlock £299.95 




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OCTOGEN 1(«)8 .£1 29 

VGA ADAPTOR £15 




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'VIl3fcO UaC 18-BIT 

(Video Dac 1 8-bit is i graphics card 

'•which allows the Amiga to display 

Z62 ,144 colours simultaneouily. The 

|»ofwiuie can dispJay Ltraf;cs or animations 
f crca.ted and sav-cd with any otbcr 24-bit 

program , 

Video Dac 1 fl-bit plugs eXTCrnally into 
the RGB connector with thru' pore 
■ capabiliries, aJlawing the u*c of digjtiMrs 
such as Videon, or a genlock recording 
with your VCR irty inriage ynu created in 
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Video Dae 18-bit Is able to split the 
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simc time. 

Thisoft products ■ 

SQUIRREL SCSI INTERFACE CannectSCSI perphierah £59-95 

AURA 1 2/ 16-bir direct- to -disk sampler A600/ 1200 ,,,-.- .£79.95 

MEGALOSOUND 8-birdirBCt' to -disk sampler, all Amiga's ..... ,£29.95 
VIDiOM ASTER AGA Realtime video with sound + stills A600/ 1 200 £59,95 
VIDEOMASTER AGA RGB VideoMastcr xAGA plus CblourMastcr .£99,95 
VI DEO MASTER Hejlui-nc video with sound + stills A500/A50O*- - . . .£52.95 
VI D EO M ASTE R RG B VideoMaster plus C*lourMasPcr A5OO/A5O0-f £89.9 5 

COLOURMASTER RGB splitter for VideoMaster ,.,.,, ,£52.9S 

PROM1DI INTERFACE Araig* Midi interface £ 1 9.95 

L PICASSO II ■ 



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320 a 512 PAL 
320 Tc 400 NTSC 
3fi4 X 576 PAL 
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AM rSKiwtlQnii display It!, 1 44 culDur* 

The free bundled sciftwafc saves your 
Images in the following formats; IFF, 
IFF24, RGB and Anim, plus a scries of 
dithering modes to enhance the overall 

quality of The images, 

VIDEODAC £39.95 



Piciiso II is a 24^bit graphics. «rd offering true rccargetable gcaphia- on asy Zorno based 
Amigs, Picasso rcKtlui!On.S are available from the Standard ScrecnModes. prasram, all 
useable hy OS friendly programs. The n«w Chunky opiion offers incredible sp«d with a 
256 Woildwnch which is many times laster than AGA! All screens are stored in hsi. 
RAM, removing 2MB Chip RAM limitations. PicassoModt allows the creation of custom 
screens quitkly and simply, Plcaiso II comes with TVl'aint Junior and drivers for 
IrtiagcKX, AdPre, ]mageMaSi*r, Rsd 3D and GIF. IFF, JPEG and MPEG viewers, Al» 
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PICASSO II ...... - .£299.95 WITH TV PAINT 1.0 £329.95 

PABLO Video Encoder . .£1 29.95 

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^Mtertrimmemt ltd. 








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